Playlist #76

Happy Indigenous People’s Day! This is your annual reminder that Christopher Columbus can suck it. I also have that neato Halloween story you can read available for the low, low price of $0.99! Anyway, on with the playlist!

  1. Adeem the Artist, “Going To Hell”: Just found out about this artist over the weekend, and I already love their work. They’re a non-binary pansexual folk musician, a combination of words that either piqued your interests or sent you running for the hills. This is their best song, if you ask me, though the one about Toby Keith is a close runner-up. Features the line, “Love ain’t just a feeling, it’s a god dang magic spell.”
  2. Counting Crows, “Hard Candy”: Sometimes, you just need some electric 12-string jangle in your music. This is a good song for that.
  3. Soul Asylum, “Runaway Train”: Did you know the album this song is off of, Grave Dancers Union, came out 30 years ago this past weekend? Doesn’t that make you feel old, especially since I’m pretty sure 1992 was actually only 10 years ago, if my brain is processing the passage of time correctly (spoiler: it isn’t).
  4. Tom Petty & the Heartbreakers, “Angel Dream”: I will always love the She’s the One Soundtrack. It’s so damn good, better than it has any business being.
  5. James Taylor, “Fire And Rain”: I mean, you can write some pretty songs about drug addiction, as it turns out.
  6. Green Day, “Hitchin’ A Ride”: Have I mentioned how much I enjoy the extreme tonal shift between songs on a playlist? Because I love it.
  7. U2, “Seconds”: Early U2 > Late U2. Fight me.
  8. The Who, “I Can See For Miles”: Sir, you’re farsighted. You cannot read a book right in front of your face. You probably need eye surgery.
  9. The Doubleclicks, “Oh, Mr. Darcy”: Everyone needs that one aloof asshole that you fall head over heels in love with but don’t want to admit it and then in the end you do admit it and they admit they love you and I think I’m starting to see the appeal of Jane Austen.
  10. Dan Auerbach, “Shine On Me”: I like this song, I really do, but I do not understand the wisdom of getting Mark fucking Knopfler to record a guitar track for your song and then not making it the most obvious part of said song. I just . . . how do you bury this at the bottom of the mix?!