Playlist #242: Top 10 Albums of 2025

Happy Monday, folks! We’ve reached that point in the year when bands stop releasing new music and the music critic turns his weary, bleary eyes toward compiling top lists. Top 10 albums! Top 25 albums! Top 100 albums of the year! In all the genres and styles one can imagine. I’m just gonna do a top ten. It’s not that I couldn’t find enough for a longer list, but I already do ten-song playlists, so why not stick with that? In no particular order, my top ten for the year are:

  1. Matt Berninger, Get Sunk: Solo album from the National’s singer. As I commented back when I first featured a song off this album on a playlist, it seems to feature all the momentum and forward motion that’s been missing from the past couple of National albums. Virtually a no-skip album.
  2. Mavis Staples, Sad and Beautiful World: She’s been trending more toward minimalism in her work the past couple of albums, and I kinda like it. Puts her amazing voice front and center. Her song selection skills remain top-notch, too.
  3. Snocaps, Snocaps: Feels very off the cuff and done for fun, which I’m always a big fan of. I like it when it sounds like the musicians had fun recording the music. And the two sisters at the heart of this group know how to write some killer songs.
  4. Jeff Tweedy, Twilight Override: We get it Jeff, you’ve got lots of songs in you. A triple album, though? That just screams “I’m gonna one-up Ryan Adams at something not gross.” But the songs are pretty uniformly good, even if a few of them feel more like song sketches and ideas rather than full-fledged complete songs.
  5. Jason Isbell, Foxes in the Snow: I’m not gonna call it his divorce album or his Blood on the Tracks, but there is something stark and sharp and beautiful in this voice and acoustic only set that really sucker punches you in the best way.
  6. Neko Case, Neon Gray Midnight Green: Any new Neko Case music is a cause for celebration, and this particular album sticks with you long after it’s finished playing. Nothing as immediate or obviously gripped as “Hold On, Hold On” here, but it’s still a strong album filled with the sort of gorgeous vocals and left field approaches Case has come to be known for.
  7. The Mountain Goats, Through the Fire Across From Peter Balkan: Trippy, dreamy titles aside, John Darnielle has described this one as the closest he’s ever come to writing a musical, and it still isn’t a concept album telling a coherent story as far as I can tell, but the songs are beautiful and obtuse and demand that you sit with the record and really listen.
  8. Lord Huron, The Cosmic Selector Vol. 1: Atmospheric and folky, like Tom Petty mixing spaghetti westerns with ’50s pulp sci-fi.
  9. Bruce Springsteen, Nebraska ’82: As archival releases go, this one is pretty great. Getting a look at what could have been with Nebraska, one of my favorite Bruce albums, is a fascinating exercise. Hearing the so-called Electric Versions was pretty cool and does ultimately support the myth that the original solo demos were the superior versions and ought to just be released as-is. The more recent live recordings of all the songs seemed a little superfluous to me, but more Bruce is never really a bad thing.
  10. Bob Dylan, Through the Open Window (The Bootleg Series, Volume 18): Speaking of archival releases, the latest in the long-running Bootleg Series digs into the absolute earliest Dylan recordings we’ve ever heard, and while you can definitely hear who he would become in the voice and the guitar playing, it’s very protean. Primordial, you might say. But the man found his footing in Greenwich Village quite quickly, and hearing some alternate takes on some of his earliest compositions and covers was a fun diversion. Someday, I’ll have to dive into the complete version of this collection, as the only version available on Apple Music was the two-disc Highlights selections.

Playlist #240: Covers!

Happy Monday, folks! I’m probably somewhere between Northern Virginia and Orlando, Florida, as you read this. The Wife is presenting at an education conference, and I’m joining her for moral and logistical support (and for the opportunity to not work for a week). Here’s a list of covers that I’ve enjoyed recently.

