Book 7 Update

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Summer’s almost here, and I’m sure everyone would love a new book to read over said summer vacation. Well, have I got news for you!

See, I know it’s been far too long since I posted anything on here about a book I’m actually working on. I got edits done on Book 7 back in December, and they just sat there for six months as I didn’t even bother opening up the document and working on it.

That changed this week. I completed edits earlier today and I have started work on the (always tedious) formatting. Tomorrow, I’ll order the cover from my cover artist. All of this means that Book 7: The Armageddon Seed will be available probably by the end of June.

It’s been too long since the last book. Yeah, I did the short story collection late last year, but it was 2019 when book 6 came out. That’s a long time to sit on a cliffhanger.

But hey! I’ll have a cover reveal for you folks here before too long, and information on the arrival date for the book around that same time. It’s exciting! And I’m already neck-deep in the follow-up, so hopefully things will flow a little smoother from here on out. Fingers crossed!

Playlist #162

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Happy Monday, folks! The school year is winding to a close as we speak; this time next week, I’ll only have a day or so left before I’m free for the summer! Here’s some songs to tide you over until then.

  1. Tom Petty, “Casa Dega”: Why this never received an official release on an actual album, I’ll never understand. It’s a classic Petty song, and Benmont Tench’s keyboards feature heavily. An absolute classic.
  2. Soul Asylum, “Runaway Train”: This playlist initially started out as a list of songs that I like to play but cannot play and sing at the same time (or at least, can’t sing well). I enjoy playing this one immensely, and I love singing along to it on the radio, but I struggle to put the two together.
  3. Onnu Josu Son, “True Love Will Find You In The End”: Quite possibly the simplest song on this playlist, and one of the most heartfelt and beautiful.
  4. Pearl Jam, “Wreckage”: I…really enjoyed the newest Pearl Jam album? Like, legitimately? I dunno, man. It’s weird.
  5. Counting Crows, “Hanginaround”: It’s a great way to kick off an album or start a party, I think. And the way it melts into “Mrs. Potter’s Lullaby” on the album? *Chef’s kiss*
  6. Toad the Wet Sprocket, “Whatever I Fear the Most”: Somewhere along the way, this turned into “songs Chuck likes from the ’90s” and, to be honest, it kinda got away from me.
  7. Josh Ritter, “Monster Ballads”: Okay, maybe now we’re back on firmer, “I can’t sing and play this well” footing? Maybe. This one is juuuuuust a little too low for my vocal range.
  8. Waxahatchee, “War”: I have abandoned any premise or presupposition of a theme for this playlist. It’s just damn good songs now.
  9. Dr, Dre, “Forgot About Dre”: And also this song about how Dr. Dre feels forgotten and, instead of being forlorn about it (as I would’ve done), he gets rapper snippy.
  10. Blind Melon, “No Rain”: Who among us hasn’t danced as a bee girl in a field?

Playlist #161

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Tuesdays are the new Mondays, am I right? Whatever. I was hanging out with my mom yesterday, on the rare opportunity to have a family member from Oklahoma out in my neck of the woods, so today is the day for the playlist.

  1. Drive-By Truckers, “Marry Me”: It’s so rare to hear a joyous, happy song from these guys, and this one stands as one of my favorites.
  2. Soul Asylum, “Runaway Train”: On the list “90s Songs I Love to Play But Really Can’t Sing,” this one is near the top. It’s a great, song, though.
  3. Counting Crows, “Rain King”: Speaking of songs from the 90s that I love, this one never fails to get the blood pumping and me singing along. I also end up doing at least 20 over the speed limit whenever it’s on in the car, which might be a problem.
  4. Tom Petty & the Heartbreakers, “Have Love Will Travel”: On the long list of Tom Petty albums that I own and love, The Last DJ ranks pretty low (okay, at the very bottom). A recent re-listen just confirms that, while there are a few gems tucked away (the title track, “Dreamville,” “Like a Diamond,” and this particular song), it’s mostly best left forgotten as the concept album that couldn’t.
  5. Fleetwood Mac, “Little Lies”: One of the few Fleetwood Mac songs my wife can even stand. I, of course, like most everything they’ve done.
  6. The Wallflowers, “Bleeders”: I mostly just love the little organ flourish that starts this song off, and want to someday start a song of my own that way.
  7. Fiona Apple, “Criminal”: I also someday want to work in some Fiona Apple-style piano in a song. I have a long list of things I want to borrow and reappropriate from other musicians, as it turns out. All art is love and theft.
  8. Paolo Nutini, “Let Me Down Easy”: I oughta sue this guy for stealing my song title. And I know mentioning him will only bring my brother out of the woodwork to talk about how much of a dick the guy apparently is.
  9. Andrew Bird Trio, “Caravan”: Sadly, not the Van Morrison song, but an old jazz standard, apparently? I would love to hear Andrew Bird sing some Van. Give me that cover album, dammit.
  10. Nirvana, “Lithium”: With our use of Sirius XM in the car nowadays, we’ve spent a lot of time listening to the 90s grunge/alternative station, Lithium. They only play the Nirvana song of the same name about once a day, though.

