playlist

Playlist #4

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The end of the school year is fast approaching. Here’s some songs to ride out this week:

1. The Pixies, “Where Is My Mind”: The Wife loves the Pixies. I’m pretty okay with them most of the time.

2. Toad the Wet Sprocket, “Inside”: Most ridiculous name for a band ever? It’s definitely in the top ten. Awesome song? Also definitely.

3. 2Pac, “Keep Ya Head Up”: Uplifting rap about respect for women. A good ‘un.

4. XTC, “Stupidly Happy”: It’s a goofy song that I just love to pieces.

5. William Elliott Whitmore, “Diggin’ My Grave”: This guy does more with a banjo and a stomp box than most bands do with a full ensemble. He also sounds like he’s had a few packs of cigarettes too many.

6. Traffic, “The Low Spark of High-Heeled Boys”: If there’s a stinker on the list this week, it’s probably this song. It’s too long and pretty repetitive. The only reason I put it on is because I read that one of the Mussel Shoals Rhythm Section (who play on the album this is from) passed away this weekend.

7. Tom Waits,”Sixteen Shells from a Thirty-Ought Six”: If there’s a more sinister line than “I’m gonna whittle you into kindlin’,” I don’t think I’ve heard it.

8. Tom Lehrer, “Poisoning Pigeons in the Park”: First heard it many years ago on the Dr. Demento Show, and the tune holds up. Can’t help giggling every time I get to the line, “And maybe we’ll do in a squirrel or two.”

9. Tennessee Ernie Ford, “Sixteen Tons”: Sure, it’s predominantly about how awful the blue collar worker’s life is, but there’s also that verse about how you shouldn’t mess with him because he’ll kill you. And that’s pretty baller.

10. Filter, “Take a Picture”: For about two months during my freshman year of college, I was completely obsessed with this song. I even bought the CD that it was on (this is what we had to do back before you could just download whatever songs you wanted onto your phone, back in the distant 1990s). It was…not at all like the rest of the album.

Playlist #3

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A little less of a downer this week. Let’s gooooo:

  1. Hunters & Collectors, “Throw Your Arms Around Me”: Apparently Australia’s unofficial national anthem? So says one of my coworkers who told me I should learn the song. It’s only three chords, so that will be pretty easy.
  2. Nur-D, “Brighter Day”: Rapper out of Minnesota who decided last year to shift from rapping about nerd culture (Superman, Power Rangers, etc.) to discussing Black Lives Matter and issues near and dear to his community. He still slips in stuff about superheroes and nerdy stuff, though.
  3. Hozier, “Take Me to Church”: Someday I’m gonna put together a playlist of songs relating sex to religion (this one, Madonna’s “Like a Prayer,” and Bruno Mars’s “Locked Out of Heaven,” just to name a few) and write an essay about the concept.
  4. The Replacements, “Alex Chilton”: Back in the day when the sister-in-law and I played Rock Band every day, we loved playing this song. It took us forever to five star it at the hard difficulty, but the rush when we finally did…awesome.
  5. Savage Garden, “I Want You”: Did you know there were actual words to this song? I mean, more than that whole “chickey-cherry cola” line? It’s true!
  6. Violent Femmes, “American Music”: “Everytime I look at that ugly moon/It reminds me of me” is one of the best self-deprecating lines ever. Fight me.
  7. The Wallflowers, “Misfits and Lovers”: I know my brother doesn’t like the album this song is off of, but I absolutely love this track (and that whole album, Glad All Over). Again, fight me.
  8. Fiona Apple, “Extraordinary Machine”: I just love the way she works her words and phrases in this song. It’s just perfect, as is the church bell.
  9. The Flaming Lips, “Fight Test”: Best Flaming Lips song. Fight me (it’s appropriate this time).
  10. Fleetwood Mac, “Gypsy”: My wife hates Fleetwood Mac. Hates them. But this song is my jam. She won’t fight me, but that’s probably for the best.

Playlist #2

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Here’s this week’s playlist. I was feeling a little more melancholy this week than last, which I feel is reflected in the selections.