  1. Aimee Mann, “Rainy Days and Mondays”: A Carpenters cover? In this economy? It actually works pretty damn well, I think. She updates it in a few subtle ways, but mostly sticks to the original for her version.
  2. Mavis Staples, “Everybody Needs Love”: I loved this song when I heard the Drive-By Truckers original, and I love Mavis Staples’s version almost as much. Her voice carries the right tone and quality for the tune, and belies the age the woman actually is. I love it.
  3. Marc Sibilia, “Bittersweet Symphony”: His cover utilizes the same symphonic sample as the Verve Pipe’s original, but everything built around that seems more subdued, more subtle. It’s good stuff.
  4. The Presidents of the United States of America, “Kick Out the Jams”: Gotta love a band gutsy enough to take on an MC5 song, especially this one, but they manage to pull it off with some nervy energy and chutzpah.
  5. Phoebe Bridgers, “It’ll All Work Out”: I didn’t think it would be possible to slow down this Tom Petty number, but she does. I do miss the mandolin from the original, though.
  6. Iron & Wine and Ben Bridwell, “I Still Haven’t Found What I’m Looking For”: A mellower, folkier version of the U2 classic.
  7. Margaret Glaspy, “Have You Ever Seen the Rain”: I needed a slow, beautiful cover of CCR today, didn’t you?
  8. Willie Nelson, “Don’t Give Up (feat. Sinead O’Connor)”: Willie’s voice has just become this weathered, worn thing that just keeps getting better for the songs he sings. Fits perfectly, and Sinead O’Connor is a great duet partner for him.
  9. Bob Seager, “New Coat of Paint”: Seager turns Tom Waits’s raucous, bluesy number into…well, it’s not ’80s blooze-rock, not quite, but it does take some of the subtlety and nuance out of things. It’s still a fun cover, though.
  10. Robert Plant & Allison Krauss, “Quattro (World Drifts In)”: Speaking of nuance and subtlety, Plant and Krauss manage to inject a little bit more into this Calexico number. I dig it almost as much as I love the original, and I really love the original.

Playlist #238

Happy Monday, folks! The air is becoming crisper, it’s a little colder in the morning, and all the leaves have fallen off the trees and are now piled up everywhere. It’s actually feeling like fall! I’m here for it.

  1. Mavis Staples, “Anthem”: Mavis Staples’s latest album includes three straight-up amazing covers at the end, including this one. It takes some guts to cover Leonard Cohen, and to choose a Cohen cover that isn’t “Hallelujah.” Her vocals have the gravity to pull it off.
  2. Lord Huron, “Meet Me In The Woods”: Obsessed with this album still, and especially with this song. I probably listen to it at least three or four times a week.
  3. Dan Auerbach, “Trouble Weighs A Ton”: There’s something about a song that’s just a voice and an acoustic guitar that speaks to something primal in me.
  4. Fiona Apple, “Fast As You Can”: This woman and her music are criminally underrated (see what I did there? Because her best-known song is still probably “Criminal”).
  5. The Police, “Masoko Tanga”: A lyric-less song off their debut that features Sting hootin’ and hollerin’ and carryin’ on with yelps and mumbles and all sorts of vocalizations.
  6. Mark Knopfler, “Speedway At Nazareth”: Just the way this song builds and builds to its climactic coda, it’s just…*chef’s kiss*
  7. Fastball, “You’re An Ocean”: Less well-known than their first couple of hits, but still bouncy and fun and a good listen.
  8. The Like, “I Can See It In Your Eyes”: They do the girl group style up right for the 2000s.
  9. She & Him, “I Should Have Known Better”: If I ever do a Beatles cover, I hope I do it half as well as they did.
  10. Ben Harper & The Blind Boys Of Alabama, “Satisfied Mind”: The Blind Boy’s actual hoots in the verses just send me every time. Love it.

Playlist #200

Happy Monday, folks. We’re almost to the end of February, which means next week is March: the month of my birth! That’s beside the point, though. Here’s some songs.