Playlist #160

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Happy Monday, folks. If you’re like me, you spent the weekend thinking about music, coughing, and playing video games. You also came up with this playlist. You are very talented and quite handsome, I must say.

  1. Seven Mary Three, “Water’s Edge”: This is just the grunge version of Richard Marx’s “Hazard,” isn’t it? I’m pretty sure it is.
  2. Onnu Jonu Son, “True Love Will Find You In the End”: Icelandic dude who has one of those great raspy, lower-register voices that feel folky and lived-in. So do his songs, including this lovely cover.
  3. Rhiannon Giddens, “Yet To Be (feat. Jason Isbell)”: I am a sucker for a good duet, and these two knock it out of the park.
  4. Adeem the Artist, “Nancy”: I like his new album, though I liked White Trash Revelry more. This one strikes me as “Laid” by James only ’90s country styles.
  5. Pearl Jam, “Wreckage”: Dark Matter was a surprisingly good album. It feels like classic Pearl Jam without really sounding anything like classic Pearl Jam. This one is a predominantly acoustic number, a strange thing on any Pearl Jam album but a welcome departure from their riffy electric assault.
  6. Hurray for the Riff Raff, “The Body Electric”: They just really get the folky country style, like they’ve lived it and it’s written in their bones.
  7. John Prine, “Souvenirs”: Is that really how you spell the word “souvenirs?” Why did I think it had more vowels in it, especially in the back half? I am just left confused.
  8. The Strumbrellas, “Spirits”: It’s one of those 2000s-era, over-produced pop-alternative bands with strummy acoustics and shouted team-style vocals, and I can’t get enough of it, apparently.
  9. Willie Nelson, “Blue Eyes Crying In The Rain”: You can’t go wrong with the Red Headed Stranger, either the singer (Willie) or the album.
  10. The Ink Spots, “Java Jive”: I am 90% sure most of my jazz and classical music knowledge came from watching cartoons as a child. Loony Tunes, Little Lulu, Tom & Jerry…everything I know about some genres of music came from these shows, including this song. “I like coffee, I like tea/I like the java jive and it likes me.” Yes indeed.

Playlist #159: Count It In

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Happy Monday, folks. It’s SOL testing season here in Northern Virginia, so I get to spend most of my free time each school day proctoring! Woo! It’s so much fun. Today, we count it in with a selection of songs featuring – you guessed it – a count in!

  1. The Beatles, “Taxman”: George starts us off right with a song all about counting. Speaking of taxmen, I might have to fire mine, since between them they almost cost me $2000 this tax season (instead of the $500 it actually ended up being). Of course, considering my taxmen are my brother and my father, and I don’t actually pay them, I guess you could argue I’m getting what I pay for.
  2. The Presidents of the United States of America, “Cleveland Rocks”: The POTUSes know how to kick it up a notch, and it starts with a, “3, 4!”
  3. Ryan Adams, “To Be Young”: This song just bleeds in from the opening argument with Dave Rawlins (which isn’t exactly a song, since it’s just the two of them arguing about Morrissey’s catalog). It does feature a hasty count-in, though, so it…counts.
  4. Outkast, “Hey Ya!”: Why do so many songs that start with a count-in of “3, 4”? Why do we skip the one and the two? Why is five never considered? Is it because we’re always in 4/4 time? That doesn’t seem fair, exactly. Outkast know better, though, giving us a full four count.
  5. The Avett Brothers, “Will You Return?”: So do the Avett Brothers, actually! It’s nice to hear. And that heavy-strummed banjo.
  6. Pink Floyd, “Free Four”: I’m not sure if this actually counts, since “free” is not a number.
  7. Moxy Fruvous, “Earthquakes”: This one makes due with a, “1, 2, 3” count-in, skipping four entirely.
  8. U2, “Vertigo”: Someone needs to have a conversation with Bono, because, “1, 2, 3, 14” is not how we count.
  9. Tom Petty & the Heartbreakers, “You Got Lucky”: This one just gets a “1” before Petty gives up counting and the song just starts.
  10. The Decemberists, “Shankill Butchers”: A trailing, “2, 3, 4” leads off this song about youths who will cut you, they will.

