Playlist #179

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It’s another rainy, gray Monday here in Northern Virginia. But we’ve got some tunes and we’ve got a bit of caffeine in our systems, so let’s go!

  1. Kris Kristofferson, “The Best of All Possible Worlds”: I know four things about Kris Kristofferson, who passed away over the weekend. (1) He was pretty badass in the Blade movies. (2) He stood beside Sinead O’Connor at the Concert for Dylan’s 30th Anniversary in solidarity with the singer while the crowd booed her (she’d just torn up a picture of the Pope on Saturday Night Live, like, a week earlier). (3) He once threatened to beat Toby Keith’s jingoist ass into the ground at a 9/11 benefit concert. (4) He was a damn good songwriter, and he’ll be missed.
  2. Jimmy Eat World, “The Middle”: Uplifting and danceable.
  3. Sabrina Carpenter, “Please Please Please”: Maybe I’m just showing my age here. Maybe this music isn’t for me, no matter how ELO-inflected the instrumentation may seem. But when did pop singers get so horny on main? I’m no prude, and I definitely don’t want to yuck someone else’s yum (especially since I think she’s pretty talented and a decent-enough songwriter), but I just don’t think I’m the target audience for this, and that’s okay.
  4. Chappell Roan, “Red Wine Supernova”: Speaking of pop singers I’m not the target audience for…
  5. Bruce Springsteen, “She Don’t Love Me Now”: A Springsteen cover of a Jesse Malin song? Yes, please! The sax solo fits perfectly.
  6. Billy Idol, “Bitter Taste”: A 21st century Billy Idol song that’s actually pretty good? It’s more likely than you’d think!
  7. The Gaslight Anthem, “Stay Lucky”: If ever there was a song that got the blood pumping while you speed down the highway doing way too many miles per hour over the speed limit, it was probably this one.
  8. Pearl Jam, “Hail Hail”: Maybe I’m just in a mood this morning and need to be pepped up, I dunno.
  9. Toad the Wet Sprocket, “Nightingale Song”: I love the harmonies on this song.
  10. JD McPherson, “The Phantom of New Rochelle”: A surfy rock instrumental from the Okie guitarist. Fun and reverby.

Playlist #178 – Jangly Electric 12 String

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Happy Monday and happy Autumn, folks! Last week, Clyde challenged me to come up with a whole playlist of songs that feature an electric 12-string. At first, I just thought I’d post a link to the Byrds’ greatest hits and leave it at that, but I decided that might be too much of a cop-out even for me. So instead, I sat down and came up with ten songs that feature electric 12!

  1. The Byrds, “Turn! Turn! Turn!”: Honestly, any Byrds song could fill this spot. All of their best stuff features an electric 12 played by Roger McGuinn. This is the single most obvious song on this entire list.
  2. The Beatles, “A Hard Day’s Night”: George Harrison occasionally rocked an electric 12 on some Beatles songs, including this one and the always-awesome “And Your Bird Can Sing.” It was a close call between those two songs, but I went ahead and put this one on the list because of the electric 12 guitar solo.
  3. Led Zeppelin, “The Song Remains the Same”: For a dude who carried around a double-necked Gibson an awful lot, I don’t feel like Jimmy Page played much electric 12. He does on this track, though, and it’s great.
  4. Tom Petty, “I’ll Feel A Whole Lot Better”: Tom Petty is often associated with twelve string guitars, though I feel like he mostly stuck to acoustics for that. Not for this one, though. Also, the “12 string” part of “American Girl?” Not actually a 12 string, but two six-string guitars played by Petty and Mike Campbell in such sync that it just sounds like a 12 string. Kinda amazing.
  5. XTC, “Mayor of Simpleton”: Just a fantastic song from a fantastic band with a fantastic electric 12-string guitar part in it.
  6. Pink Floyd, “Fearless”: Apparently David Gilmour occasionally deigns to use an electric 12 on some songs, including this Floyd number from Meddle. Such a damn good album.
  7. The Hollies, “Bus Stop”: Another band that frequently used an electric 12. “Bus Stop” is possibly the greatest love story song from the British Invasion era.
  8. The Decemberists, “Yankee Bayonet”: Apparently Chris Funk, guitarist for the Decemberists, frequently uses the electric 12 for his stuff. Very cool.
  9. REM, “So. Central Rain”: That 12-string riff that starts the song off? So damn good.
  10. Gin Blossoms, “Til I Hear It From You”: When I think of ’90s jangle-pop, the Gin Blossoms are what I’m thinking of. This song is a perfect example of why.

