jason isbell & the 400 unit

Playlist #145: Grammy Edition

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Happy Monday, folks! Yesterday they had the Grammy awards, and once again I was shunned by the RIAA. Soon, very soon, they shall feel my revenge. It will be swift, subtle, and probably completely unnoticed by anyone in any position of authority or power. Anyway, here’s a bunch of Grammy-related songs.

  1. Tracy Chapman, “Fast Car”: If you missed seeing her perform this song with Luke Combs last night, you need to find it and watch it. That woman has not lost a single step. If you’re not crying joyous tears by the end, your heart is harder than mine. Or maybe it’s missing, I dunno.
  2. Jason Isbell & the 400 Unit, “This Ain’t It”: He won for best Americana album last night for Weathervanes, as well as best Americana song for “Cast Iron Skillet.” Hard to disagree with either of those choices, honestly.
  3. Taylor Swift, “Anti-Hero”: And apparent she has a new album dropping in April, with the dope title Tortured Poets Department. Can’t say this woman doesn’t bust her ass getting things done.
  4. boygenius, “Satanist”: These three are just flat-out awesome. Spent a good chunk of the weekend listening to this album again, and it slaps.
  5. Foo Fighters, “Nothing At All”: The Foos continue to rock my face off.
  6. Joni Mitchell, “Down To You”: Joni Mitchell is an institution and the fact that she performed last night is a thing we should all be so very thankful for.
  7. Noah Kahan, “Dial Drunk”: Folks, don’t drunk dial your ex. Nothing good ever comes of it.
  8. The Rolling Stones, “Angry”: Kinda nice to see the old fogies still getting a mention.
  9. SZA, “Ghost in the Machine”: Hadn’t ever listened to anything SZA has ever done, but this song sounds nice. I kinda dig it.
  10. Luke Combs, “Fast Car”: And we round things up with the Luke Combs version of this song, which sorta kicked this whole thing off.

Playlist #138

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Happy first Monday of Winter Break! We’re cozy, the cat is crazy, and I’ve got a new playlist for ya.

  1. Josiah and the Bonnevilles, “Anti-Hero (Country Version)”: It’s a Taylor Swift cover! Who doesn’t love one of those? This one is mostly acoustic with some nice harmonies.
  2. Jason Isbell & the 400 Unit, “Look What You’ve Done To Your Brother”: The band cuts loose and rocks out hard on this one.
  3. Dawes, “That Western Skyline”: I love the harmonies on this one. It’s such a great song. Such a shame that they never did anything near as good as this song. It’s a hell of a way to kick off your first album, though.
  4. The Horrible Crowes, “Sugar”: It’s always interesting to hear Brian Fallon singing in a lower register.
  5. The Minus 5, “I Don’t Want To F**k Off Anymore”: I love the banjo in this song, and also the dark humor of the whole thing.
  6. Scott Bradlee’s Postmodern Jukebox, “Rude”: The best version of this song that there is.
  7. Blind Lemon Jefferson, “Match Box Blues”: See previous statement.
  8. Billy Preston, “Nothing From Nothing”: Billy Preston maybe isn’t known for his solo work, but damn maybe he should be.
  9. Counting Crows, “A Long December”: I always like listening to this song this time of year. Puts me in a reflective frame of mind.
  10. James McMurtry, “Choctaw Bingo”: This song is always so much fun.

Best Albums of 2023

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Ignore all of those other best-of lists you’ve seen around. This ain’t those. It is, however, my ten favorite albums from this year.

It was a tricky list to put together, if for no other reason than the fact that my sense of time has gotten all out of whack over the past few years. “Wasn’t that new Wallflowers album from early this year? Wait, it was 2021? What?” Or, “Oh, that new Taylor Swift album – not one of the re-records – was…no, that was last year. Damn.” I kinda had to scrabble around to find 10 albums I really liked.

And it shouldn’t have been that hard! Both the National and Josh Ritter had new albums out this year. Those are usually shoo-ins. But this year…eh. Neither of them really wowed me.

Anyway, here are ten albums that did wow me, in no particular order.