Playlist #158: More Tales from the Revolution

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Happy Monday, folks. It’s a wet and weary Monday, especially for me. I got sick over the weekend and have not fully recovered. But time and playlists (and AP Test proctoring) stop for no one!

  1. Gil Scott-Heron, “The Revolution Will Not Be Televised”: Gawd damn, how had I never heard this song until this weekend? It is so angry (justifiably so) and righteous (also justifiably so) and that groove is undeniable.
  2. John Lennon, “Working Class Hero”: Over the weekend, the Wife convinced me to activate Sirus XM on our car, as she was tired of “just listening to your curated playlists all the time.” Apparently she wants unpredictability in the music she listens to? That just sounds horrible to me, but that may be my weird little quirk. Anyway, I heard this song this weekend, too, probably on the same radio show as the Gil Scott-Heron track.
  3. Bruce Springsteen, “We Shall Overcome”: The looseness of the Seeger Sessions always struck me as very out of character for Springsteen, but it’s also a big part of why I love these songs so much.
  4. Adeem the Artist, “Books & Records”: The revolution will not be televised, and a lot of folks couldn’t afford to watch it even if they wanted to. While not a revolution per se, it is indicative of the folks down at the bottom of society for whom scraping by just doesn’t cut it.
  5. Bob Dylan, “A Hard Rain’s A-Gonna Fall”: Who writes more bitterly, more eloquently, about the revolution than Bob?
  6. Bob Marley & the Wailers,” Redemption Song”: You get the feeling – just from listening to this song, if nothing else – that Bob Marley understood the human spirit and the drive for freedom far better than many ever will. And maybe that’s a good thing: maybe we don’t want more folks having to think long and hard about how difficult freedom is to obtain, how challenging it is to fight just to exist. But Marley knew.
  7. Buffalo Springfield, “For What It’s Worth”: I’ll take “Songs I didn’t see becoming quite so relevant again” for $500, Alex.
  8. Leadbelly, “Midnight Special”: While I absolutely love the CCR version of this one, Leadbelly gives it a little something John Fogerty never could. There’s some authenticity to Leadbelly’s version – this is a man who literally sang his way out of prison at least once – and a lived-in experience that just isn’t present in the CCR version, no matter how awesome it is.
  9. Moxy Fruvous, “Stuck in the 90s”: While we may look back through nostalgic, rose-tinted glasses at that decade of decadence and – dare I say? – hedonism, not everyone sees the 90s as the golden age we think of it as being.
  10. Tracy Chapman, “If Not Now…”: Then when?

Playlist #157

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Happy Monday, folks! I hope everyone is doing well, and that folks out in Oklahoma weren’t hit too hard by all that weather over the weekend. It looks like the city of Sulphur got beaten up pretty badly, though.

  1. Uncle Tupelo, “Steal the Crumbs”: Went through an Uncle Tupelo kick late last week, especially their final record, Anodyne. Such a good album, and Jeff Tweedy really starts to find his voice as a songwriter. But Jay Farrar is still the frontman of this band, and this song is a good example of why.
  2. Simon & Garfunkel, “Kathy’s Song”: I’m constantly amazed by what these two could do with just their voices and a single acoustic guitar.
  3. Bob Dylan, “Seven Curses”: A simple tale of a horse thief condemned to death and his daughter, whose only path to freeing him is to sleep with the crooked, sleezy judge. Who, of course, does not free her father, but has him hanged instead. She puts one hell of a curse on him for it, too: “That one doctor cannot save him/That two healers cannot heal him/And that three eyes cannot see him/That four ears cannot hear him/That five walls cannot hide him/That six diggers cannot bury him/And that seven deaths shall never kill him.”
  4. Glen Phillips, “Train Wreck”: Glen Phillips sometimes comes across as a master of songs that are depressing as all hell and very, very bittersweet.
  5. The Head and the Heart, “Rivers and Roads”: The harmonies on this one are pretty nice.
  6. Jackson Browne, “Fountains of Sorrow”: Another one of those bittersweet songs about loss of love and innocence that just feels like a nostalgic gut punch.
  7. Moxy Fruvous, “My Poor Generation”: I always wish these guys had gotten just a little bigger, had stayed together just a little bit longer, and maybe released another album or two. It was awful, coming in right at the end of their time together, getting to hear all the cool stuff they’d done and slowly realizing that, hey, that’s it, there will be no more.
  8. REM, “Sweetness Follows”: I could not for the life of me tell you what this song is about, though it always feels like an elegy to me.
  9. The National, “Lucky You”: Probably the first great song written by these guys. It’s perfect, no notes.
  10. John Prine, “The Late John Garfield Blues”: Damn, but this man wrote simple songs about complicated things. Or maybe complicated songs about simple things? A little of both?

