mark knopfler

Playlist #238

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Happy Monday, folks! The air is becoming crisper, it’s a little colder in the morning, and all the leaves have fallen off the trees and are now piled up everywhere. It’s actually feeling like fall! I’m here for it.

  1. Mavis Staples, “Anthem”: Mavis Staples’s latest album includes three straight-up amazing covers at the end, including this one. It takes some guts to cover Leonard Cohen, and to choose a Cohen cover that isn’t “Hallelujah.” Her vocals have the gravity to pull it off.
  2. Lord Huron, “Meet Me In The Woods”: Obsessed with this album still, and especially with this song. I probably listen to it at least three or four times a week.
  3. Dan Auerbach, “Trouble Weighs A Ton”: There’s something about a song that’s just a voice and an acoustic guitar that speaks to something primal in me.
  4. Fiona Apple, “Fast As You Can”: This woman and her music are criminally underrated (see what I did there? Because her best-known song is still probably “Criminal”).
  5. The Police, “Masoko Tanga”: A lyric-less song off their debut that features Sting hootin’ and hollerin’ and carryin’ on with yelps and mumbles and all sorts of vocalizations.
  6. Mark Knopfler, “Speedway At Nazareth”: Just the way this song builds and builds to its climactic coda, it’s just…*chef’s kiss*
  7. Fastball, “You’re An Ocean”: Less well-known than their first couple of hits, but still bouncy and fun and a good listen.
  8. The Like, “I Can See It In Your Eyes”: They do the girl group style up right for the 2000s.
  9. She & Him, “I Should Have Known Better”: If I ever do a Beatles cover, I hope I do it half as well as they did.
  10. Ben Harper & The Blind Boys Of Alabama, “Satisfied Mind”: The Blind Boy’s actual hoots in the verses just send me every time. Love it.

Playlist #219

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Happy Monday, folks! The ridiculously high temperatures outside persist, but so do I! I kinda have to, since I don’t think I’m allowed to die anytime in the next thirty or so years. Anyway, here’s a playlist.

  1. Rise Against, “Give It All”: How would I describe this one? Emo? Pop-punk? Alternative? I dunno. It’s just a good song, man. We don’t always have to fit everything into these tiny prescriptive boxes.
  2. 10,000 Maniacs, “Trouble Me”: I go through phases where I want my music to sound like someone else’s. Right now, I want my music to sound like 10,000 Maniacs. There are definitely worse sounds.
  3. Noah Kahan & Hozier, “Northern Attitude”: We get it, things in the northern part of the US are darker and colder and sadder and all that. Just move to Phoenix and get on with things, guys.
  4. Mark Knopfler, “Prairie Wedding”: I love the guitar line in this song, and it’s just such a simple, beautiful song about the power of Mark Knopfler’s letter-writing skills. How else did he convince a woman to move to the barren west and marry him?
  5. Gorillaz, “Some Kind of Nature (Featuring Lou Reed)”: Gotta love a song that uses Lou Reed’s raspy talking as a selling point.
  6. The Gaslight Anthem, “Biloxi Parish”: There’s something nostalgic and sad underlying this song, which is something you could say about a great number of the Gaslight Anthem’s songs.
  7. HAIM, “Now It’s Time”: It uses U2’s “Numb” as a basis, but goes in a totally different direction. Pretty neat.
  8. Murder By Death, “Believe”: Great band, weird name. Not a death metal band, as you may be thinking. Folky alternative.
  9. The Offspring, “Self Esteem”: The sneering “na-na”s in this song are just great.
  10. Enya, “Orinoco Flow”: Apparently she came up with this song after her A&R guy said, “I don’t hear a single.” Enya said, “Oh yeah? Bet,” and came back a couple weeks later with this song. She is now living the dream, only recording when she feels like it, rarely touring, and just hanging out in her freakin’ castle with her cats. We should all be so lucky.

Playlist #210

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Tuesdays are the new Mondays, at least when you spend your Monday sitting at home waiting for the HVAC guy to show up. When he finally does, he’s gonna tell you that you need a whole new system, won’t that be a fun and adult experience to have! Anyway, here’s some songs.

