Playlist #240: Covers!

Happy Monday, folks! I’m probably somewhere between Northern Virginia and Orlando, Florida, as you read this. The Wife is presenting at an education conference, and I’m joining her for moral and logistical support (and for the opportunity to not work for a week). Here’s a list of covers that I’ve enjoyed recently.

  1. Aimee Mann, “Rainy Days and Mondays”: A Carpenters cover? In this economy? It actually works pretty damn well, I think. She updates it in a few subtle ways, but mostly sticks to the original for her version.
  2. Mavis Staples, “Everybody Needs Love”: I loved this song when I heard the Drive-By Truckers original, and I love Mavis Staples’s version almost as much. Her voice carries the right tone and quality for the tune, and belies the age the woman actually is. I love it.
  3. Marc Sibilia, “Bittersweet Symphony”: His cover utilizes the same symphonic sample as the Verve Pipe’s original, but everything built around that seems more subdued, more subtle. It’s good stuff.
  4. The Presidents of the United States of America, “Kick Out the Jams”: Gotta love a band gutsy enough to take on an MC5 song, especially this one, but they manage to pull it off with some nervy energy and chutzpah.
  5. Phoebe Bridgers, “It’ll All Work Out”: I didn’t think it would be possible to slow down this Tom Petty number, but she does. I do miss the mandolin from the original, though.
  6. Iron & Wine and Ben Bridwell, “I Still Haven’t Found What I’m Looking For”: A mellower, folkier version of the U2 classic.
  7. Margaret Glaspy, “Have You Ever Seen the Rain”: I needed a slow, beautiful cover of CCR today, didn’t you?
  8. Willie Nelson, “Don’t Give Up (feat. Sinead O’Connor)”: Willie’s voice has just become this weathered, worn thing that just keeps getting better for the songs he sings. Fits perfectly, and Sinead O’Connor is a great duet partner for him.
  9. Bob Seager, “New Coat of Paint”: Seager turns Tom Waits’s raucous, bluesy number into…well, it’s not ’80s blooze-rock, not quite, but it does take some of the subtlety and nuance out of things. It’s still a fun cover, though.
  10. Robert Plant & Allison Krauss, “Quattro (World Drifts In)”: Speaking of nuance and subtlety, Plant and Krauss manage to inject a little bit more into this Calexico number. I dig it almost as much as I love the original, and I really love the original.

Playlist #239

Happy Monday, folks! It’s Thanksgiving this Thursday, or “Thursday” as most of the world calls it. Americans call it an excuse to stuff ourselves silly with turkey and more pies than is advisable under any circumstances. America: We may be obese, but at least we also have shitty health care.

  1. Todd Snider, “Alcohol and Pills”: Only just now discovering this guy’s music is like learning about a great novelist who wrote all these books that you know you’ll love but simultaneously discovering that he’s also dead and there won’t be anymore new stuff from him. Except he plays guitar.
  2. Fastball, “You’re an Ocean”: From the album after their big breakout. It’s a solid song. Does it do anything new or exciting? No. But it’s charming and fun and bouncy and features a nice guitar lick, so it gets a pass.
  3. Marc Scibilia, “More to This”: Dude finally released a whole album, and it’s pretty good indie singer-songwriter stuff, but this is still the best song on the thing.
  4. Florence + the Machine, “Everybody Scream”: I feel like Florence Welch has the right idea here, folks.
  5. Jimmy Cliff, “Many Rivers to Cross”: This man just passed, and I’m listening to his version of this song off of “Later with Joles Holland,” and damn could he sing.
  6. Big Red Machine, “Mimi”: I just like the rhythm to this one, I guess.
  7. Ra Ra Riot, “Ghost Under Rocks”: When was the last time I listened to this band? I need to go back and give them a listen again, I think.
  8. Glen Phillips, “Thankful”: It is Thanksgiving week, after all, and I do have a lot to be thankful for. I’ve got a job and a wife and a car and a place to live, I have all the things I need to do so comfortably, and I own more guitars than a saner woman would let me own. Someday, I may even be able to retire and live out the rest of my days as a curmudgeonly old man who yells at clouds.
  9. The Rolling Stones, “Mother’s Little Helper”: If at least five people reading this don’t feel the need to reach for a bottle of mother’s little helper this week, I don’t know my audience.
  10. Josh Ritter, “Wait for Love (You Know You Will)”: It’s a sweet love song. Sort of.