Playlist #156 – School Daze

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Happy Monday, folks! As we near the end of April, students’ minds start turning to thoughts of summer and freedom from the tyranny of…um…*checks notes*…learning. Here’s an appropriate playlist, all because I listened to the new Taylor Swift album this weekend and it features a song called “So High School.”

  1. Taylor Swift, “So High School”: I mean, I told you right up there why I put together this particular playlist, didn’t I? This song was mentioned right there. It’s not about high school per se, but it is about people being petty and small-minded and acting very high school, so we count it.
  2. The Angels, “My Boyfriend’s Back”: There’s nothing in this song to particularly attach it to high school students, but it feels very high schoolish to me. “My boyfriend’s back, and you’re gonna be in trouble,” they sing, and it’s very taunting and playground-esque.
  3. Bruce Springsteen, “Glory Days”: Ah, who doesn’t look back on high school as the time when your life was at its absolute peak? I mean, I don’t, but I also didn’t plateau at that point in my life and went on to do other, better things.
  4. Chuck Berry, “Schooldays”: Hail, hail, rock and roll.
  5. Old 97s, “Friends Forever”: You know how some folks go from nerds to kickass musicians in a rock band? The Old 97s know.
  6. The Mountain Goats, “Fall of the Star High School Running Back”: We’ve talked about this song. Don’t go from being the star running back on the high school football team to a drug dealer. You will get caught and you will receive an adult sentence for it, especially in Texas.
  7. Loudon Wainwright III, “School Days”: Loudon Wainwright III has this wonderful way to approach nostalgia and the yearning for the past that I’ve always loved.
  8. Pearl Jam, “Education”: In case you need a little Pearl Jam in your day. I know I do. Their new album is also actually pretty solid.
  9. Pink Floyd, “The Happiest Days of Our Lives/Another Brick in the Wall, Part 2”: Like I wasn’t going to put this song on this list. And yeah, it’s technically two songs, but they are always played as a single song, so I’m only counting it as one.
  10. The Ramones, “Teenage Lobotomy”: C’mon, we all think they’ve had ’em. It’s the only explanation for the slack-jawed looks I get every day.

Playlist #155 – The Old 97s

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Tuesday is the new Monday, right? The Old 97s put out a new album recently, and it’s pretty great. So, here’s a playlist of some of my favorite Old 97s songs. I had to do 12, ’cause 10 just wasn’t enough.