  1. Fleetwood Mac, “Everywhere”: Why do I hear this song as interstitial music, like, everywhere? It’s a good song, mind you – not one of their absolute best, but good – I just don’t see why everyone from Target to NPR is using it.
  2. Daughter of Swords, “Hard On”: Yes, it’s about what you think it’s about, but humorously so and from the woman’s perspective, I think? Or maybe the singer is taking on the role of a man? Either way, it’s a good song, Jerry.
  3. Warren Zevon, “Lawyers, Guns and Money”: If you’re gonna send anything, you could do worse than these three things, I guess.
  4. Mark Knopfler, “Don’t Crash the Ambulance”: So, this song came out in 2004. Is the intended target George W. Bush? Because he ran for reelection that year, sure, but it was re-election. I’d think the kind of advice this song offers – such as “don’t push the big red button or you’ll kill us all” – would have been far more useful and effective about four years earlier.
  5. Uncle Tupelo, “No Sense in Lovin'”: Latter-day Uncle Tupelo sounds like more of a set-up for future bands Son Volt and Wilco, and no more so than on this Jeff Tweedy number that wouldn’t have felt amiss on Wilco’s A.M.
  6. The White Stripes, “Girl, You Have No Faith in Medicine”: Just tell us she’s anti-vax and move on, Jack.
  7. Albert King, “Born Under a Bad Sign”: Now, I’m not superstitious, but I am a little stitious. That being said, I’m usually fairly certain I wasn’t born under a bad sign, and wouldn’t really know how to recognize if I was, and I treasure this ignorance. Please, no one tell me what it means, as I might lose some other, more vital, piece of information. I can only keep so many things in my head, and I’d hate to lose something important like my social security number or my wife’s birthday.
  8. Jars of Clay, “Reckless Forgiver”: I probably forgive recklessly. If there’s anything I took from my Christian upbringing (aside from a sense of compassion for those less fortunate and a weird anti-authoritarian theological streak that I cannot get rid of), it’s that forgiveness is vital to a good life. Also, don’t be a dick to other people.
  9. John Prine, “Spanish Pipedream”: I’m not really certain why it’s important that “she was a level-headed dancer,” but I’m sure it must have been important ’cause it’s the first line of the song. You don’t include a detail like that unless it’s vital to understanding the character or plot. Maybe it’s designed to make you think her advice – to “blow up your TV, throw away your paper, move to the country, build you a home, plant a little garden, eat a lot of peaches, try to find Jesus on your own” – is more grounded that it sounds at first blush.
  10. Joe Walsh, “Rocky Mountain Way”: I almost learned to play a B chord for this song, but in the end I just cheat and slide my A chord down two frets and only strum three of the six strings. It’s a cheater B, as I call it, but it works for all the longer you actually have to play that chord in the song. Song’s a banger, though.

Playlist #198

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Happy Monday, folks! Looks like another round of snow is headed towards Northern Virginia this week, so I’m looking forward to a short week of work (and not administering the WIDA exam on Wednesday). Here’s some songs to get you through the snowy cold.

  1. The Weather Station, “Neon Signs”: You could describe this as folk/Americana, or alternative, or “cosmic Americana,” my preferred genre. However you describe it, it’s good. The instruments fade in and out, entwine with one another then break apart, and the lyrics float in from the middle of absolute nowhere like they’ve just blown in from the desert. Good stuff.
  2. Waxahatchee, “Mud”: New Waxahatchee means happy Charlie, even if it is just a single.
  3. Wilco, “Handshake Drugs”: The deluxe edition of A Ghost Is Born was released Friday, so of course I’ve already listened to it. I’m a little disappointed the so-called “Expanded Edition” only included a single extra disc of early versions of the songs instead of the 9-disc full version that is apparently available out there for the diehards (yeah, I’ll probably end up tracking that one down. I’m a sucker for the iterative nature of songwriting).
  4. Michgander, “Emotional”: I’ve dug this guy and his work since I first heard an EP of his several years ago, and his songwriting only gets stronger and his arrangements only get fuller as time goes by. Love it.
  5. Electric Light Orchestra, “The Bouncer”: A bonus song off the Time album, and one that has a bouncy, fun little beat and all the trademarks of Jeff Lynne production.
  6. Iron & Wine, “Call Your Boys”: I love the slide guitar work on this song. It’s subtle but effective, and the vocal melody is beautiful and sad.
  7. Jesse Malin, “She Don’t Love Me Now”: I think it’s the horn section in this song that gets me.
  8. Mark Knopfler, “Donnegan’s Gone”: A skiffle song about the guy who started the skiffle craze? Why not?
  9. The Gaslight Anthem, “Say I Won’t (Recognize)”: Early Gaslight Anthem is full of punch and power and longing and more hair grease than was used on the set of the movie Grease. James Dean would be proud.
  10. Jason Isbell, “Elephant”: Whenever I want to cry and feel absolutely beautiful misery, I put this song on. Works every time.

