Playlist #192 and #193: M’Shelby Mix Edition

Happy…Monday? Wait, that can’t be right. Monday? Well, stranger things have happened other than me posting a playlist on time. For instance, today also happens to be my 18th Wedding Anniversary. Yay, our relationship is old enough to vote! Here’s a double playlist of some songs that I think my wife would love. I’ve been curating a playlist for her on my phone for years called M’Shelby Mix, and here’s the latest iteration.

  1. The Pixies, “Wave of Mutilation (UK Surf Mix)”: Probably the definitive version of this particular tune. Slowed down from the original, given a slight air of menace, and just a killer drum beat.
  2. Arcade Fire, “Intervention”: Gotta love the church organ.
  3. AC Newman, “Take On Me”: Newman doesn’t aim for quite the same glass-shattering falsetto in the chorus, but the slowed down, acoustic-driven version he turns in sounds just as good as anything a-ha ever did.
  4. Elliott Smith, “Baby Britain”: Favorite line is a toss-up between “We knocked another couple back/Dead soldiers lined up on the table/Still prepared for an attack/They didn’t know they’d been disabled” and “The light was on but it was dim/Revolver’s been turned over/And now it’s ready once again/The radio was playing “Crimson and Clover.”
  5. The Flaming Lips, “Free Radicals (A Hallucination of the Christmas Skeleton Pleading with a Suicide Bomber)”: A sneering indictment of Bush-era foreign policy.
  6. Rilo Kiley, “Does He Love You?”: A sordid tale of love triangles and whether or not he’d ever really leave his wife for you. Why would he, though?
  7. Phil Collins, “In the Air Tonight”: If there’s a better drum fill in existence, I don’t know about it. Oh, to be able to go back and hear this song for the first time.
  8. The National, “Slow Show”: Probably Michelle’s favorite song by the National. And it’s a banger. I love that guitar chord progression. Wish I could get my voice low enough to actually sing it.
  9. Josh Ritter, “Golden Age of Radio”: We both sing along at the top of our lungs when this song comes on. It might as well be part of our marriage vows.
  10. Iron & Wine, “Such Great Heights”: Postal Service cover done with such delicate heartache and beauty that you forget there’s another version of this song out there.
  11. The Four Tops, “Bernadette”: Shouted backing vocals are always fun.
  12. The Cure, “Just Like Heaven”: Given her adoration of stuff from the ’80s, it should come as no surprise that Michelle loves the Cure. I’ve grown to tolerate most of their stuff, though this song I really do actually enjoy.
  13. Tom Waits, “Hoist That Rag”: What can I say? Michelle likes pirates and pirate songs.
  14. They Might Be Giants, “She’s An Angel”: This song always makes me think of Michelle. I know she digs TMBG, and likes this song, but she said it couldn’t be our song because it’s too one-sided and doesn’t reflect her feelings for me. And, y’know, I get it. But it’s still a song that makes me think of her.
  15. Better Than Ezra, “Rosealia”: Michelle also really digs the ’90s, and especially Better Than Ezra. This one is another sing-along song.
  16. Pearl Jam, “Elderly Woman Behind the Counter in a Small Town”: Acoustic Pearl Jam? More entertaining and worthwhile than you might think!
  17. David Bowie, “Life On Mars”: Did you know he wrote this after Frank Sinatra didn’t accept some lyrics he wrote for “I Did It My Way”? It’s true! It’s why the two songs have such similar chord progressions.
  18. Weezer, “Say It Ain’t So”: Far better than that song about him hitting on a lesbian.
  19. Bruce Springsteen, “Candy’s Room”: Probably Michelle’s favorite Springsteen song. It’s got amazing drums and a beautiful piano line, so I get it.
  20. The Magnetic Fields, “Nothing Matters When We’re Dancing”: This is our song. We eloped and didn’t have a wedding reception, much to our chagrin, but if we did have one, this would’ve been the first song we danced to. We have a poster with the lyrics of it hanging up in our living room.

Playlist #12

It’s the Wife’s birthday this weekend, so this week’s playlist is all songs she likes!