Playlist #177

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Happy Monday, folks! Did you know that you can join my Patreon and hear a new song every single week? It’s true! Come join me, I’m lonely. Here’s songs by other people:

  1. Gary Wright, “Two Faced Man”: Pre-“Dream Weaver,” Gary Wright had a mustache and a more Americana approach to music. This one features George Harrison on slide guitar!
  2. Lucero, “Downtown/On My Way Downtown”: I unabashedly love this song. The horns that feature throughout this whole album (called Women and Work, if you’re curious) is top-notch and adds a great layer of novelty to the songs.
  3. Deer Tick, “Easy”: This song sounds so damn angry every time I listen to it, and I love it. Very loud and brash and upset and unhappy and so damn angry.
  4. Van Morrison, “Give Me a Kiss”: This song is so lighthearted and bouncy, like the musical equivalent of a kiss from your significant other.
  5. Bruce Springsteen, “One Step Up”: Getting back to sadness, apparently, with the Boss’s cheating song. At least, that’s how I always think of it.
  6. Days of the New, “Touch, Peel and Stand”: An acoustic-based grunge song? It’s more likely than you think!
  7. The Flying Burrito Brothers, “Sin City”: Sometimes, you just want some good ol’ fashioned country rock, and the FBBs are here for you in that moment.
  8. Neil Young, “Harvest”: Speaking of country rock, here’s another classic of the genre. I spent a good chunk of the end of last week learning how to play a number of songs off this album, so I’m pretty stuck in on this one.
  9. Garbage, “Only Happy When It Rains”: Sharp songwriting, incisive lyrics, and a snarl on the lead singer’s lips make this one a classic.
  10. Frank Turner, “We Shall Not Overcome”: Sometimes, it’s best to just say “fuck it” and accept the inevitable.

Playlist #176

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It’s Tuesday, because I spent all Sunday night vomiting and most of yesterday sleeping it off. So here’s this week’s playlist today.

  1. John Prine, “All The Best”: John Prine remains the songwriter’s songwriter. I caught a performance he did for NPR’s Tiny Desk Concert of this song, and it’s simple and beautiful and deadpan. Love it.
  2. Van Morrison, “Almost Independence Day”: I can’t be the only person who heard this song and thought it sounded like Pink Floyd’s “Wish You Were Here.”
  3. Pearl Jam, “Corduroy”: Was Vitalogy the last great Pearl Jam album? Probably not. But it was the last one I bought on CD until grad school, when I picked up Riot Act on a whim. I’d definitely chalk it up as their strangest album, with more weirdness than you usually expect from a mainstream rock act.
  4. Tom Petty, “Down South”: Okay, I’ll admit, I’ve come around on Highway Companion in recent years. Like any Tom Petty album, it features a good selection of classic tunes, including this one. Bonus, it’s fun to play on the guitar.
  5. Billy Bragg & Wilco, “Jesus Christ for President”: The first debate between Trump and Kamala Harris is tonight, and while I’ll watch it, I won’t be excited to watch it. Debates mostly just enrage me. But hey, maybe JC will make a sudden reappearance and run for office. Despite being an immigrant. And unemployed.
  6. Lee Isaacs, “Born Outta This Time”: I’m still not quite sure how I feel about this song. He rushes too much through some of the lyrics in the chorus, but it’s otherwise a pretty solid tune with good instrumentation and a catchy hook.
  7. The Flaming Lips, “Spider Bite”: The Soft Bulletin remains one of my favorite albums of all times, and this is a fun, weird little song from that one. A precursor to Spider-Man? Maybe.
  8. Roy Orbison, “Help”: Roy Orbison’s voice just sends chills up your spine, and his solo acoustic take on “Help” from documentary Everyman: John Lennon, “Journey in the Life” is just breathtaking. Wish a full version of it was available somewhere.
  9. Peter Gabriel, “Steam”: Is it just a slight rewrite of “Sledgehammer”? Yeah, sure. But is it still pretty awesome? Heck yeah. Even a rehashed “Sledgehammer” still hits a sweet spot in my brain.
  10. Sean Watkins and Glen Phillips, “Let It Fall”: Just one of the most beautiful songs I’ve ever heard, with gorgeous mandolin and guitar runs throughout.

