Playlist #19

Week three of the school year rattles on. Here’s some tunes to carry you through.

  1. Gin Blossoms, “Just South of Nowhere”: The Gin Blossoms have become one of my favorite bands from the 90s, and this is one of my favorites by them. Pre-New Miserable Experience.
  2. Electric Light Orchestra, “Daybreaker”: An instrumental from the Jeff Lynne-led band. It’s off of On the Third Day, where ELO really became ELO.
  3. Rhiannon Giddens, “Better Get It Right the First Time”: This woman can write a damn song, lemme tell you. She also plays a mean banjo, though that’s not present on this track. This is more of an old-school R&B number, with a rap break that actually really works well.
  4. Robert Earl Keen, “The Road Goes On Forever (Live)”: “The road goes on forever/and the party never ends,” he sings, and I’m still not sure if that’s a statement of undeniable fact or a plea to never let go.
  5. The Who, “The Seeker”: Any song that references the Beatles, Bob Dylan, and Timothy Leary in the same verse is some kinda wonderful.
  6. Patti Smith, “Because The Night”: When Bruce Springsteen gives you an unfinished song, you take it and you rock it out. Patti Smith definitely did.
  7. Paul McCartney, “Brown Eyed Handsome Man”: Shortly after his first wife, Linda, passed away, Paul got into the studio with a bunch of buddies (including guitarist David Gilmore) to record a bunch of old 50s rockers and a few new tracks written in the same vein. They slap. They all slap. This one especially.
  8. Dawes, “That Western Skyline”: The first song off their first album is filled with so much promise. So much. Those Laurel Canyon harmonies are just perfect. The rest of the album – and honestly, everything they’ve put out since – feels like a failure of that promise.
  9. fun., “Some Nights”: Another band that falls flat right after their first song or two. Maybe what I expected from this song and what the band actually want to do are two very different things.
  10. Elliott Smith, “Either/Or”: It strikes me to this day that Elliott Smith died far too young. If I can be half – hell, even a quarter – of the guitar player or musician or songwriter that he was, I’d be perfectly happy with that.

Playlist #12

It’s the Wife’s birthday this weekend, so this week’s playlist is all songs she likes!

  1. The Pixies, “Wave of Mutilation (UK Surf Mix)”: Preferred version of this song. Dunno why. But it feels suitably surf-y and UK-y.
  2. Arcade Fire, “Intervention”: I think it’s the organ that does it in this one. I do know that this is probably off her (and my) favorite Arcade Fire album, Neon Bible.
  3. AC Newman, “Take On Me”: A beautiful, slowed down cover of the a-ha classic, complete with the really high “in a day or twoooooooooooo”s.
  4. Elliott Smith, “Baby Britain”: I think the Wife was the one who introduced me to Elliott Smith. This song is great, if for no other reason than the fact that he references both Revolver and the song “Crimson and Clover.”
  5. The Cure, “Just Like Heaven”: I did not care much for the ’80s when I was a wee lad. The music felt overproduced, all artifice and no substance. I’ve since learned that I was not even close to 100% correct on that second point (the jury is still out on the first point). This song is really good, either way.
  6. Annie Lennox, “Walking On Broken Glass”: For a song about the torture of a love affair gone bad, this song is very upbeat and fun.
  7. The Flaming Lips, “Free Radicals”: “You think you’re radical/But you’re not so radical/In fact, you’re fanatical/Fanatical (Fuck!)” may be the best chorus of the twenty-first century.
  8. The National, “Slow Show”: Okay, no, it’s “I wanna hurry home to you/Put on a slow, dumb show for you and crack you up.”
  9. REM, “(Don’t Go Back To) Rockville”: Why do I love songs where the first part of the title is in parentheses and why have I not written one yet? Oh, right, because it will never be anywhere near as good as this song.
  10. The Magnetic Fields, “Epitaph For My Heart”: I’m reasonably certain this is her favorite Magnetic Fields song. It’s the one she plays every time we listen to that band.