  1. The Pixies, “Wave of Mutilation (UK Surf Mix)”: Preferred version of this song. Dunno why. But it feels suitably surf-y and UK-y.
  2. Arcade Fire, “Intervention”: I think it’s the organ that does it in this one. I do know that this is probably off her (and my) favorite Arcade Fire album, Neon Bible.
  3. AC Newman, “Take On Me”: A beautiful, slowed down cover of the a-ha classic, complete with the really high “in a day or twoooooooooooo”s.
  4. Elliott Smith, “Baby Britain”: I think the Wife was the one who introduced me to Elliott Smith. This song is great, if for no other reason than the fact that he references both Revolver and the song “Crimson and Clover.”
  5. The Cure, “Just Like Heaven”: I did not care much for the ’80s when I was a wee lad. The music felt overproduced, all artifice and no substance. I’ve since learned that I was not even close to 100% correct on that second point (the jury is still out on the first point). This song is really good, either way.
  6. Annie Lennox, “Walking On Broken Glass”: For a song about the torture of a love affair gone bad, this song is very upbeat and fun.
  7. The Flaming Lips, “Free Radicals”: “You think you’re radical/But you’re not so radical/In fact, you’re fanatical/Fanatical (Fuck!)” may be the best chorus of the twenty-first century.
  8. The National, “Slow Show”: Okay, no, it’s “I wanna hurry home to you/Put on a slow, dumb show for you and crack you up.”
  9. REM, “(Don’t Go Back To) Rockville”: Why do I love songs where the first part of the title is in parentheses and why have I not written one yet? Oh, right, because it will never be anywhere near as good as this song.
  10. The Magnetic Fields, “Epitaph For My Heart”: I’m reasonably certain this is her favorite Magnetic Fields song. It’s the one she plays every time we listen to that band.

Tunes!

If you’re like me – and you should all be so lucky – then writing is a process that involves music.  Lots of music.  But not just any music!  No, you must listen to specific songs or specific styles to help set the mood for your protagonist’s adventures.  Or misadventures.  Or what have you.

I have a constantly-evolving playlist on my phone of the songs I listen to while writing.  Some are on there because they fit a specific scene, while others are more about describing the characters or the mood.  The following playlist was developed while I was writing The Invisible Crown and another novel that will appear later in the series, tentatively called Death and the Dame (that one’s a love story.  Sort of).

1. Anita Kelsey, “Sway”: There have been times I’ve just written to the Dark City Soundtrack.  This is still one of my favorite songs off that collection.

2. Sting, “Perfect Love…Gone Wrong”: On there because of the smoky, steamy city jazz feel, and also the extended metaphor where Sting is a disgruntled dog amuses me to no end.

3. John Mellencamp, “The Full Catastrophe”: Perfect summation of my protagonist, Eddie Hazzard.  His life is a bit of a rolling catastrophe, and there is a minor chance he was accidentally loving your wife while you were loving his.

4. Soul Coughing, “Fully Retractable”: One that’s on there for tone/mood.  There’s a dark undercurrent, a sinister feel to this song that’s just really fitting.

5. Muddy Waters, “Rolling Stone”: Life in a blues song always sounds like it sucks.  I imagine Eddie’s life is much the same way.

6. Bob Dylan, “What Was It You Wanted”: Either the narrator is stuck in a world that makes no sense, or the guy took a shot to the head.  Either way, a Dylan song is a must-have on pretty much any playlist I put together.

7. Gorillaz, “M1A1”: Fight scene song!  Love the energy, the staccato burst of the snare, the spiky guitars…great soundtrack to a fistfight.

8. Nick Cave & the Bad Seeds, “Red Right Hand”: Another mood setter.  Creepy, dark alley vibe that I dig.

9. EL VY, “Happiness, Missouri”: Like I said, a lot of songs I stick on these for the general mood they set.  This one fits with the general feel of the city of Arcadia: dark, slightly mysterious, vaguely threatening and sinister.

10. Arcade Fire, “My Body is a Cage”: The contemplative, protagonist considers his actions and his destiny before launching into the story’s climactic scene song.  Love the build of it, the sense of determination and all that.

11. The Dead Weather, “Hustle and Cuss”: Basically the Eddie Hazzard theme song.  He has to be out there hustling, working his tail off, because his enemies are always a few steps ahead of him.  And cussing…well, you have to express your frustration somehow.

12. David Gray, “Dead in the Water”: While The Invisible Crown might be the first of Eddie Hazzard’s cases, it certainly won’t be the last.  I’ve got three other novels already written in the series, I’ve started working on the fifth novel, and I have plans for the sixth.  The core idea for the sixth book came from a short story I wrote a couple years back about Eddie and a particularly disturbing case and a mis-remembering of a lyric from this song.  Expect to see that book in…um…2022 or so, maybe?  I dunno.

13. Adele, “Rumor Has It”: A private detective works with whatever information he can get.  Sometimes, that information is merely rumors.  Sometimes, those rumors turn out to be true.

14. Tom Waits, “Way Down in a Hole”: Tom Waits sounds too ludicrous to even be one of my characters, and I have one antagonist who’s a head in a jar named The Fish.  Honestly, when developing characters, I just ask myself, “What would Tom Waits do?” and go from there.  It’s served me pretty well so far.

15. Modest Mouse, “Bukowski”: This always struck me as driving music, the sort of thing you’d hear on the soundtrack if TIC was turned into a movie/TV series and they had a scene of him driving from the office to an informant or chasing down a lead.

That’s my playlist!  What do you listen to when you’re writing?