  1. “Mama Tried”: The Old 97s burst right out the gate with their sound already pretty-well established: fast acoustic strumming, some Chet Atikins-like electric, and a railroad rhythm section that leaves you pretty breathless by the end of the song. This Merle Haggard cover is pretty emblematic of their approach.
  2. “Victoria”: Most of the best Old 97s songs are witty, quip-filled emotional wringers about the dastardly women who’ve done Rhett Miller wrong and the whiskey he’s drinking to forget about them.
  3. “Doreen”: So the original version of this song, off their debut Hitchhike to Rhome, is a string-band get-down that feels only vaguely out of touch with the rest of the album. But the reworked version on Wreck Your Life feels more in line with their usual sound and is just a barnstormer of a tune.
  4. “Barrier Reef”: This is the song that got me into this band. “So I sidled up beside her/Settled down, shouted, “Hi there/My name’s Stuart Ransom Miller/I’m a serial ladykiller”/She said, “I’m already dead”/That’s exactly what she said” is just the best worst pickup line I have ever heard.
  5. “Big Brown Eyes”: Early Old 97s albums often featured reworked versions of older songs. On Too Far To Care, You’ve got this one and “4 Leaf Clover,” a rework from their debut. Both benefit from years on the road and improved musicianship.
  6. “Crash on the Barrelhead”: Sometimes the bassist sings? And it’s not bad? I’m as surprised as you are.
  7. “Designs on You”: When all you want to do is have a fling with an engaged woman and she seems kinda willing, but you don’t wanna come across as too skeevy.
  8. “In the Satellite Rides a Star”: If I had to pick a favorite Old 97s song, I’d ask you why you hated me and wanted me to choose between all of my beautiful, alcoholic children. But, gun to my head, it’d probably be this one. This week, anyway.
  9. “Champaign, Illinois”: Other weeks, it might be this one, which “borrows” (with gracious permission) the chord progression from Dylan’s “Desolation Row” for a song about the Midwest and a touring band.
  10. “Most Messed Up”: While this was probably once quite true for frontman Rhett Miller, he’s sobered up these days and far less likely to engage in debauched shenanigans. But hey, it’s fun to relive the (rather alcohol-soaked and hazy) past sometimes.
  11. “Holy Cross”: Why this song never ended up on an album proper, I’ll never know. It’s so damn good.
  12. “By the End of the Night”: Off their latest, American Primitive. The new album doesn’t really mess with the formula they’ve been working with for the past 30 years, but if it ain’t broke…

Playlist #154 – Eclipse Music

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Happy Monday and happy eclipse day, folks. The moon is gonna pass in front of the sun today, freak a buncha people out, and maybe signal mankind’s final doom and destruction? At least the weather is nice here for it, where we’ll only get 80% occlusion instead of the totality that they’ll see in, say, Cleveland. Of course, you’d have to be in Cleveland for that, so…tossup?

  1. Bonnie Tyler, “Total Eclipse of the Heart”: Let’s go ahead and get the most obvious one out of the way first. Yes, this is gonna be on everyone’s eclipse playlist. Yes, it is very, very obvious. It’s still a good song, though.
  2. Pink Floyd, “Brain Damage/Eclipse”: The other most obvious choice. Well, half of it is, anyway. But I feel like you can’t really play “Eclipse” without first playing “Brain Damage.” It’s like playing “Another Brick in the Wall, Part 2” without playing “The Happiest Days of Our Lives.” Y’know, I’m starting to think this is a specific Pink Floyd issue…
  3. Bruce Springsteen, “Darkness on the Edge of Town”: Now, we get into some less obvious tracks. Yes, it’s more of a sunset, metaphorical darkness in the Springsteen song, but that doesn’t mean it couldn’t have also applied to a total solar eclipse. Springsteen’s songs are multifaceted, I tell ya!
  4. David Gray, “Red Moon”: While the occluded sun is the obvious star of the day (pun definitely intended), let’s not forget the one who’s making it all possible: the moon!
  5. U2, “Staring at the Sun”: Let us say a quick prayer for all the optometrists who will be seeing folks over the next few weeks who are complaining about not being able to see a damn thing ’cause they literally stared at the sun without any protection or forethought.
  6. Tom Petty & the Heartbreakers, “Straight Into Darkness”: Again, a more metaphorical darkness than what we’re really dealing with during the eclipse, but do you know how rarely eclipses are the subject of songwriting? There’s not a lot out there, is what I’m saying, so you take what you can get, especially if it’s a kickass Tom Petty song.
  7. The Police, “Invisible Sun”: Replaced a previous Police song on the list, “Darkness,” because I think this song is way funnier to have on the list.
  8. The National, “The System Only Dreams in Total Darkness”: Well, get ready, system, ’cause in certain parts of North America this afternoon for about three minutes, you’ll be able to dream!
  9. George Harrison, “Beware of Darkness”: Some folks do think the eclipse is an ominous omen (is that just saying an omen-like omen? I feel like it might be. I don’t care. I’m leaving it in) of ill things to come. I think George Harrison just wanted a nightlight left on so he could find his way to the bathroom.
  10. Bob Seger, “Sunspot Baby”: I think Bob Seger is a criminally-underrated songwriter who’s built like the Platonic ideal of “Dad Bod” and just put together the best bar band you’ve ever heard. And did you know that sunspots are cool enough that water vapor can exist in them? Isn’t that wild?