Playlist #175: The Last DJ

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Happy Tuesday! Yeah, I didn’t post on Monday, but it was Labor Day, so I think that’s okay. Listening to the radio last night, I caught an episode of The Last DJ on Tom Petty Radio, where a listener is a guest DJ and plays their top five Tom Petty songs. I figured I’d put together my list…or rather, two lists, since I do ten songs on one of these playlists. Ten is an easier number for me, since I like so many of the man’s songs. Without further ado, here are my top ten (today) Tom Petty (and the Heartbreakers) songs:

  1. “Casa Dega”: The greatest b-side that ever was. It’s from the Damn the Torpedoes! era, an album that was so good that most other bands would call it a Greatest Hits collection. A record so good, this song didn’t make it onto the record. It has all the hallmarks of a classic Tom Petty & the Heartbreakers song, though: the keyboard flourishes, Mike Campbell’s gorgeous guitar fills, and Petty’s cryptic yet straightforward lyrics.
  2. “Don’t Do Me Like That”: This was the first song I ever really fell completely in love with. There’s the pleading of the chorus, that absolutely perfect bridge, and Benmont Tench’s insistent organ throughout make this one an instant classic.
  3. “Breakdown”: The slow, almost sensual groove of this one always surprises me. It feels very unlike any other Tom Petty song, and yet you can right away tell it’s one of his. It’s also extremely satisfying to play that lead riff on the guitar.
  4. “A Thing About You”: Every time I listen to this song while I’m driving, I glance down and notice I’m doing at least twenty miles an hour over the speed limit. The intensity and power of this song are unlike anything else, and I guarantee I’ll be singing along and playing air guitar before it’s over.
  5. “Walls”: The opener to the underrated She’s All That soundtrack stands the test of time where I’m not sure the movie does (does anyone even remember that film? I don’t). It’s lovely and sad and heartbroken in a way that only Tom Petty can ever really pull off without sounding morose and sad sack.
  6. “Stand Accused of Love”: Echo is another criminally underrated album. Yeah, Tom was going through it when they recorded this one, and it didn’t really feature much in their live shows, but there are some really strong songs here. This is a classic Petty tune, with clever lyrics, an anthematic chorus, and great playing all around by the Heartbreakers.
  7. “Crawling Back to You”: Wildflowers remains my favorite Tom Petty album. I saw Tom on the Wildflowers Tour (and the Into the Great Wide Open Tour, where I had front-row tickets) back in ’95, and it was a helluva experience. This song always sticks in my mind. The lyrics are so bittersweet, and it features my favorite Tom lines of all time: “I’m so tired of feeling tired/Sure as night will follow day/Most things I worry ’bout/Never happen anyway.”
  8. “Yer So Bad”: If you want to get a picking circle jumping, this is a great way to do it. A swingin’, floor-stompin’ good time, even if it is about how his sister’s ex-husband is a complete and absolute loser.
  9. “Have Love Will Travel”: This one is on here to make Dad happy.
  10. “Built to Last”: I listened to this song on repeat the day Tom Petty died. It’s a testament to endurance, to longevity, to carrying on when you don’t think you can anymore. It’s about reaching deep inside yourself and finding that bit at your core that tells you that love can last forever, that the more things change, the more the one thing that matters most in the world remains solidly, resolutely unchanged. Love is built to last.

Playlist #174 – Life’s a Zoo

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Happy Monday, folks! Well, we survived the first week of school somehow. Most of the kids did, too, and without their cellphones, if you can imagine that! Anyway, here’s a bunch of songs about animals.

