Happy Monday, folks. It’s Thanksgiving Week! There ought to be more Thanksgiving Carols, right? Anyway, this week’s playlist is all songs that are well over the ten minute mark, because why the hell not? And no, they’re not all Pink Floyd songs. I just put one on here.
- Arlo Guthrie, “Alice’s Restaurant Massacre”: I love this song without qualifications or justifications necessary. It’s rambling, barely coherent, and funny as hell.
- Pink Floyd, “Echoes”: A band known for going over the top with long, drawn-out compositions like this one or “Shine On You Crazy Diamond.” But they’re usually interesting and very dynamic, so they get a prog pass from me.
- Bob Dylan, “Highlands”: Dylan’s no stranger to long songs with fifteen thousand verses in them, going back to at least “Sad-Eyed Lady of the Lowlands.” This one, though, from Time Out of Mind, is my favorite, if only because he keeps cracking jokes. It’s also where I got the title of my comic, Sketches from Memory.
- Creedence Clearwater Revival, “I Heard it Through the Grapevine”: Who would’ve thought an R&B groove could go on for that long? But damn if it doesn’t.
- The Decemberists, “The Crane Wife 1 & 2”: Really a bit of a cheat, since technically they’re two songs mashed together on the same track, but I’m gonna count it anyway ’cause the band seems to.
- Dire Straits, “Telegraph Road”: Mark Knopfler liked to stretch things out once in a while, as it turns out. There weren’t many bands who could get away with releasing a five-song album in 1982, but they could.
- Genesis, “Driving the Last Spike”: Yeah, early Genesis tended toward the long, esoterically pastoral fantasies, but this is late-period, early 1990s Genesis, flexing a bit, writing a song about railroad workers in industrial England. It feels different.
- Neil Young, “Cowgirl in the Sand”: Still not sure how Neil Young was just…recording grunge-style songs back in the early ’70s like he’s some sort of time traveler or something.
- Traffic, “The Low Spark of High-Heeled Boys”: What the hell is this song even about? I have no idea. But it’s kinda jazzy and kinda rock’n’roll and it’s a lot of Steve Winwood.
- Van Morrison, “Almost Independence Day”: It almost sounds like Pink Floyd’s “Wish You Were Here,” but not quite. Not quite. And Van does a bit of that weird humming/scatting thing in it. Which is, as I said, kinda weird. But also kinda works? I dunno, it’s early and I haven’t had enough caffeine yet this morning.