Playlist #182

Happy Monday, folks. We begin this week as we have so many others, with a playlist of tracks chosen by yours truly. This week, those songs are:

  1. Fleetwood Mac, “Silver Springs (Live)”: The one from The Dance, the 1997 live album, where Stevie Nicks gives such a performance directly at Lindsey Buckingham that I’m surprised he didn’t just sink through the floor and into oblivion. I’ve been obsessed with this song for the past week, and it doesn’t show any signs of letting me go anytime soon.
  2. Tom Petty and the Heartbreakers, “Straight Into Darkness”: They just released a deluxe version of this 1982 album, complete with a bonus disk of outtakes and rarities. Good stuff. Now gimme one for Damn the Torpedoes!
  3. Cunningham Bird, “Don’t Let Me Down Again”: So Andrew Bird and Madison Cunningham did a track-for-track remake of Buckingham Nicks. It still sounds very Andrew Bird-y, so lots of beautiful violin and virtuoso whistling.
  4. Live, “Pain Lies on the Riverside”: Did you know they wrote and recorded and performed songs other than “Lightning Crashes”? Well, they did! And a lot of them are a damn-sight better than that song.
  5. Van Morrison, “Everyone”: My brother called me up Friday and asked me, “What Van Morrison song has a lot of flutes and sounds like it’s straight out of the Middle Ages? And there’s something about mulberry bushes in there, too, I think?” He meant “Everyone,” which, while it does indeed feature flutes in a rather prominent role, does not ever mention mulberry bushes.
  6. The Offspring, “Staring at the Sun”: Sometimes, you just wanna rock out to a song that aint’ that deep. The Offspring are there for you.
  7. Michigander, “Better (Acoustic)”: Is this better than the electric version? I’m not convinced.
  8. Melissa Ethridge, “Come to my Window”: Man, when is Lilith Fair gonna get revived?
  9. Josh Ritter, “The Curse”: The best song about a mummy accidentally cursing the woman he loves who found him and slowly sucking all of the life out of her until she’s just a desiccated husk of a person like he was when she first found him that I have ever heard. It is, admittedly, a rather niche genre of song.
  10. John Mellencamp, “No One Cares About Me”: Poor John Mellencamp. It sure ain’t his mid-80s heyday anymore, which is too bad, since he’s become a much more interesting songwriter since then and mellowed out in a number of ways. Not in his voice, mind you, which sounds like he gargles glass, sand, whiskey, and an ashtray before every vocal take.

Playlist #181

Wednesdays are the new Mondays, baby!

  1. Redbone, “Wevoka”: Monday was Indigenous People’s Day, after all, so what better way to kick off our playlist for this week than a song from the Native American rock band Redbone?
  2. Stevie Nicks, “The Lighthouse”: If you told me that, in her late 70s, Stevie Nicks would release a maximalist pop song supporting women’s rights just weeks before the 2024 presidential election, I’d have said that…sounds about right, actually.
  3. Juan Luis Guerra, “Ojala Que Lluave Cafe”: A Dominican Republic singer-songwriter writes about only being able to move home if it starts raining rice and coffee. It’s a beautiful, heartbreaking song that includes a children’s choir.
  4. Teddy Swims, “Lose Control”: This man’s got some pipes. There’s something about the big white guy with face tattoos who can really belt that I kinda dig.
  5. Tom Petty, “Won’t Back Down”: I’ve been immersing myself in Tom Petty again lately. This song will still remain long after America is a distant dream in some ancient textbook.
  6. Adele, “Rolling in the Deep”: Is it a four-chord pop song? Yes. Does Adele just whip ass at singing the hell out of it anyway? Oh my, yes.
  7. Soundgarden, “Black Hole Sun”: My favorite part of this song is the guy who does the backing vocals singing, “Black hole sun, black hole sun!” in the background towards the end of the song. I don’t know why, but the guy’s tone just cracks me up every single time.
  8. Bruce Springsteen, “Atlantic City”: Nebraska remains my undisputed favorite Springsteen album. Sure, it’s very spare and stark, but I kinda like that about it, and the way he plays the guitar on some of them – like “Atlantic City,” for instance – fills in the corners of the song in a way that make a full band treatment absolutely unnecessary.
  9. Paul McCartney, “My Brave Face”: No idea why McCartney wrote a song about trying to get back on the horse after a divorce while he was still married to and deeply in love with Linda, but it’s a decent one.
  10. The Wallflowers, “Sleepwalker”: Did they ever write a better song than this? I don’t think they did.