  1. Joel R.L. Phelps & The Downer Trio, “Lost Continent”: Heavier than my usual fare, I’ll be the first to admit. I blame John Darnielle for this one, as he’s the guy who was talking about this album on BlueSky the other day. I kinda love the idea that love is a lost continent. It’s a brilliant metaphor, I think.
  2. Role Model, “Sally, When the Wine Runs Out”: This one isn’t my fault, either. Poppier than usual, but with a bit of twang and slide guitar, and a sing-along chorus that is pretty damn infectious.
  3. Tom Petty & the Heartbreakers, “Room at the Top”: This is one of the most beautiful songs Tom Petty ever wrote, and it’s just heartbreaking as you get to that last verse. “Yeah, I keep doing those things on TV, I love you/Please love me, I’m not so bad/And I love you so.” And then the whole band kicks back in for that last chorus. Gets me every time.
  4. St. Vincent, “Broken Man”: St. Vincent does fantastical things with every new album, and I’m kinda here for it, honestly.
  5. David Gray, “A Clean Pair of Eyes”: I honestly can’t say why, but I really love David Gray’s Lost Songs collection. There’s just so much good stuff here.
  6. The Rolling Stones, “Honky Tonk Women”: Some days, you just need a little honky tonk in your life.
  7. Drive-By Truckers, “Everybody Needs Love”: Still one of the best songs the band has ever written, with such a simple message.
  8. Creedence Clearwater Revival, “Someday Never Comes”: How John Fogerty could write such a heartbreaking song, I’ll never know.
  9. Bob Dylan, “Song To Woody”: How do you tell your hero they’re your hero?
  10. Mavis Staples, “Eyes on the Prize”: This woman has lived through so much, has sung so many amazing songs, and her version of this old tune still grabs me and holds my attention every time.

Playlists #164, #165, and #166

As you read this, I’m somewhere between Virginia and Oklahoma, headed back to the land of my birth for my grandfather’s funeral. He passed away this weekend, and it’s kinda left me gutted. I’m glad I got to see him over Father’s Day weekend, and that he was in good spirits at the time. It’ll be nice to remember him that way.

Anyway, I’m combining three playlists into one today, because I’m behind a bit and I put together a big playlist to get me to Oklahoma. Here’s thirty songs.

