Happy Monday, folks! I’m probably somewhere between Northern Virginia and Orlando, Florida, as you read this. The Wife is presenting at an education conference, and I’m joining her for moral and logistical support (and for the opportunity to not work for a week). Here’s a list of covers that I’ve enjoyed recently.

1. Aimee Mann, “Rainy Days and Mondays”: A Carpenters cover? In this economy? It actually works pretty damn well, I think. She updates it in a few subtle ways, but mostly sticks to the original for her version.
2. Mavis Staples, “Everybody Needs Love”: I loved this song when I heard the Drive-By Truckers original, and I love Mavis Staples’s version almost as much. Her voice carries the right tone and quality for the tune, and belies the age the woman actually is. I love it.
3. Marc Sibilia, “Bittersweet Symphony”: His cover utilizes the same symphonic sample as the Verve Pipe’s original, but everything built around that seems more subdued, more subtle. It’s good stuff.
4. The Presidents of the United States of America, “Kick Out the Jams”: Gotta love a band gutsy enough to take on an MC5 song, especially this one, but they manage to pull it off with some nervy energy and chutzpah.
5. Phoebe Bridgers, “It’ll All Work Out”: I didn’t think it would be possible to slow down this Tom Petty number, but she does. I do miss the mandolin from the original, though.
6. Iron & Wine and Ben Bridwell, “I Still Haven’t Found What I’m Looking For”: A mellower, folkier version of the U2 classic.
7. Margaret Glaspy, “Have You Ever Seen the Rain”: I needed a slow, beautiful cover of CCR today, didn’t you?
8. Willie Nelson, “Don’t Give Up (feat. Sinead O’Connor)”: Willie’s voice has just become this weathered, worn thing that just keeps getting better for the songs he sings. Fits perfectly, and Sinead O’Connor is a great duet partner for him.
9. Bob Seager, “New Coat of Paint”: Seager turns Tom Waits’s raucous, bluesy number into…well, it’s not ’80s blooze-rock, not quite, but it does take some of the subtlety and nuance out of things. It’s still a fun cover, though.
10. Robert Plant & Allison Krauss, “Quattro (World Drifts In)”: Speaking of nuance and subtlety, Plant and Krauss manage to inject a little bit more into this Calexico number. I dig it almost as much as I love the original, and I really love the original.