Playlists #164, #165, and #166

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As you read this, I’m somewhere between Virginia and Oklahoma, headed back to the land of my birth for my grandfather’s funeral. He passed away this weekend, and it’s kinda left me gutted. I’m glad I got to see him over Father’s Day weekend, and that he was in good spirits at the time. It’ll be nice to remember him that way.

Anyway, I’m combining three playlists into one today, because I’m behind a bit and I put together a big playlist to get me to Oklahoma. Here’s thirty songs.

  1. David Gray, “A Clean Pair of Eyes”: Early David Gray just hits different. It’s folkier, more acoustic, and very introspective. I dig it.
  2. Louis Armstrong, “Mack the Knife”: There is no better moment in music than when Louis throws it to himself for the trumpet solo at the end.
  3. Bing Crosby, “Swinging on a Star”: One of the best songs about the importance of education ever committed to tape.
  4. Ryan Adams, “Desire”: Yeah, the guy has diarrhea of the recording studio, and some of the crap he’s pulled over the years is rather reprehensible, but he does occasionally write and record good tunes.
  5. Mavis Staples, “Eyes on the Prize”: Leave it to Mavis to turn a Civil Rights Standard into a bluesy banger.
  6. Greg Feldon, “Incoming”: On one of my (many) recent trips back from Oklahoma, I spent the better part of a day driving up I-81 listening to this song on repeat until I had it memorized. It’s a good song.
  7. The Rolling Stones, “Honky Tonk Women”: Poor Mick just can’t even have an easy one night stand, can he?
  8. James McMurtry, “Choctaw Bingo”: It’s something of a standard “driving to Oklahoma” song for me at this point. It pops up on lots of playlists, because it’s a good song and it’s kinda long.
  9. Mark Knopfler, “Cannibals”: There are no cannibals anymore, are there, Mark? I think some folsk would beg to differ with a knife and fork, sir.
  10. Rilo Kiley, “More Adventurous”: Such a beautiful, forlorn sort of song. I’ve always loved it.
  11. Big Red Machine, “Renegade (feat. Taylor Swift)”: I’d be okay with Justin Vernon and Taylor Swift doing more duets for the next decade or so if they’re up for it.
  12. Ben Caplan, “Down to the River”: Did you know you needed more klezmer-inflected folk music in your life before you heard this song? Because I didn’t, but I obvious do need more of that in my life.
  13. Hank Williams, “Honky Tonk Blues”: This man knew from hard living, not that you’d know it from his songs necessarily. If he were alive today, he’d put the rest of the country music scene to shame, I’m pretty sure.
  14. The Mountain Goats, “Training Montage”: An amazing song if for nothing else than the line, “I’m doing this for revenge.”
  15. Neil Young, “Downtown”: I do enjoy it when Neil, the godfather of grunge, rocks out with Pearl Jam in tow. It’s a good time.
  16. Van Morrison, “Give Me a Kiss”: Old school Van was always top notch, as this song proves.
  17. The Wallflowers, “Misfits and Lovers (feat. Mick Jones)”: If you’re gonna do an album that sounds heavily indebted to the Clash, it’s probably a damn good idea to get a member of the Clash to guest on it.
  18. Tom Waits, “Chocolate Jesus”: Sacrilicious.
  19. Tom Petty & the Heartbreakers, “Angel Dream”: Can we talk for a minute about the run Tom Petty had between 1987 and 1999? He released Full Moon Fever, Into the Great Wide Open, Wildflowers, the She’s the One Soundtrack, and Echo, all bangers. All classics. Name me band in the past thirty-five years that’s had a string of records that good.
  20. Toad the Wet Sprocket, “Are We Afraid”: A quieter, more reflective moment from their odds & sods collection In Light Syrup.
  21. Pearl Jam, “Better Man”: I think I mentioned a few weeks ago how the Seven Mary Three song “Water’s Edge” is just a 90s rewrite of Richard Marx’s “Hazard,” and this song is just a rewrite of the final verse of Bob Seger’s “The Fire Inside.”
  22. Peter Gabriel, “Washing of the Water”: How does this man create such consistently interesting and provocative music? It’s wild.
  23. Paul McCartney & Elvis Costello, “My Brave Face (Original Demo)”: Two great tastes that taste great together, as it turns out. Elvis brought out the sharper side of McCartney (for a given value of sharper, since McCartney long ago filed off everything to smooth edges).
  24. Drive-By Truckers, “Everybody Needs Love”: An anthem for our time. Everybody does need love.
  25. Descendents, “‘Merican”: Another anthem for our time, this time about the true history of our country and how some folks just don’t want to see everything.
  26. The Dead Weather, “Hustle and Cuss”: It’s nice to see a Jack White project where he kind of takes a backseat to the proceedings, mostly just playing the drums and occasionally singing (like on this track).
  27. David Bowie, “Modern Love”: Dance-pop-era Bowie usually isn’t my favorite, but this song rocks.
  28. Calexico, “Guero Canelo”: Do I understand a word in this song? No. Does it still slap? Yes.
  29. Bob Dylan, “Song For Woody”: Another appropriate “traveling to Oklahoma” song. Woody is a state treasure, or damn well ought to be.
  30. Creedence Clearwater Revival, “Someday Never Comes”: One of the saddest songs that John Fogerty ever wrote, if you want my opinion. It’s dark and bittersweet and sad and longing, and it hits in just that right spot every time.