Playlist #180

Happy Monday, folks! It’s PSAT/SAT Week here at the school where I teach, which means I get to spend Wednesday administering a test. Joy. In the meantime, here are some tunes to help you get through the next seven days.

  1. Stone Temple Pilots, “Big Easy”: Still follows the soft/loud dynamic of every band that ever heard the Pixies, but the incorporation of acoustic guitars and slide guitar is rather novel. I dig it.
  2. Mount Eerie, “Ravens”: Part of a song cycle/album about the death of the singer’s wife, it’s soft and contemplative and bare bones in its instrumentation, like it was made for Saturday around 3:00 AM.
  3. Buckingham Nicks, “Long Distance Winner”: Early work from Lindsey Buckingham and Stevie Nicks, pre-Fleetwood Mac, and the album is indeed hard to track down. It’s not available on any of the streaming services I checked, and even a CD version on Amazon was more money than I want to admit I spent on Lindsey Buckingham and Stevie Nicks. But it’s damn good music, even if some of the lyrics are a little too simple most of the time.
  4. Tom Petty & the Heartbreakers, “Breakdown”: Sometimes, I’m just in the mood for some good ol’ fashioned rock ‘n’ roll. And Tom always provides. Always.
  5. The Smile, “Foreign Spies”: More electronic than their previous two albums, but what do you expect from 2/5 of Radiohead?
  6. Jimmy Eat World, “Lucky Denver Mint”: Jumped up rocker is jumped up rocker.
  7. Carole King, “(You Make Me Feel Like A) Natural Woman”: I don’t know that I’ve ever heard a Carole King song that I didn’t like.
  8. Louis Armstrong, “A Kiss To Build A Dream On”: If you don’t love Satchmo, I don’t think we can be friends.
  9. The Clovers, “Love Potion No. 9”: This will always be the goofiest damn song to me. Dude drinks a love potion and ends up kissing a cop. Classic.
  10. Glen Campbell, “MacArthur Park”: So apparently this song is based on the love story between Jimmy Webb (who wrote it) and Susie Horton. Horton was working at an insurance company office near – you guessed it – MacArthur Park at the time. It’s apparently symbolic of the end of the love affair, according to Webb, but that really makes me wonder what kinda kinky cake-related shenanigans they got up to. Also, original recording of the song was by actor Richard Harris, later of Dumbledore in Harry Potter fame.

Playlist #179

It’s another rainy, gray Monday here in Northern Virginia. But we’ve got some tunes and we’ve got a bit of caffeine in our systems, so let’s go!

  1. Kris Kristofferson, “The Best of All Possible Worlds”: I know four things about Kris Kristofferson, who passed away over the weekend. (1) He was pretty badass in the Blade movies. (2) He stood beside Sinead O’Connor at the Concert for Dylan’s 30th Anniversary in solidarity with the singer while the crowd booed her (she’d just torn up a picture of the Pope on Saturday Night Live, like, a week earlier). (3) He once threatened to beat Toby Keith’s jingoist ass into the ground at a 9/11 benefit concert. (4) He was a damn good songwriter, and he’ll be missed.
  2. Jimmy Eat World, “The Middle”: Uplifting and danceable.
  3. Sabrina Carpenter, “Please Please Please”: Maybe I’m just showing my age here. Maybe this music isn’t for me, no matter how ELO-inflected the instrumentation may seem. But when did pop singers get so horny on main? I’m no prude, and I definitely don’t want to yuck someone else’s yum (especially since I think she’s pretty talented and a decent-enough songwriter), but I just don’t think I’m the target audience for this, and that’s okay.
  4. Chappell Roan, “Red Wine Supernova”: Speaking of pop singers I’m not the target audience for…
  5. Bruce Springsteen, “She Don’t Love Me Now”: A Springsteen cover of a Jesse Malin song? Yes, please! The sax solo fits perfectly.
  6. Billy Idol, “Bitter Taste”: A 21st century Billy Idol song that’s actually pretty good? It’s more likely than you’d think!
  7. The Gaslight Anthem, “Stay Lucky”: If ever there was a song that got the blood pumping while you speed down the highway doing way too many miles per hour over the speed limit, it was probably this one.
  8. Pearl Jam, “Hail Hail”: Maybe I’m just in a mood this morning and need to be pepped up, I dunno.
  9. Toad the Wet Sprocket, “Nightingale Song”: I love the harmonies on this song.
  10. JD McPherson, “The Phantom of New Rochelle”: A surfy rock instrumental from the Okie guitarist. Fun and reverby.