Playlist #238

Happy Monday, folks! The air is becoming crisper, it’s a little colder in the morning, and all the leaves have fallen off the trees and are now piled up everywhere. It’s actually feeling like fall! I’m here for it.

  1. Mavis Staples, “Anthem”: Mavis Staples’s latest album includes three straight-up amazing covers at the end, including this one. It takes some guts to cover Leonard Cohen, and to choose a Cohen cover that isn’t “Hallelujah.” Her vocals have the gravity to pull it off.
  2. Lord Huron, “Meet Me In The Woods”: Obsessed with this album still, and especially with this song. I probably listen to it at least three or four times a week.
  3. Dan Auerbach, “Trouble Weighs A Ton”: There’s something about a song that’s just a voice and an acoustic guitar that speaks to something primal in me.
  4. Fiona Apple, “Fast As You Can”: This woman and her music are criminally underrated (see what I did there? Because her best-known song is still probably “Criminal”).
  5. The Police, “Masoko Tanga”: A lyric-less song off their debut that features Sting hootin’ and hollerin’ and carryin’ on with yelps and mumbles and all sorts of vocalizations.
  6. Mark Knopfler, “Speedway At Nazareth”: Just the way this song builds and builds to its climactic coda, it’s just…*chef’s kiss*
  7. Fastball, “You’re An Ocean”: Less well-known than their first couple of hits, but still bouncy and fun and a good listen.
  8. The Like, “I Can See It In Your Eyes”: They do the girl group style up right for the 2000s.
  9. She & Him, “I Should Have Known Better”: If I ever do a Beatles cover, I hope I do it half as well as they did.
  10. Ben Harper & The Blind Boys Of Alabama, “Satisfied Mind”: The Blind Boy’s actual hoots in the verses just send me every time. Love it.

Playlist #237: Wrecks

Happy Monday, folks. We’ve got a short week this week, what with Veterans Day happening tomorrow, but we’ve also got a historically-based playlist for you today. Starting with:

  1. Gordon Lightfoot, “Wreck of the Edmund Fitzgerald”: Fifty years ago today, the Edmund Fitzgerald went down in Lake Superior, taking twenty-nine men with it. Lightfoot apparently wrote and recorded the song just a month later, and it was released in August of 1976, giving him the biggest hit of his career.
  2. Tom Petty, “You Wreck Me”: Is there a better Tom Petty album than Wildflowers? If so, I haven’t heard it (and neither, I’d assume, has anyone else, ’cause this is clearly his best album). That chorus is so good to sing along to.
  3. Pearl Jam, “Wreckage”: Pearl Jam’s latest studio album included this gem, an acoustic-based song that stands as one of the best they’ve written in the past fifteen, twenty years.
  4. Bruce Springsteen, “Wrecking Ball”: It’s a song about Giants Stadium in New Jersey. They were about to tear it down, and the Boss had to write a song in ode to it. It’s one of his better latter-day songs.
  5. George Harrison, “Wreck of the Hesperus”: Based on a Wordsworth poem about a shipwreck? Or a Procol Harum song of the same name? I dunno. It’s mostly George Harrison lamenting getting older, but still being able to rock out. It’s chock-full o’ puns, which is one of my favorite forms of song lyrics.
  6. Loose Fur, “Wreckroom”: Look, Loose Fur is weird. Just…really weird. But also nifty. Mostly weird.
  7. They Might Be Giants, “Wreck My Car”: Please do not wreck someone else’s car, even if they ask you to. That’s probably insurance fraud, and you don’t wanna be involved in that.
  8. Mike Campbell & the Dirty Knobs, “Wreckless Abandon”: Mike Campbell’s solo work is more workmanlike than anything he did with the Heartbreakers, but c’mon, not everyone is a songwriting dynamo like Tom Petty was.
  9. Emmylou Harris, “Wrecking Ball”: A different “Wrecking Ball” than the Bruce Springsteen one. It’s a beautiful song, though.
  10. Wreckless Eric, “Whole Wide World”: Featured to great effect in the movie Stranger than Fiction, it’s one of those three-chord garage rock songs that you can learn in two minutes and play all by yourself forever. We recommend turning the amplifier way up for this one.