Playlist #139: Boxing Day

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Happy Tuesday! Of course I didn’t post a playlist yesterday, it was Christmas. I was eating my own weight in ravioli. But today is Boxing Day, and since I can never let a day where I can purposefully misunderstand the purpose of the day for a giggle, here’s a list of boxing-themed songs for this week’s playlist, the last of 2023!

  1. Simon & Garfunkel, “The Boxer”: You knew this was going to be the first, most obvious song on this list, right? Of course you did.
  2. Mark Knopfler, “Song For Sonny Liston”: A biographical look at the life of boxer Sonny Liston.
  3. The Gaslight Anthem, “Boxer”: I’m not really sure what this song has to do with boxing or being a boxer, but the chorus does include the line, “Remember when I knew a boxer, baby.” So there’s that.
  4. Bruce Springsteen, “The Hitter”: Bruce takes a look at an aging, worn-out fighter.
  5. The Extra Lens, “Cruiserweights”: John Darnielle of the Mountain Goats is apparently so engaged with the sport of boxing that he formed a second group, the Extra Lens, that recorded an entire album about a boxer.
  6. Survivor, “Eye of the Tiger”: It would have been very easy to just make this playlist all songs from the Rocky movies. Don’t think I didn’t think about it.
  7. Rush, “Cinderella Man”: A song about a man trying to achieve his dream against staggering odds and prog rock.
  8. Rachel Platten, “Fight Song”: Isn’t boxing just fighting with rules? I’m pretty sure it’s just fighting with rules.
  9. Ben Folds Five, “Boxing”: Apparently this song is designed to be an imagined conversation between Muhammad Ali and Howard Cossel, the sportscaster, who apparently made his name commentating on boxing matches.
  10. The Boxer Rebellion, “Spitting Fire”: The Boxer Rebellion was a fight between a small group of Chinese kung fu experts (called the Order of the Holy Fist, or “Boxers”) and the English, all about opium. It…didn’t go well for the Boxers.

Playlist #136

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Happy Monday, folks! It’s time for a brand-spankin’-new playlist for your ears’ enjoyment!