Playlist #178 – Jangly Electric 12 String

Happy Monday and happy Autumn, folks! Last week, Clyde challenged me to come up with a whole playlist of songs that feature an electric 12-string. At first, I just thought I’d post a link to the Byrds’ greatest hits and leave it at that, but I decided that might be too much of a cop-out even for me. So instead, I sat down and came up with ten songs that feature electric 12!

  1. The Byrds, “Turn! Turn! Turn!”: Honestly, any Byrds song could fill this spot. All of their best stuff features an electric 12 played by Roger McGuinn. This is the single most obvious song on this entire list.
  2. The Beatles, “A Hard Day’s Night”: George Harrison occasionally rocked an electric 12 on some Beatles songs, including this one and the always-awesome “And Your Bird Can Sing.” It was a close call between those two songs, but I went ahead and put this one on the list because of the electric 12 guitar solo.
  3. Led Zeppelin, “The Song Remains the Same”: For a dude who carried around a double-necked Gibson an awful lot, I don’t feel like Jimmy Page played much electric 12. He does on this track, though, and it’s great.
  4. Tom Petty, “I’ll Feel A Whole Lot Better”: Tom Petty is often associated with twelve string guitars, though I feel like he mostly stuck to acoustics for that. Not for this one, though. Also, the “12 string” part of “American Girl?” Not actually a 12 string, but two six-string guitars played by Petty and Mike Campbell in such sync that it just sounds like a 12 string. Kinda amazing.
  5. XTC, “Mayor of Simpleton”: Just a fantastic song from a fantastic band with a fantastic electric 12-string guitar part in it.
  6. Pink Floyd, “Fearless”: Apparently David Gilmour occasionally deigns to use an electric 12 on some songs, including this Floyd number from Meddle. Such a damn good album.
  7. The Hollies, “Bus Stop”: Another band that frequently used an electric 12. “Bus Stop” is possibly the greatest love story song from the British Invasion era.
  8. The Decemberists, “Yankee Bayonet”: Apparently Chris Funk, guitarist for the Decemberists, frequently uses the electric 12 for his stuff. Very cool.
  9. REM, “So. Central Rain”: That 12-string riff that starts the song off? So damn good.
  10. Gin Blossoms, “Til I Hear It From You”: When I think of ’90s jangle-pop, the Gin Blossoms are what I’m thinking of. This song is a perfect example of why.

Playlist #177

Happy Monday, folks! Did you know that you can join my Patreon and hear a new song every single week? It’s true! Come join me, I’m lonely. Here’s songs by other people:

  1. Gary Wright, “Two Faced Man”: Pre-“Dream Weaver,” Gary Wright had a mustache and a more Americana approach to music. This one features George Harrison on slide guitar!
  2. Lucero, “Downtown/On My Way Downtown”: I unabashedly love this song. The horns that feature throughout this whole album (called Women and Work, if you’re curious) is top-notch and adds a great layer of novelty to the songs.
  3. Deer Tick, “Easy”: This song sounds so damn angry every time I listen to it, and I love it. Very loud and brash and upset and unhappy and so damn angry.
  4. Van Morrison, “Give Me a Kiss”: This song is so lighthearted and bouncy, like the musical equivalent of a kiss from your significant other.
  5. Bruce Springsteen, “One Step Up”: Getting back to sadness, apparently, with the Boss’s cheating song. At least, that’s how I always think of it.
  6. Days of the New, “Touch, Peel and Stand”: An acoustic-based grunge song? It’s more likely than you think!
  7. The Flying Burrito Brothers, “Sin City”: Sometimes, you just want some good ol’ fashioned country rock, and the FBBs are here for you in that moment.
  8. Neil Young, “Harvest”: Speaking of country rock, here’s another classic of the genre. I spent a good chunk of the end of last week learning how to play a number of songs off this album, so I’m pretty stuck in on this one.
  9. Garbage, “Only Happy When It Rains”: Sharp songwriting, incisive lyrics, and a snarl on the lead singer’s lips make this one a classic.
  10. Frank Turner, “We Shall Not Overcome”: Sometimes, it’s best to just say “fuck it” and accept the inevitable.

Playlist #176

It’s Tuesday, because I spent all Sunday night vomiting and most of yesterday sleeping it off. So here’s this week’s playlist today.