  1. boygenius, the record: I kinda low-key love this album. Three brilliant musicians coming together and just showing everyone how it ought to be done.
  2. Peter Gabriel, i/o: If an album takes twenty years to complete and comes out in not one, not two, but three slightly different mixes, you’d be understandably trepidatious about the album. But no, it’s really damn good. It’s vital and deep and rewards relistens.
  3. Wilco, Cousins: While not as essential as their best work, it’s more cohesive and concise than last year’s Cruel Country. Good, but also kinda forgettable.
  4. The Gaslight Anthem, History Books: A damn sight better than their last album, Get Hurt. It’s energetic and loud and exciting.
  5. Slowdive, everything is alive: I’m not usually one for shoegaze, but these songs are great. It’s slow and pensive and gets under your skin.
  6. New Pornographers, Continue as a Guest: I love the band, I hate the name. That will always be the case. But with A.C. Newman and Neko Case on the roster, you know the songs are going to be good and the vocals are going to be stellar. And they are.
  7. M. Ward, supernatural thing: M. Ward just cranks out good stuff whenever he decides to drop into the recording studio. Nothing spectacular or mind-altering, just really good songs that you can listen to over and over again.
  8. Noah Kahan, Stick Season: Vermont Hozier, as he’s apparently known, puts out some somber, low-key songs that stick to your brain and just burrow in.
  9. The Mountain Goats, Jenny From Thebes: I love me some Mountain Goats. This one is heavier on the piano and keyboards than previous entries, and the usage of horn sections and strings (freakin’ strings! On a Mountain Goats record!) add some new flair and textures to the always-excellent songwriting.
  10. Jason Isbell & the 400 Unit, Weathervanes: I know I said this list isn’t in any particular order, but this is my absolute favorite album of the year. The more I listen to the work of Jason Isbell, the more I’m convinced he’s the best songwriter of the current generation. He creates characters and situations full of anger, fear, distrust, love, longing, a sense of loneliness, isolation, and rising above it all. All in a single record. Soaring choruses, thoughtful verses, and a band that is as simpatico as humanly possible just makes this one of the best records out there.

Playlist #126

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It’s a Tuesday following a holiday on a Monday, which makes it a Playlist day! The next Eddie Hazzard book, a short story collection titled Quick Cases, is up for pre-order! I’ll post the cover reveal as soon as I have it back from my illustrator.

  1. Jason Isbell & the 400 Unit, “Death Wish”: Isbell’s latest album, Weathervanes, continues to drill deep into my soul.
  2. Pearl Jam, “Corduroy”: Was Vitalogy the last truly great Pearl Jam record? Or was it Vs?
  3. EL VY, “Happiness, Missouri”: This is a two-minute shot of adrenaline right in the arm.
  4. The Raconteurs, “Carolina Drama”: Who is Billy’s daddy? Is it the priest or the milkman?
  5. Rhett Miller, “The El”: The most romantic song written about a public transit system since…um, ever, I guess. I can’t think of any other romance songs based around public transit.
  6. Yola & the Highwomen, “Hold On”: No, it’s not a Wilson Philips cover, sadly. It’s still a good song, though.
  7. Fun., “Carry On”: It’s a fun song by Fun. I’m always a bit suspicious of bands that include punctuation in their name. I’ve got my eye on you, band that hasn’t released an album since 2012.
  8. Foo Fighters, “These Days”: Hey, it’s a Foo Fighters song I can play on guitar! What fun!
  9. Florence + the Machine, “Shake It Out”: Every Florence + the Machine song feels like running an anthematic marathon, and I am exhausted at the end of it.
  10. Electric Light Orchestra, “Eldorado”: I had an argument (or a debate or whatever) with my brother over the weekend in regards to this album. I claim it’s their most consistent album, thematically and stylistically. He argues that the point of ELO is that Jeff Lynne had so much more diverse inspirations than your typical ’70s rock band and that cohesion was never the point. I think he’s just mad about “The Whale” on Out of the Blue).

Playlist #115

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Happy Monday to all the folks who celebrate it out there. And if you do celebrate Mondays, what is wrong with you? Do you just really like new playlist day?

  1. Murder By Death, “No Oath, No Spell”: There’s is something oddly compelling about this guy’s voice. He sounds about two centuries old on their best songs.
  2. Rufus Wainwright, “Harvest (feat. Andrew Bird and Chris Stills)”: Who doesn’t love a Neil Young cover? Who doesn’t love a Neil Young cover that features Andrew Bird prominently? Communists, that’s who.
  3. Van Morrison, “Sweet Jannie”: As weird as the dude’s gotten in recent years (and he’s gotten pretty freakin’ weird), I still love his old stuff. This song is a bop.
  4. Electric Light Orchestra, “Eldorado”: I’ve been thinking about it for a while now (especially since I listened to most of their discography a few weeks ago on a whim), and I think Eldorado might be my favorite ELO album. Sure, as a concept album it falls a little short of the mark Jeff Lynne was aiming for, but the song cycle is still one of the best he ever wrote, and this – the penultimate song on the album – is a good summation of what ELO could do at the height of their powers.
  5. Elk Eyes, “It Goes Dark”: Why am I listening to guys with whiskey-dark voices sing doom and gloom this week? I dunno, I just am.
  6. Family Familiar, “I Don’t Need You”: Did you know I helped write this song, back over 20 years ago? This is my brother’s band performing it. Did you know I get a small cut of the streaming revenue for this specific song? It’s true.
  7. George Harrison, “P2 Vatican Blues (Last Saturday Night)”: I know that what I need a lot of on a Monday morning is some George Harrison slide guitar. I’m sure you’ll agree it almost makes it worth waking up for.
  8. Paul McCartney, “Teddy Boy”: This version of this song is just as ramshackle as its appearance on McCartney would lead you to believe it would be. I kinda love it.
  9. John Prine, “Jesus, the Missing Years”: Was chatting with a friend on Facebook about “Your Flag Decal Won’t Get You Into Heaven Anymore” this weekend, which got me in a John Prine mood. That’s not a bad mood to be in.
  10. Jason Isbell & the 400 Unit, “St. Paul’s Autograph”: I swear to God, this album is just designed to make you wanna curl up on a rainy Sunday afternoon and block out the rest of the world.