Playlist #236

Happy Monday, folks! I spent the weekend hanging out with visiting family, strummin’ guitars and eating to much food. As one does. Here’s some songs to get you through the week.

  1. Gin Blossoms, “Hey Jealousy”: My dad had heard of the Gin Blossoms, he said, but couldn’t place a song by them. This is probably their best-known song. If he’s heard any of them, it’s probably this one.
  2. Snocaps, “Cherry Hard Candy”: It’s the lady from Waxahatchee! And her sister! And a couple of dudes she’s been performing with for a while! But it’s also a whole new and different band! But hey, more Waxahatchee by any name is good for me.
  3. Enigma, “Return to Innocence”: I heard this song (from the Pure Moods CD, natch) while I was in a Wawa last night. It’s the one with the faux-Native chanting/singing in it. You know the one. You heard it in all the commercials they ran for that collection in the ’90s.
  4. Tom Petty, “You Saw Me Comin'”: Finding Wallflowers is a fascinating document to me. I was talking with my dad about it this weekend, along with all the other archival releases legacy acts like Dylan, Springsteen, and Neil Young have been cranking out in the past few years. I’ve always enjoyed the iterative process of songwriting, and would have loved to hear where Tom took this particular song that just sorta…went away.
  5. Iggy Pop, “Passenger”: A classic Iggy four-chord rocker from Lust for Life.
  6. Wilco, “Handshake Drugs”: I love playing this song on the guitar. I have since I first figured out how to play it. Sometimes, Jeff Tweedy and Co. create some simple, very effective songs.
  7. Bruce Springsteen, “Reason To Believe (Electric Nebraska)”: One of my favorite songs from Nebraska. Is the electric version really all that different? No, not really. Again, it’s really obvious in hindsight why Bruce went with the solo demo versions of all of these songs.
  8. Hank Williams, “Move It On Over”: I always loved the George Thorogood version of this song, and the Hank original remains completely awesome as well.
  9. The Eagles, “Tequila Sunrise”: Always a fun guitar song.
  10. The Bee Gees, “To Love Somebody”: Learned this one playing guitar with my dad this weekend. Good song.

Playlist #235: The Boss

Happy Monday, folks! I was in a Bruce Springsteen mood over the weekend (thanks in large part to the release of Nebraska ’82), so here’s a list of ten of my favorite non-studio-album Bruce songs.

  1. “Thundercrack”: This song always reminds me of “Rosalita.” It’s similarly-epic in scope and style, I feel, and features some great saxophone work from the Big Man.
  2. “Losin’ Kind”: I’d never heard this song before this weekend, but damn is it haunting and more than a little troubling. The whole narrative around Nebraska and the man lost in the woods period feels very real here.
  3. “Blood Brothers”: From the ’90s Greatest Hits collection, this sounds exactly like what you think a Bruce Springsteen song should sound like.
  4. “Rockaway the Days”: The Boss is a strong storyteller, as seen in this song where a dude gets in a bar fight and then wraps his car around a tree.
  5. “Follow That Dream”: From the recent Tracks II collection. Such a weird collection. Seven whole albums you recorded and never released? That’s a wild flex, Bruce.
  6. “Johnny Bye Bye”: Is this song just a retelling of “Johnny B. Goode”? I think this song is just a retelling of “Johnny B. Goode.”
  7. “Ain’t Good Enough for You”: Bruce has a lot of charisma, or “rizz” as the kids say these days. It’s hard to imagine someone rejecting him, but apparently it was a problem when he was younger? If this song is anything to go by, anyway.
  8. “From Small Things (Big Things One Day Come)”: Just a jumped-up blues song that’s way too much fun to sing.
  9. “This Hard Land”: Another one of those Greatest Hits songs that just sounds like a quintessential Bruce song. It’s, like, the ur-material that all other Springsteen songs are extracted from.
  10. “Open All Night (Electric Nebraska)”: One of my absolute favorite songs off of Nebraska, only with drums and bass.