  1. David Gray, “A Clean Pair of Eyes”: Early David Gray just hits different. It’s folkier, more acoustic, and very introspective. I dig it.
  2. Louis Armstrong, “Mack the Knife”: There is no better moment in music than when Louis throws it to himself for the trumpet solo at the end.
  3. Bing Crosby, “Swinging on a Star”: One of the best songs about the importance of education ever committed to tape.
  4. Ryan Adams, “Desire”: Yeah, the guy has diarrhea of the recording studio, and some of the crap he’s pulled over the years is rather reprehensible, but he does occasionally write and record good tunes.
  5. Mavis Staples, “Eyes on the Prize”: Leave it to Mavis to turn a Civil Rights Standard into a bluesy banger.
  6. Greg Feldon, “Incoming”: On one of my (many) recent trips back from Oklahoma, I spent the better part of a day driving up I-81 listening to this song on repeat until I had it memorized. It’s a good song.
  7. The Rolling Stones, “Honky Tonk Women”: Poor Mick just can’t even have an easy one night stand, can he?
  8. James McMurtry, “Choctaw Bingo”: It’s something of a standard “driving to Oklahoma” song for me at this point. It pops up on lots of playlists, because it’s a good song and it’s kinda long.
  9. Mark Knopfler, “Cannibals”: There are no cannibals anymore, are there, Mark? I think some folsk would beg to differ with a knife and fork, sir.
  10. Rilo Kiley, “More Adventurous”: Such a beautiful, forlorn sort of song. I’ve always loved it.
  11. Big Red Machine, “Renegade (feat. Taylor Swift)”: I’d be okay with Justin Vernon and Taylor Swift doing more duets for the next decade or so if they’re up for it.
  12. Ben Caplan, “Down to the River”: Did you know you needed more klezmer-inflected folk music in your life before you heard this song? Because I didn’t, but I obvious do need more of that in my life.
  13. Hank Williams, “Honky Tonk Blues”: This man knew from hard living, not that you’d know it from his songs necessarily. If he were alive today, he’d put the rest of the country music scene to shame, I’m pretty sure.
  14. The Mountain Goats, “Training Montage”: An amazing song if for nothing else than the line, “I’m doing this for revenge.”
  15. Neil Young, “Downtown”: I do enjoy it when Neil, the godfather of grunge, rocks out with Pearl Jam in tow. It’s a good time.
  16. Van Morrison, “Give Me a Kiss”: Old school Van was always top notch, as this song proves.
  17. The Wallflowers, “Misfits and Lovers (feat. Mick Jones)”: If you’re gonna do an album that sounds heavily indebted to the Clash, it’s probably a damn good idea to get a member of the Clash to guest on it.
  18. Tom Waits, “Chocolate Jesus”: Sacrilicious.
  19. Tom Petty & the Heartbreakers, “Angel Dream”: Can we talk for a minute about the run Tom Petty had between 1987 and 1999? He released Full Moon Fever, Into the Great Wide Open, Wildflowers, the She’s the One Soundtrack, and Echo, all bangers. All classics. Name me band in the past thirty-five years that’s had a string of records that good.
  20. Toad the Wet Sprocket, “Are We Afraid”: A quieter, more reflective moment from their odds & sods collection In Light Syrup.
  21. Pearl Jam, “Better Man”: I think I mentioned a few weeks ago how the Seven Mary Three song “Water’s Edge” is just a 90s rewrite of Richard Marx’s “Hazard,” and this song is just a rewrite of the final verse of Bob Seger’s “The Fire Inside.”
  22. Peter Gabriel, “Washing of the Water”: How does this man create such consistently interesting and provocative music? It’s wild.
  23. Paul McCartney & Elvis Costello, “My Brave Face (Original Demo)”: Two great tastes that taste great together, as it turns out. Elvis brought out the sharper side of McCartney (for a given value of sharper, since McCartney long ago filed off everything to smooth edges).
  24. Drive-By Truckers, “Everybody Needs Love”: An anthem for our time. Everybody does need love.
  25. Descendents, “‘Merican”: Another anthem for our time, this time about the true history of our country and how some folks just don’t want to see everything.
  26. The Dead Weather, “Hustle and Cuss”: It’s nice to see a Jack White project where he kind of takes a backseat to the proceedings, mostly just playing the drums and occasionally singing (like on this track).
  27. David Bowie, “Modern Love”: Dance-pop-era Bowie usually isn’t my favorite, but this song rocks.
  28. Calexico, “Guero Canelo”: Do I understand a word in this song? No. Does it still slap? Yes.
  29. Bob Dylan, “Song For Woody”: Another appropriate “traveling to Oklahoma” song. Woody is a state treasure, or damn well ought to be.
  30. Creedence Clearwater Revival, “Someday Never Comes”: One of the saddest songs that John Fogerty ever wrote, if you want my opinion. It’s dark and bittersweet and sad and longing, and it hits in just that right spot every time.

Playlist #81

You can tell it’s gonna be a Monday when you realize you wrote down this week’s playlist in the spot for next week’s playlist in your bullet journal. But hey, here’s ten songs in a specific order for you to listen to this week.

  1. Laser the Boy, “Don’t You Know Who I Am”: Laser, lead singer/guitarist for the Doubleclicks, has come out with a new solo single! And it’s really damn good. Like, really good. I’m a little jealous.
  2. Glen Phillips, “I Am A Riot”: You could almost see the first song on the list and this one as a question and answer. That amuses me.
  3. Natalie Merchant, “Cowboy Romance”: Last night before bed, I was watching an old NPR Tiny Desk Concert featuring Ms. Merchant, and man does her voice just get me right in the feels.
  4. Fleetwood Mac, “Rhiannon”: Speaking of singers who just hit you right in the emotions…
  5. Florence + the Machine, “Shake It Off”: Is this just the week I feature women who sing really powerfully in a variety of different ways? I guess so.
  6. Mavis Staples, “Wrote A Song For Everyone”: Yup. There’s a definite trend here. And a CCR cover.
  7. Lizzo, “Good As Hell”: I swear, I didn’t do this on purpose.
  8. Jenny Lewis & the Watson Twins, “Born Secular”: Honestly.
  9. David Bowie, “Modern Love”: Is it the best David Bowie song? No. Is it a great David Bowie song? I would argue it is, but I might also be in the minority on that opinion. I dunno.
  10. Cat Power, “The Greatest”: Okay, just one more for the road.