Playlist #111

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Happy Monday, folks. It’s the last week of school finally, and all the kids (and teachers) are antsy to get the heck outta Dodge. Here’s a new playlist for ya.

  1. Jenny Lewis, “Joy’All”: Nothing Jenny Lewis has done since Rabbit Fur Coat has really grabbed me like that one album did. This song, off the album of the same title (pronounced “Joy y’all”) is good, but it feels too…by the numbers? It’s a retread of stuff she’s done better in the past.
  2. Foo Fighters, “Hearing Voices”: There was so much new music I was interested in released last week that I still haven’t listened to it all (I’m partway through this Foo Fighters album, for instance, and haven’t even started on Janelle Monae’s new one yet!). That said, this song – and, to some extent, the entire album – are all about the Foos dealing with the loss of longtime drummer Taylor Hawkins.
  3. Jason Isbell & the 400 Unit, “King Of Oklahoma”: I was probably predisposed to liking this song just given its title (and the fact that it’s a Jason Isbell song), but the fact that it rings true probably also helps.
  4. Hawksley Workman, “Ilfracombe”: Heard this in a store? Or on a TV show I was watching? I don’t recall, exactly, but it grabbed my attention at the time, and I kinda dig it. No, wait, it was on NPR. That’s it.
  5. Bob Dylan, “What Was It You Wanted”: Dylan recently released Shadow Kingdom, a sort of live-in-the-studio-reimagining of some of his classic songs featuring a backing band of several guitars, a bass, and an accordion. As an interpreter of other people’s songs and, of course, of his own, Dylan remains a fascinating study. These tracks are all stripped down and rebuilt from the ground up, using different melodies and rhythms that make them feel familiar and completely unfamiliar all at once. And they’re all mercifully short: no 40-verse versions of anything here.
  6. Rufus Wainwright, “Harvest (featuring Andrew Bird and Chris Stills)”: A beautiful rendition of a Neil Young classic. Wainwright lets his collaborators take the lead and offers some beautiful vocals of his own.
  7. 40 Watt Sun, “Behind My Eyes”: A song for when you want to slow everything way down and maybe take a nap.
  8. Wilco, “Whole Love”: I’ve started developing a taste for latter-day Wilco, which apparently includes this album that came out 12 years ago now somehow.
  9. Fun., “We Are Young (featuring Janelle Monae)”: See, I haven’t listened to her new album yet, but I still found a way to slip her onto the playlist this week anyway.
  10. Hank Williams, “You Win Again”: Hank knew how to write a tear-jerker, woe-is-me song.

Playlist #74

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Happy Tuesday, folks. Got sick over the weekend, and took yesterday off to recover. Still feeling under the weather, but good news! It’s not Covid this time.

  1. Kate Bush, “Running Up That Hill”: We finally got around to starting Stranger Things season 4 over the weekend, and it’s quite good. The use of the Kate Bush song is perfect. I’m not ashamed to say I haven’t listened to much Kate Bush over the years; her stuff always struck me as too weird for my tastes. But this song slaps and deserves the attention it’s getting.
  2. Glen Phillips, “Held Up”: Sorta went through a Glen Phillips thing over the weekend, and this song especially spoke to me. Sung to me. Whatever.
  3. Bear Cub, “Hey B”: My brother used to play with this guy way back in the day (back when both of us had full heads of hair). He and his current singer, Kelly, did a cover of it about eight years ago. It’s quite good.
  4. Michael Penn, “No Myth”: Man, does this guy know how to write a bad song? No, no he does not.
  5. The Mountain Goats, “Wage Wars Get Rich Die Handsome”: Speaking of great songs, this one’s title tells you everything you need to know about it and then some.
  6. Paul McCartney, “Beautiful Night”: I rather liked McCartney’s Flaming Pie album, with its Beatles allusions and smooth early aughts production values and him obviously playing most every single instrument on the thing. Plus, it frequently featured Steve Miller (Mr. Space Cowboy himself), who is coincidentally still alive and still touring, God bless ‘im.
  7. Rhett Miller, “Terrible Vision”: I dig the Old 97s, and actually found them through the backdoor of lead singer Rhett Miller’s first solo album, The Instigator. This is the closer from that album, and it’s beautiful and flawed and wonderful.
  8. Jars of Clay, “Frail”: The re-recorded version of this song from the Furthermore collection. Their second album left me rather underwhelmed, compared with their debut and their third album, If I Left the Zoo.
  9. Jason Isbell & the 400 Unit, “Hope The High Road”: I don’t think anyone else out there writes songs like this right now, and that’s a shame. Isbell is great at the hopeful, rocking anthem, and we could use more of those in these dark days.
  10. Toad the Wet Sprocket, “Enough”: Sounds like a classic Toad song with modern production, which is exactly what new Toad the Wet Sprocket albums should sound like.