  1. Bob Dylan, “Man Gave Names to All the Animals”: We could think of the Garden of Eden as a sort of proto-zoo, I guess, and Adam and Eve as the first zookeepers. Well, until all that apple business went down.
  2. Survivor, “Eye of the Tiger”: Let’s start things off in the big cats area. And watch out for the tigers. If you can see their eyes, it’s probably already too late.
  3. Steve Miller Band, “Fly Like an Eagle”: Let’s hop over to the aviary, where we can soar with the eagles and look at the sea, apparently.
  4. Neko Case, “The Tigers Have Spoken”: Oh, back to the big cats. Did you know tigers talk? It’s true! Neko Case said so.
  5. Pink Floyd, “Sheep”: Pink Floyd did a whole album called Animals, so you know they knew what was up with zoos.
  6. Josh Ritter, “To the Dogs or Whoever”: Dogs might be in zoos, right? Or dog-like animals, perhaps?
  7. Peter Gabriel, “Shock the Monkey”: There’s definitely monkeys, and they’re only shocking when they fling their poo or masturbate in front of zoo visitors.
  8. Tom Waits, “Get Behind the Mule”: Not sure how mules feature into a zoo, but who knows, maybe in the petting zoo area?
  9. Andrew Bird, “Sic of Elephants”: Elephants are definitely something you’d see at a zoo! Maybe not sycophants, though.
  10. Tom Petty, “Zombie Zoo”: The worst zoo. Everyone tried to bite me. Zero stars.

Playlist #173 – Back to School Edition!

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Happy Monday, folks! Once more, a new school year has rolled around, and once more I woke up having not won the lottery, so I’m back in the classroom for my twentieth year of teaching. Which is more than a little horrifying. How can I be old enough to have done anything for twenty years? Except make playlists, of course. I’ve been doing that since I was born, essentially.

  1. The Call, “Let the Day Begin”: As I said last year when I featured this song on my start of the year playlist, this song always played on the classic rock station we listened to in my hometown first thing in the morning, usually around the time I was on my way to school. So I kind of associate it with the school day staring.
  2. Matchbox 20, “Stop”: Are these guys the most middle-of-the-road pop rock from the last twenty-some years? I think they might be.
  3. John Bonamasa, “Driving Towards the Daylight”: I had certain preconceived notions about what a John Bonamasa song would sound like and who he was as an artist, and boy was I wrong. It’s pretty good stuff.
  4. Billy Idol, “Bitter Taste”: Speaking of songs from artists I didn’t expect, this latter-day Billy Idol song is actually pretty damn good.
  5. Post Malone, “Have the Heart (feat. Dolly Parton)”: I didn’t have “Post Malone releases an actual country album” on my 2024 bingo card, let alone a duet with Dolly Parton that features the classic country like “I didn’t have the heart to break yours,” but here we are.
  6. Rufus Wainwright, “Going to a Town”: Melancholy and downbeat, but a lovely and beautiful song.
  7. Bruce Springsteen, “Stolen Car”: Speaking of downbeat, this is probably the most subtle song Springsteen has ever recorded, and I’m including Nebraska in that tally. I’m sure it was totally by accident.
  8. Young Dubliners, “Last House on the Street”: A simple love song, but the best love songs are simple.
  9. Van Morrison, “Into the Mystic”: “It’s too late to stop now.”
  10. Bob Dylan, “Born in Time”: Every so often, latter-day Dylan pops up with an absolute gem that he, for reasons I can’t explain, he relegates to the Bootleg Series rather than releasing on an album proper. This is one of ’em.

Playlist #172

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Happy Monday! We’re back in the school this morning, doing teacher in-service this week and we’ll have students next Monday. This will be my twentieth year of teaching. No, I’m not sure how I’ve been in it this long. Here’s some music.

