Playlist #10

This past weekend was my mother’s birthday! Now, it is to my great shame that I really do not know much about my mom’s musical tastes. I know growing up that she listened to Simon and Garfunkel and Barry Manilow (ew), but beyond that? It’s just a big ol’ shrug emoji from me. So, with that in mind, I’ve compiled a list for this week that contains songs I think my mom would appreciate. It’s mostly Swedish death metal (kidding!).

  1. Alexi Murdoch, “All Of My Days”: So if I’m completely honest here, I first heard this song in a commercial. And really liked it! I like the guitar work especially. It’s a very simple song, but quite lovely despite (or maybe because) of that.
  2. Greg Feldon, “Incoming”: Strummy acoustics? Check. Heartfelt, earnest singing? Check. Semi-country-ish tone and style? Check. Yup, this song checks a lot of boxes for me.
  3. Sara Bareilles, “Armor”: “You think I am high mighty, mister?/Wait ’til you meet my little sister” is just a badass line.
  4. The Shins, “Gone For Good [Alternate Version]”: I like this stripped down version of the song, possibly even more than the usual album version. Sure, it lacks the pedal steel and the high and lonesome harmonies, but it makes up for it with a more subdued reading of the lyrics.
  5. Simon & Garfunkel, “Cecilia”: I can’t tell you if this is my mom’s favorite Simon & Garfunkel song. It probably isn’t. But it’s fun and I dare you to not sing along with the chorus. You can’t, can you? Of course you can’t.
  6. Tracy Lawrence, “Time Marches On”: This is the sort of song country music does best. The lyrical content is simple, tells a story, and focuses on a family as it ages through the years. I really dig it.
  7. Lake Street Dive, “Bad Self Portraits”: I’ve been drawing and cartooning for decades now. Every single drawing I’ve ever done of myself is a bad self portrait, so I can relate to this song.
  8. case/lang/viers, “Best Kept Secret”: Yeah, I could’ve gone with the soaring “Atomic Number” instead, but I really like this song and the whole “guitar teacher saves the world” vibe it has going.
  9. David Gray, “Stella the Artist”: Is my mom an artist? Not with pencil or paintbrush or chisel. But that woman can bake a batch of cookies that’ll make you see God.
  10. Semisonic, “Gone To the Movies”: A sad song about a sad man in a snowbound apartment who was just listening to the Wallflowers and thinking about a girl. Haven’t we all felt that way at some point? Okay, probably not, but still, it’s a good song.

Tunes!

If you’re like me – and you should all be so lucky – then writing is a process that involves music.  Lots of music.  But not just any music!  No, you must listen to specific songs or specific styles to help set the mood for your protagonist’s adventures.  Or misadventures.  Or what have you.

I have a constantly-evolving playlist on my phone of the songs I listen to while writing.  Some are on there because they fit a specific scene, while others are more about describing the characters or the mood.  The following playlist was developed while I was writing The Invisible Crown and another novel that will appear later in the series, tentatively called Death and the Dame (that one’s a love story.  Sort of).

1. Anita Kelsey, “Sway”: There have been times I’ve just written to the Dark City Soundtrack.  This is still one of my favorite songs off that collection.

2. Sting, “Perfect Love…Gone Wrong”: On there because of the smoky, steamy city jazz feel, and also the extended metaphor where Sting is a disgruntled dog amuses me to no end.

3. John Mellencamp, “The Full Catastrophe”: Perfect summation of my protagonist, Eddie Hazzard.  His life is a bit of a rolling catastrophe, and there is a minor chance he was accidentally loving your wife while you were loving his.

4. Soul Coughing, “Fully Retractable”: One that’s on there for tone/mood.  There’s a dark undercurrent, a sinister feel to this song that’s just really fitting.

5. Muddy Waters, “Rolling Stone”: Life in a blues song always sounds like it sucks.  I imagine Eddie’s life is much the same way.

6. Bob Dylan, “What Was It You Wanted”: Either the narrator is stuck in a world that makes no sense, or the guy took a shot to the head.  Either way, a Dylan song is a must-have on pretty much any playlist I put together.

7. Gorillaz, “M1A1”: Fight scene song!  Love the energy, the staccato burst of the snare, the spiky guitars…great soundtrack to a fistfight.

8. Nick Cave & the Bad Seeds, “Red Right Hand”: Another mood setter.  Creepy, dark alley vibe that I dig.

9. EL VY, “Happiness, Missouri”: Like I said, a lot of songs I stick on these for the general mood they set.  This one fits with the general feel of the city of Arcadia: dark, slightly mysterious, vaguely threatening and sinister.

10. Arcade Fire, “My Body is a Cage”: The contemplative, protagonist considers his actions and his destiny before launching into the story’s climactic scene song.  Love the build of it, the sense of determination and all that.

11. The Dead Weather, “Hustle and Cuss”: Basically the Eddie Hazzard theme song.  He has to be out there hustling, working his tail off, because his enemies are always a few steps ahead of him.  And cussing…well, you have to express your frustration somehow.

12. David Gray, “Dead in the Water”: While The Invisible Crown might be the first of Eddie Hazzard’s cases, it certainly won’t be the last.  I’ve got three other novels already written in the series, I’ve started working on the fifth novel, and I have plans for the sixth.  The core idea for the sixth book came from a short story I wrote a couple years back about Eddie and a particularly disturbing case and a mis-remembering of a lyric from this song.  Expect to see that book in…um…2022 or so, maybe?  I dunno.

13. Adele, “Rumor Has It”: A private detective works with whatever information he can get.  Sometimes, that information is merely rumors.  Sometimes, those rumors turn out to be true.

14. Tom Waits, “Way Down in a Hole”: Tom Waits sounds too ludicrous to even be one of my characters, and I have one antagonist who’s a head in a jar named The Fish.  Honestly, when developing characters, I just ask myself, “What would Tom Waits do?” and go from there.  It’s served me pretty well so far.

15. Modest Mouse, “Bukowski”: This always struck me as driving music, the sort of thing you’d hear on the soundtrack if TIC was turned into a movie/TV series and they had a scene of him driving from the office to an informant or chasing down a lead.

That’s my playlist!  What do you listen to when you’re writing?