  1. Silverchair, “Tomorrow”: I never really listened to these guys back in the day. They were still in high school when they got signed. High school! Back in high school, I was worried about pimples and whether or not my girlfriend would leave me, not signing record contracts and going out on tour.
  2. Peter Gabriel, “Olive Tree”: When an artist takes twenty years to record an album, then releases it with at leas three different mixes, it’s usually a bad sign. This album is an exception to that sort of thinking. Gabriel has put together a beautiful, thoughtful, and touching set of songs. “Olive Tree” is a standout, but honestly I could have put virtually any song from this album in this spot and said the same thing. It’s just so damn good.
  3. Gorillaz, “Tomorrow Comes Today”: Heard it as an interstitial on NPR this morning, and now it won’t stop playing in my head. So you get to hear it, too.
  4. Drive-By Truckers, “Used To Be A Cop”: These folks are such good storytellers. You almost manage to feel sorry for an ex-cop who got kicked off the force for…reasons.
  5. XTC, “The Ballad Of Peter Pumpkinhead”: I have an unabashed, non-ironic love for XTC. They just made such fun, joyful music. It’s fantastic. This song is fantastic. Andy Partridge and Colin Moulding deserve better.
  6. Michael Penn, “No Myth”: This dude just always amazes me with his way with a melody or a lyric. He’s great. This song is peak ’80s but also great.
  7. Sting, “All This Time”: One of my favorite lines of all time came from this song: “Men go crazy in congregations/They only get better one by one.”
  8. Norah Jones, “The Long Way Home”: Who doesn’t love a Tom Waits cover? No one. No one doesn’t love a Tom Waits cover.
  9. Mark Knopfler, “We Can Get Wild”: This man just struggles to write a bad song, y’know? Yeah, they’re out there, but they’re few and far between. He just crafts with such a high level of skill and thought that even his bad songs have something interesting going on in them.
  10. James McMurtry, “Just Us Kids”: This guy tells fun stories about losers and folks who think they’re winning, even if only in their surface thoughts.

Playlist #125

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Happy Monday! It’s a gorgeous day here in Northern Virginia, and it sounds like the weather will continue to be beautiful for the whole week. Too bad I have to spend it all inside teaching.

  1. Better Than Ezra, “Desperately Wanting”: I’ve been on a Better Than Ezra kick this past week for reasons I cannot even begin to explain. I think it’s because most of their songs are so easy to play on the guitar, which my cowboy chord heart really appreciates.
  2. The Record Company, “Control My Heart Blues”: I like these guys, though they suffer from the most generic band name I think I’ve ever heard. I mean, short of “The Band.”
  3. The National, “Laugh Track (feat. Phoebe Bridgers)”: Oh, look, the National surprise dropped a brand new album today. It’s very good, though this might be my favorite song on it.
  4. James Gang, “Funk No. 49”: I feel like, if you’re having to number the funks, you might have too much funk.
  5. John Hartford, “In Tall Buildings”: I refuse to live anywhere above the first floor from now on.
  6. John Prine, “Spanish Pipedream”: Comical stories of topless dancers telling you to go find Jesus aside, this song has always and will always be awesome. The Avett Brothers do a good cover of it, too.
  7. Kaiser Chiefs, “I Predict a Riot”: That’s right, I’m gonna riot if I don’t get what I want! Okay, maybe not riot, per se. Maybe just grumble and complain under my breath for a while.
  8. Langhorne Slim & The Law, “Put It Together”: I will never tire of this song. It just hits something primal in my soul and gets it all hyped up.
  9. Mark Knopfler, “Donegan’s Gone”: A skiffle-esque tribute to the guy who brought the musical form to the shores of Merry Ol’ England.
  10. Mike Doughty, “Fort Hood”: Best song that features the coda from the 5th Dimension’s “Age of Aquarius” as a chorus? Yes.

Playlist #122

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Happy Monday, folks! Unless you live in Florida, in which case, um, have fun getting hit by a hurricane?