  1. John Prine, “All The Best”: John Prine remains the songwriter’s songwriter. I caught a performance he did for NPR’s Tiny Desk Concert of this song, and it’s simple and beautiful and deadpan. Love it.
  2. Van Morrison, “Almost Independence Day”: I can’t be the only person who heard this song and thought it sounded like Pink Floyd’s “Wish You Were Here.”
  3. Pearl Jam, “Corduroy”: Was Vitalogy the last great Pearl Jam album? Probably not. But it was the last one I bought on CD until grad school, when I picked up Riot Act on a whim. I’d definitely chalk it up as their strangest album, with more weirdness than you usually expect from a mainstream rock act.
  4. Tom Petty, “Down South”: Okay, I’ll admit, I’ve come around on Highway Companion in recent years. Like any Tom Petty album, it features a good selection of classic tunes, including this one. Bonus, it’s fun to play on the guitar.
  5. Billy Bragg & Wilco, “Jesus Christ for President”: The first debate between Trump and Kamala Harris is tonight, and while I’ll watch it, I won’t be excited to watch it. Debates mostly just enrage me. But hey, maybe JC will make a sudden reappearance and run for office. Despite being an immigrant. And unemployed.
  6. Lee Isaacs, “Born Outta This Time”: I’m still not quite sure how I feel about this song. He rushes too much through some of the lyrics in the chorus, but it’s otherwise a pretty solid tune with good instrumentation and a catchy hook.
  7. The Flaming Lips, “Spider Bite”: The Soft Bulletin remains one of my favorite albums of all times, and this is a fun, weird little song from that one. A precursor to Spider-Man? Maybe.
  8. Roy Orbison, “Help”: Roy Orbison’s voice just sends chills up your spine, and his solo acoustic take on “Help” from documentary Everyman: John Lennon, “Journey in the Life” is just breathtaking. Wish a full version of it was available somewhere.
  9. Peter Gabriel, “Steam”: Is it just a slight rewrite of “Sledgehammer”? Yeah, sure. But is it still pretty awesome? Heck yeah. Even a rehashed “Sledgehammer” still hits a sweet spot in my brain.
  10. Sean Watkins and Glen Phillips, “Let It Fall”: Just one of the most beautiful songs I’ve ever heard, with gorgeous mandolin and guitar runs throughout.

Playlist #175: The Last DJ

Happy Tuesday! Yeah, I didn’t post on Monday, but it was Labor Day, so I think that’s okay. Listening to the radio last night, I caught an episode of The Last DJ on Tom Petty Radio, where a listener is a guest DJ and plays their top five Tom Petty songs. I figured I’d put together my list…or rather, two lists, since I do ten songs on one of these playlists. Ten is an easier number for me, since I like so many of the man’s songs. Without further ado, here are my top ten (today) Tom Petty (and the Heartbreakers) songs:

  1. “Casa Dega”: The greatest b-side that ever was. It’s from the Damn the Torpedoes! era, an album that was so good that most other bands would call it a Greatest Hits collection. A record so good, this song didn’t make it onto the record. It has all the hallmarks of a classic Tom Petty & the Heartbreakers song, though: the keyboard flourishes, Mike Campbell’s gorgeous guitar fills, and Petty’s cryptic yet straightforward lyrics.
  2. “Don’t Do Me Like That”: This was the first song I ever really fell completely in love with. There’s the pleading of the chorus, that absolutely perfect bridge, and Benmont Tench’s insistent organ throughout make this one an instant classic.
  3. “Breakdown”: The slow, almost sensual groove of this one always surprises me. It feels very unlike any other Tom Petty song, and yet you can right away tell it’s one of his. It’s also extremely satisfying to play that lead riff on the guitar.
  4. “A Thing About You”: Every time I listen to this song while I’m driving, I glance down and notice I’m doing at least twenty miles an hour over the speed limit. The intensity and power of this song are unlike anything else, and I guarantee I’ll be singing along and playing air guitar before it’s over.
  5. “Walls”: The opener to the underrated She’s All That soundtrack stands the test of time where I’m not sure the movie does (does anyone even remember that film? I don’t). It’s lovely and sad and heartbroken in a way that only Tom Petty can ever really pull off without sounding morose and sad sack.
  6. “Stand Accused of Love”: Echo is another criminally underrated album. Yeah, Tom was going through it when they recorded this one, and it didn’t really feature much in their live shows, but there are some really strong songs here. This is a classic Petty tune, with clever lyrics, an anthematic chorus, and great playing all around by the Heartbreakers.
  7. “Crawling Back to You”: Wildflowers remains my favorite Tom Petty album. I saw Tom on the Wildflowers Tour (and the Into the Great Wide Open Tour, where I had front-row tickets) back in ’95, and it was a helluva experience. This song always sticks in my mind. The lyrics are so bittersweet, and it features my favorite Tom lines of all time: “I’m so tired of feeling tired/Sure as night will follow day/Most things I worry ’bout/Never happen anyway.”
  8. “Yer So Bad”: If you want to get a picking circle jumping, this is a great way to do it. A swingin’, floor-stompin’ good time, even if it is about how his sister’s ex-husband is a complete and absolute loser.
  9. “Have Love Will Travel”: This one is on here to make Dad happy.
  10. “Built to Last”: I listened to this song on repeat the day Tom Petty died. It’s a testament to endurance, to longevity, to carrying on when you don’t think you can anymore. It’s about reaching deep inside yourself and finding that bit at your core that tells you that love can last forever, that the more things change, the more the one thing that matters most in the world remains solidly, resolutely unchanged. Love is built to last.