Playlist #234

Happy Tuesday, folks. Yesterday was Diwali, a Hindu holiday, and one that FCPS takes off now. So naturally, I spent the day taking various individuals to the doctor – the cat, my wife – and doing laundry. So much laundry. Where did we even get all these clothes? Anyway, here’s some songs to get you through the week.

  1. The Dead South, “In Hell I’ll Be In Good Company”: Whistling and stand-up bass and a title that’s entirely too long? Yup, hits a lot of points on the checklist.
  2. The Bridge City Sinners, “St. James’ Infirmary”: I was unaware I needed to hear a version of “St. James’ Infirmary” with the word “fuck” in it. And now I know.
  3. Glass Animals, “Heat Waves”: A random student walked by while I was playing the guitar outside last Friday and asked me if I knew how to play this song. I did not, so I looked it up. Seems easy enough to play, if a bit of a challenge for me to sing.
  4. Holly Golightly, “My Get Back”: How had I never listened to Holly Golightly until now? This is some good stuff. Blues-inflected, rough around the edges in just the right way. I dig it.
  5. Jakob Dylan, “Lend A Hand”: Spent most of yesterday listening to Dylan’s Women + Country on repeat for whatever reason, and this song still grabs me by the lapels and shakes me.
  6. Radiohead, “There, There (Live)”: The live Hail to the Thief versions are all great, especially this one, but I’m a little disappointed that it doesn’t include “Drunken Punch Up At A Wedding.” Sad.
  7. George Harrison, “Stuck Inside A Cloud”: It still amazes me that Harrison was able to craft such beautiful, touching music while in the grips of cancer, dying from it. We need more folks like him.
  8. The Pixies, “Where Is My Head?”: So supposedly a Taylor Swift song sounds a lot like this song? And that’s a . . . bad thing? If she wants to become a Pixies cover act, I’d probably be okay with that.
  9. The Cranberries, “Salvation”: It’s a song where they basically chant “Salvation” in the chorus over and over again. Of course I love it.
  10. Elliott Smith, “Bottle Up And Explode!”: One of his best off XO, which is also his best album in my humble (and correct) opinion.

Playlist #233

Happy Indigenous People’s Day, folks! We don’t talk about that other guy.

  1. Redbone, “Wovoka”: As the best Native American rock band of the 1970s, Redbone put a fascinating wrinkle on rock and roll. Nice native rhythms.
  2. Counting Crows, “1492”: Why does this song spend a whole verse talking about Christopher Columbus? What does this have to do with literally anything else in this song?
  3. The Narcissist Cookbook, “The Simplest Words”: Sometimes, your brain goes all dribbly, and this guy gets it.
  4. Phoebe Bridgers, “It’ll All Work Out”: A Tom Petty cover? In this economy? It’s slowed way down but beautiful.
  5. Alan Jackson, “Chattahoochee”: A song that understands consent better than the President of the United States.
  6. Rhett Miller, “A Little Song”: A beautiful little song off his new album, one made apparently while he was waiting to get surgery done on his vocal chords (he had a polyp and a cyst on them!) and was in danger of never being able to sing again if things went wrong. They went right, though, which is good for all of us.
  7. Rilo Kiley, “Does He Love You?”: Still one of the bitterest love songs I’ve ever heard.
  8. Seven Mary Three, “Water’s Edge”: Look, ma, we’ve got Richard Marx in the ’90s!
  9. Passenger, “Let Her Go”: What if Cat Stevens got his start in the 2010s?
  10. Matt Berninger, “Little By Little”: Still a damn good song that I just keep going back to again and again.

Playlist #232

Happy Monday, folks. It’s SAT week here in Fairfax County, so I get to help administer that test this Wednesday. Joy. I love testing. These songs will hopefully carry me through the week.