  1. Jay-Z, “Public Service Announcement”: Didn’t expect me to put a Jay-Z song on here, did you? Hmm? Well, I did, so there! The fact that it features heavily in a commercial I’ve seen a few dozen times in the past two weeks has very little to do with it, honest.
  2. Langhorne Slim, “House of My Soul (You Light the Rooms)”: It’s just a damn fun sing-along song, y’know?
  3. Spoon, “New York Kiss”: They just released a deluxe version of this album with lots of demos, so you know I’m down for that.
  4. Paul McCartney/Wings, “Junior’s Farm”: From the One Hand Clapping collection that was recently released. Pretty good.
  5. Hank Williams, “Move It On Over”: I first heard this song back in the ’80s with the George Thorogood cover. This version is…much better.
  6. The Offspring, “Self Esteem”: La la, la la la, la la, la la.
  7. Old Crow Medicine Show, “Alabama High Test”: I could use a little of this this morning, whether it’s alcohol or meth. Either way, it’d make the faculty meetings more fun.
  8. Old 97s, “Streets of Where I’m From”: “I’ve been down, I’ve been down too far to care/I keep getting in my car, but I’m not going anywhere” is a great bit, and it does the thing where they say the name of the album in the song.
  9. Owen Danoff, “Never Been Kissed”: I just threw this one in here because I needed ten songs, not nine. It’s good, I just don’t have anything to say about it.
  10. The Paul Butterfield Blues Band, “Shake Your Money Maker”: I need some Chicago blues today. We all do, I think. So here’s some.

Playlist #171

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Happy Tuesday, folks! I’m back from Florida, and just in time if the weather is anything to go by. We had a lot of fun at Disney World, and I built me a lightsaber. Yes, I am a giant geek. Anyway, here’s a list of songs.

  1. Bikini Kill, “Rebel Girl”: I want to be in a band that plays this song live. It’s just so much fun.
  2. The National, “I Need My Girl”: I just love the guitar riff in this song. The whole song is just gorgeous and moody and perfect.
  3. Blondie, “Dreaming”: I always forget that Blondie were capable of this driving, powerful sort of song, not that disco-glammy “Heart of Glass” stuff all the time.
  4. Jack Johnson, “Flake”: When you leave the beach, but the beach don’t leave you.
  5. Extreme, “Hole Hearted”: The story is that the guitarist just got a 12-string acoustic and took it with him to the bathroom. When he came out, he’d written the chord structure for this song, and they did a quick demo of it that turned out better than any actual recording attempt they tried at a later date, so the version you hear on the album is that demo version. Wild.
  6. Soundgarden, “Burden in my Hand”: I heard this song about a half dozen times on Sirius XM over the course of a few weeks, so it’s stuck in my head. I dig it.
  7. Waxahatchee, “War”: I love how simple yet complex her songs are.
  8. U2, “Atomic City”: The chorus sounds almost note-for-note like “Call Me.” It’s weird.
  9. Echosmith, “Cool Kids”: I was not one of the cool kids in school. Ever. No one ever thought I was cool. My wife makes the argument that she thinks I’m cool now, but I know I’m even lamer now than I was back then. See previous statement about building a lightsaber at Disney World.
  10. Electric Light Orchestra, “So Serious”: Sure, by this point in the band’s history, they were really just ELO, there were no strings (except for the guitars, natch), and it’s mostly just Jeff Lynne accompanied by Jeff Lynne and Jeff Lynne, but the dude could write damn catchy songs.

The George Harrison Double Playlist

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Happy Monday, folks! As you read this, I am probably standing in line to ride a rollercoaster at Walt Disney World down in Florida. This week, I thought I’d make up for not doing a playlist last week and take care of this week’s playlist by offering a double playlist of my top twenty George Harrison songs!

Honorable Mentions: There are too many George Harrison songs (or Harrisongs, as I like to think of ’em) on a couple of his albums to list every single great tune. I mean, I could’ve easily just done a top ten of my favorite songs off of All Things Must Pass. That being said, here are some of the songs that don’t make the playlist proper, but are still damn good: “My Sweet Lord,” “Beware of Darkness,” “Apple Scruffs,” “Ballad of Sir Frankie Crisp (Let It Roll)”, “Crackerbox Palace” (it’s a weird one, trust me), “Dark Horse,” “The Devil’s Radio,” “I Got My Mind Set On You.” Also, please note there are no songs here from Wonderwall Music, because I’m not that much of a sadist. Okay, everyone good? Right, let’s go.