Playlist #174 – Life’s a Zoo

Happy Monday, folks! Well, we survived the first week of school somehow. Most of the kids did, too, and without their cellphones, if you can imagine that! Anyway, here’s a bunch of songs about animals.

  1. Bob Dylan, “Man Gave Names to All the Animals”: We could think of the Garden of Eden as a sort of proto-zoo, I guess, and Adam and Eve as the first zookeepers. Well, until all that apple business went down.
  2. Survivor, “Eye of the Tiger”: Let’s start things off in the big cats area. And watch out for the tigers. If you can see their eyes, it’s probably already too late.
  3. Steve Miller Band, “Fly Like an Eagle”: Let’s hop over to the aviary, where we can soar with the eagles and look at the sea, apparently.
  4. Neko Case, “The Tigers Have Spoken”: Oh, back to the big cats. Did you know tigers talk? It’s true! Neko Case said so.
  5. Pink Floyd, “Sheep”: Pink Floyd did a whole album called Animals, so you know they knew what was up with zoos.
  6. Josh Ritter, “To the Dogs or Whoever”: Dogs might be in zoos, right? Or dog-like animals, perhaps?
  7. Peter Gabriel, “Shock the Monkey”: There’s definitely monkeys, and they’re only shocking when they fling their poo or masturbate in front of zoo visitors.
  8. Tom Waits, “Get Behind the Mule”: Not sure how mules feature into a zoo, but who knows, maybe in the petting zoo area?
  9. Andrew Bird, “Sic of Elephants”: Elephants are definitely something you’d see at a zoo! Maybe not sycophants, though.
  10. Tom Petty, “Zombie Zoo”: The worst zoo. Everyone tried to bite me. Zero stars.

Playlist #173 – Back to School Edition!

Happy Monday, folks! Once more, a new school year has rolled around, and once more I woke up having not won the lottery, so I’m back in the classroom for my twentieth year of teaching. Which is more than a little horrifying. How can I be old enough to have done anything for twenty years? Except make playlists, of course. I’ve been doing that since I was born, essentially.

  1. The Call, “Let the Day Begin”: As I said last year when I featured this song on my start of the year playlist, this song always played on the classic rock station we listened to in my hometown first thing in the morning, usually around the time I was on my way to school. So I kind of associate it with the school day staring.
  2. Matchbox 20, “Stop”: Are these guys the most middle-of-the-road pop rock from the last twenty-some years? I think they might be.
  3. John Bonamasa, “Driving Towards the Daylight”: I had certain preconceived notions about what a John Bonamasa song would sound like and who he was as an artist, and boy was I wrong. It’s pretty good stuff.
  4. Billy Idol, “Bitter Taste”: Speaking of songs from artists I didn’t expect, this latter-day Billy Idol song is actually pretty damn good.
  5. Post Malone, “Have the Heart (feat. Dolly Parton)”: I didn’t have “Post Malone releases an actual country album” on my 2024 bingo card, let alone a duet with Dolly Parton that features the classic country like “I didn’t have the heart to break yours,” but here we are.
  6. Rufus Wainwright, “Going to a Town”: Melancholy and downbeat, but a lovely and beautiful song.
  7. Bruce Springsteen, “Stolen Car”: Speaking of downbeat, this is probably the most subtle song Springsteen has ever recorded, and I’m including Nebraska in that tally. I’m sure it was totally by accident.
  8. Young Dubliners, “Last House on the Street”: A simple love song, but the best love songs are simple.
  9. Van Morrison, “Into the Mystic”: “It’s too late to stop now.”
  10. Bob Dylan, “Born in Time”: Every so often, latter-day Dylan pops up with an absolute gem that he, for reasons I can’t explain, he relegates to the Bootleg Series rather than releasing on an album proper. This is one of ’em.