  1. Taylor Swift, “Wood”: Yes, there’s a new Taylor Swift album out, and it’s all anyone is talking about. While I enjoy this song, it’s also rather amusing to me. Hearing Taylor sing double entendres is like hearing your middle schooler try out the word “fuck”: it’s mildly adorable to hear them trying, even though it sounds kinda cringey.
  2. Rhett Miller, “The El”: This could’ve come off an Old 97s album, honestly, but I can’t blame Rhett for keeping it for this solo record. It’s a bop.
  3. Neko Case, “Dirty Knife”: What is this song about? I have no idea, but there’s mention of the titular knife and a chorus (?) sung in, I think, Latin. It’s great.
  4. Tom Petty & the Heartbreakers, “California”: I’m just a sucker for the She’s the One soundtrack, as we are all well aware by now.
  5. The Raconteurs, “Intimate Secretary”: This just always seemed like an extremely fun band to be a part of, like these guys really synched up well and were all on the same page. This song is a perfect example of that chemistry.
  6. Robert Plant, “Chevrolet”: Robert Plant still makes pretty compelling music. His latest feels even more in line with the stuff he’s been making with Allison Krauss, even though she’s not even involved with the project.
  7. Spoon, “Chateau Blues”: A Spoon song that does and does not sound like a Spoon song is quite an accomplishment, but it’s one they pull off here.
  8. Lord Huron, “Meet Me in the Woods”: Still rather obsessed with Strange Trails. Will not apologize for that.
  9. Pearl Jam, “Hail, Hail”: When you need a little pick me up first thing in the morning, put it on this song and crank the volume. You’re welcome.
  10. John Prine, “Souvenirs”: And when you need someone to make you wistful and nostalgic and maybe just a little bit angry at the past, you could do much worse than Prine.

Playlist #231

Happy Monday, folks. A lot of new music came out last week that I really dug, and I’m still going through it and listening. But hey, the playlist waits for no man, except sometimes me when I forget that it’s Monday and I have to post one of these.

  1. Neko Case, “Winchester Mansion of Sound”: Case’s music continues to grow and shift; she’s never content to just coast by on what she’s done before. This is probably one of my favorites off the new album.
  2. Jeff Tweedy, “Cry Baby Cry”: Dude dropped a triple album on Friday. That’s wild. This is not, unfortunately, a cover of the Beatles song of the same name, but it is, fortunately, quite a good song anyway. The whole album is pretty good, honestly, though I feel like some of the lyrics could’ve used a second pass.
  3. Amanda Shires, “The Details”: I have never been divorced, as I’m sure most folks know. That being said, this song sounds like what I imagine divorce feels like, and it makes me uncomfortable and more than a little voyeuristic, like I’m listening in on a couple in the final throes of the inevitable end.
  4. David Gray, “Kathleen”: Sometime in the past few years, Draw the Line somehow became my favorite David Gray album, and this one of my favorite songs off that album. I can’t adequately explain the why of either of those, so instead I just accept them and continue grooving to the album and this song in particular.
  5. Bruce Springsteen, “Reason to Believe”: I always enjoy the work of Bruce the Storyteller. Here, it’s a series of vignettes with a common theme: at the end of a hard day, when the world wears you down and tells you to just give up, folks still find a reason to go on.
  6. Andrew Bird, “So Much Wine, Merry Christmas”: I learned the lead break from this song a few months ago, and it’s a great joy to play.
  7. Buckingham Nicks, “Frozen Love”: This album has finally appeared on streaming, so it’s okay that I left my copy in Oklahoma with my dad back in April.
  8. Doechii, “Anxiety”: It uses that one Gotye song (you know the one, he only did the one) as a basis for a very different tune.
  9. The Presidents of the United States of America, “Kick Out the Jams”: Who doesn’t love an MC5 cover? It’s suitably quick and jagged, and I kinda love it.
  10. Iron & Wine and Ben Bridwell, “I Still Haven’t Found What I’m Looking For”: Speaking of covers, here’s Iron & Wine and the dude from Band of Horses doing an U2 cover. It sounds exactly how you think that will sound.