  1. “Isn’t It a Pity (Version 1)”: It’s the “na na”s in the background in the song’s coda that really get to me, ’cause is George just messing with McCartney and “Hey Jude” for shits and giggles? I wouldn’t put it past him. But such a beautiful song.
  2. “If Not For You”: Hey, it’s a Bob Dylan song! If you had that on your bingo card, you can go ahead and mark that square.
  3. “Art of Dying”: So I recently downloaded the super deluxe version of the 50th Anniversary Remaster of All Things Must Pass (it has 70 tracks. Seventy! I can listen to it for like a week straight without repeating any songs), and this particular remaster (more so than the one from twenty-some years back) really clears up the sound quality on the album and makes things a lot clearer. I dig it. This song just rips.
  4. “All Things Must Pass”: If there is a single song that sums up George Harrison as an individual and as a songwriter, I would put in a word for this one. It’s stately, but also down to earth, treats with eastern philosophy while not being too preachy, and has that sense of bittersweet honesty that I always sorta associate with George. It’s a great song.
  5. “Bangala Desh”: A great song for a great cause, and let’s not dock points for the fact that it inspired the whole charity single, “We Are the World” nonsense in the 80s, okay?
  6. “You”: It’s a simple song, almost lazy in its lyrics. George had that weakness sometimes. His songs are either clever satire, deep metaphysical meditations, or slapped together at the absolute last second because he needed a peppy single on the next record.
  7. “Any Road”: Brainwashed is my third-favorite George album (after All Things Must Pass and Cloud 9, naturally), and it’s got some of his best-written songs on it. This one is simple in its formation and endless clever in execution.
  8. “Stuck Inside a Cloud”: George, towards the end, had it pretty damn rough. Cancer is not a thing I would wish on my worst enemy (well, maybe on my worst enemy). He knew he was dying. And he still managed to write and record such a beautiful song.
  9. “Between the Devil and the Deep Blue Sea”: This song is just such a goof. George loved the ukulele, and it’s front and center on this track.
  10. “Cloud 9”: From the comeback album(TM) in the late ’80s, when everything Jeff Lynne produced turned to solid gold (seriously, he did Tom Petty’s Full Moon Fever, the Heartbreakers’ Into the Great Wide Open, this one, and Roy Orbison’s Mystery Girl, all in the space of like three or four years. And helped produce the first Traveling Wilburys record. Dude was on fire). It’s a slow burn, slide guitar seduction that would get me to drop my pants if someone tried using it on me.
  11. “When We Was Fab”: Ah, youth. The video for this particular song is great and just chock-full of Beatles Easter Eggs.
  12. “Wreck of the Hesperus”: George was funny as hell. If he wasn’t picking apart the foibles of modern society in songs like “P2 Vatican Blues (Last Saturday Night)” or “Sue Me, Sue You Blues” or “Try Some Buy Some” (see further down this list for those last two), he was cracking jokes. The line “But I can still rock as good as Gibraltar” will never not be funny to me.
  13. “Not Guilty”: That little guitar riff he does in this song? Love it.
  14. “Cheer Down”: Speaking of cracking jokes, the title of this particular song remains funny to me. It’s a great pun, and the lyrics themselves are witty. This song was featured on the Lethal Weapon 2 soundtrack!
  15. “Give Me Love (Give Me Peace On Earth)”: Was George a little hippie-dippie? Oh, yeah. But he honestly meant it when he said stuff like this, I think.
  16. “Sue Me, Sue You Blues”: He also meant stuff like this. The modern world was too capitalistic and crass for George. We didn’t deserve him.
  17. “Don’t Make Me Wait Too Long”: George knows how to write a damn good love song (see “Something” for that), and this one ain’t half bad.
  18. “Living in the Material World”: Of all of the Beatles, George was the one most fascinated with eastern philosophy and metaphysics, as we can see in this song. He also like racecar driving. Folks contain multitudes, y’know?
  19. “Try Some Buy Some”: Consumerism is bad!
  20. “All Those Years Ago”: The song George wrote about John Lennon after Lennon was shot. It features the other two Beatles on it as well, so that’s cool.