  1. Josh Ritter, “Come and Find Me”: Pretty sure most of this song is just a G chord with little variations to keep it interesting.
  2. The Lemonheads, “Into Your Arms”: One of my team teachers loves the Lemonheads (she’s seen them in concert dozens if not hundreds of times) and I learned how to play this song on the guitar for her. It’s a good and simple song.
  3. The Low Millions, “Eleanor”: Did you know Leonard Cohen’s son had a band? And it was this band? And they never put out another album other than the one this song is on? It’s all true.
  4. The Marshall Tucker Band, “Can’t You See”: I’m a sucker for songs with a real simple chord progression, and this one is just D, C, G, D the entire way through. That’s it. No variation, no chorus, nothing but those three chords.
  5. The National, “90-Mile Water Wall”: My favorite part of this early song from the National is that you can hear the lead singer breathing into the microphone if you listen for it.
  6. Neko Case, “Margaret and Pauline”: Such a beautiful song and character sketch. The juxtaposition of the two characters is sad and gorgeous.
  7. Sturgill Simpson, “Keep It Between the Lines”: Part of the album Simpson wrote ostensibly as advice to his newly-born child, this one advises the listener to, “Stay in school/stay off the hard stuff and/keep it’ tween the lines.” Good advice for anyone, really.
  8. Uncle Tupelo, “High Water”: There was a time in graduate school where I became more than a little obsessed with everything even tangentially related to the band Wilco, which included Jeff Tweedy’s original band Uncle Tupelo. This song, from their fourth and final album, is a good indicator of why I liked them so much if not really representative of what they did as a band (think “punk country” or “alt-country,” if you will).
  9. Van Morrison, “Wonderful Remark”: Specifically, the version from the Philosopher’s Stone collection of outtakes and rarities. The original version is awesome, too, though this one somehow feels more striped down without the overwhelming piano of the original (and this one has flute).
  10. Ryan Adams & the Cardinals, “Friends”: Ryan Adams, I think we can all agree, has some problems. Dude is terrible to women and suffers from diarrhea of the recording studio (remember those times he put out three albums in a single calendar year? Yeah, I said times, plural, ’cause he’s done it more than once). But this song, from the double-album Cold Roses (which I still insist would have made one of the finest single albums of his career if he’d just cut some of the fat from the two-disc set), is still one of the best he’s ever written or committed to tape.

Playlist #1

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I’ve started creating weekly playlists, ten songs each. Trying not to repeat artists from week to week or on a playlist. Don’t want to replicate songs from week to week. Here’s last week’s playlist.

  1. Bruce Springsteen, “Ain’t Good Enough For You”: Uptempo and fun, a joyful bop to start us off.
  2. Johnny Cash, “Out Among the Stars”: Could anyone other than Johnny Cash write such a cheerful, uplifting song about a kid committing suicide by cop? No, they could not. And that chorus is awesome.
  3. Dog’s Eye View, “Everything Falls Apart”: You could have told me this song could have been written and performed by any of a few dozen guitar-based alternative rock groups from the ’90s and I would have believed you. It is so completely generic that you could replace the lyrics with gibberish and folks would still bounce around to it.
  4. Bob Dylan, “Positively Fourth Street”: The meanest kiss-off song in the business, even sixty or so years later. No one lays down a sick burn like a scorned Dylan.
  5. The Interrupters, “She’s Kerosene”: Who doesn’t like a little skank in their music? Commies, that’s who.
  6. Madonna, “Like a Prayer”: Remember how controversial this song and video were back in the ’80s? All those burning crosses and the Black Jesus! It’s a damn good song, though.
  7. Phoebe Bridgers, “Kyoto”: I dunno, I like the keyboards.
  8. Redbone, “We Were All Wounded at Wounded Knee”: Native American band telling it like it is.
  9. Aimee Mann, “Great Beyond”: I absolutely adore the work of Aimee Mann and I’m kicking myself for the “no back to back songs from the same musician/band” rule I established for myself already.
  10. Hem, “Great Houses of New York”: Every song by this band feels like it belongs with a film. It’s all very cinematic. This song is no exception, except it’s exceptionally amazing. Like all of Hem’s work.