  1. The Gaslight Anthem, “Positive Charge”: This song has been stuck in my head for two or three weeks at least. Maybe this will finally dislodge it. Maybe.
  2. Charlie Sexton, “Regular Grind”: Of all the musicians I listen to, this is the one who needs to put out a new album the most. It’s been almost 20 years, man! Give us something new!
  3. Jason Isbell & the 400 Unit, “King Of Oklahoma”: This man, on the other hand, cranks ’em out like clockwork pretty regularly. And damn if this song doesn’t make me feel something.
  4. John Cougar Mellencamp, “Rumbleseat (2022 Mix)”: Generally speaking, I’m curious to hear what musicians come up with when they remix their old albums with modern techniques and studio trickery. This feels…unsuccessful on that front. The guitars are too muted, the drums are too loud and yet also lifeless, and it just feels like it was a huge missed opportunity to really punch everything up.
  5. Drive-By Truckers, “Used To Be A Cop”: The Drive-By Truckers can take even the most irredeemable character – in this case, a cop who had a nasty streak and has all sorts of misogynistic tendencies – and still make them someone you want to sympathize with. That’s impressive.
  6. The Head And The Heart, “Lost In My Mind”: “How’s that bricklayin’ comin’/How’s your engine runnin'”? is one of those couplets that seems innocuous when you first listen to it, but the stuff that follows – “Is that bridge getting built/Are your hands getting filled/Won’t you tell me my brother/’Cause there are stars/Up above” – and the way their voices soar in harmony is just…damn, it’s just really good.
  7. Mark Knopfler, “Hill Farmer’s Blues”: Speaking of musicians who can make downtrodden and misunderstood characters feel sympathetic, here’s Knopfler singing about a farmer going to town for supplies and making it seem freakin’ epic.
  8. Fall Out Boy, “Dance, Dance”: You get a pass this one time, Fall Out Boy, but only because you’re named after a Simpsons reference.
  9. The Beatles, “You Really Got A Hold On Me”: Michelle and I were listening to this song over the weekend and just commenting on how great a song it is. Smokey Robinson knew what was up, my friends.
  10. Van Morrison, “Magic Time”: Though it happens less frequently than it used to, Van Morrison can write a stunningly beautiful song. This one counts and makes me wish he hadn’t become some sort of weird Covid skeptic and conservative curmudgeon in recent years.

Playlist #56

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Another school year is winding towards a close. Here in Northern Virginia, seniors are taking their final exams this week, and they graduate next week. Week after that, school’s over for everyone else. It’s been a…challenging year, to say the least. I’ll be glad to see the back of it.

Support me on Patreon! I’m about to release the song for May, and it’s a good one, if I do say so myself.

  1. Maria McKee, “Never Be You”: This song was written by Tom Petty and Mike Campbell, and man, does it sound like it. Classic late ’70s/early ’80s Heartbreakers tone and style, through and through. I’d never heard this song before this weekend, but it’s good.
  2. The Black Keys, “Burn The Damn Thing Down”: Bluesy? Or Bloozy? It’s good, either way.
  3. Mike Doughty, “Fort Hood”: It takes some chutzpah to totally lift the coda from “Age of Aquarius” and use it as your chorus, but Mr. M. Doughty pulls it off.
  4. The National, “The System Only Dreams In Total Darkness”: They don’t usually do guitar solos, but they do one here, and it makes you wish they did them more often.
  5. Wilco, “The Thanks I Get”: Still the best Rod Stewart song Rod’s never sang.
  6. She & Him, “This Is Not A Test”: Fun and poppy. Whenever I need a pick-me-up, I still go back to this album. It’s just fun.
  7. Franz Ferdinand, “Do You Want To”: I’ll never understand how these guys aren’t bigger than they are. They do great, straight-ahead rock numbers with lots of arch humor and and nudging asides.
  8. Bruce Springsteen, “Radio Nowhere”: Even on later Boss albums, you can still usually find a good track or two. This one’s pretty solid. Avoid the remake of “Ghost of Tom Joad” he did with Tom Morello on 2013’s High Hopes. Those two are two great tastes that don’t taste great together.
  9. The Jayhawks, “I’d Run Away”: Love me some two-part harmony.
  10. Mark Knopfler, “Speedway at Nazareth”: I just love how this song builds. Not just in terms of the music – though the build to that coda is fantastic – but lyrically as well. Just a master class in how to write a great song.