michael penn

Playlist #194 and #195

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Happy Monday! It’s Martin Luther King, Jr, Day, and Inauguration Day. One of those is a cause for celebration, while the other is a cause for heavy drinking. I’ll leave it to you to figure out which one is which.

  1. The Refreshments, “Banditos”: I am embarrassed just how long I got the Refreshments and the Replacements confused. It was…far longer than I care to admit.
  2. Chris Smither, “Origin of Species”: A fantastic, farcical song mixing stories from the Bible with a winking nod to Charles Darwin and the double helix.
  3. Jason Isbell, “Super 8”: No one wants to die in a Super 8 Motel, Mr. Isbell. My wife won’t even set foot in one.
  4. Stevie Nicks, “Lighthouse”: Still love this song. It’s still a banger. I will not be accepting questions at this time.
  5. Tom Waits, “Goin’ Out West”: “I know karate and voodoo too” is a hell of a line.
  6. The Mountain Goats, “No Children”: We’ve talked about this one before, about how it’s my wife’s favorite Mountain Goats song and maybe I need to be concerned about that? Who knows.
  7. Michael Penn, “No Myth”: I dunno, maybe comparing yourself to Romeo and Heathcliff is not the flex you think it is.
  8. Big Red Machine, “Latter Days”: I like the album this song is from so much I picked it up on vinyl a couple of weeks ago. Great decision.
  9. Kate Bush, “Running Up That Hill (A Deal With God)”: About the only slice of ’80s music I can really stand, it’s a damn good song with a killer chorus.
  10. Franz Ferdinand, “Take Me Out”: It will never cease to amuse me that the band named after the dude whose assassination kicked off World War I released a single called “Take Me Out.” Just top-tier trolling.
  11. Jimmy Eat World, “The Middle”: Such an uplifting, shout-along song. And easy to play on the guitar to boot!
  12. Tracy Bonham, “Mother Mother”: A nice slice of ’90s nostalgia. Apparently the Wife hates her music? I was just as surprised as you are.
  13. Whiskeytown, “Jacksonville Skyline”: I know everyone was all about the authenticity of the cowpunk/alt-country movement in the early 2000s, but Whiskeytown’s country always felt like a coat Ryan Adams was wearing and took off as quickly as he could when he went solo.
  14. Wilco, “At Least That’s What You Said”: The snarling, Neil Young-esque guitar explosion that erupts about halfway through this song is giving me life.
  15. Diana Ross & the Supremes, “Reflections”: Sometimes, you just need a girl group singing close harmonies to get you through the day. This might be such a day.
  16. Edwyn Collins, “A Girl Like You”: Britpop, you say? Britpop? I’ll give you Britpop!
  17. Bob Dylan, “Mississippi”: For nothing else than I got the line “You can always come back but you can’t come back all the way” stuck in my head the other day.
  18. Tom Petty & the Heartbreakers, “A Thing About You”: This has somehow become one of my favorite Tom Petty songs in recent years. Dunno how or why. I think I just like the breakneck pace of it and how I always imagine things almost tumble apart in the instrumental break but barely hold on.
  19. Calexico, “Beneath the City of Dreams”: I am a sucker for a good Calexico song, which really means any Calexico song. They’re all pretty damn good.
  20. Bill Small, “This Old House”: A dark tour through the empty halls of one’s life, or an empty house that used to be occupied by a loved one.

Playlist #136

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Happy Monday, folks! It’s time for a brand-spankin’-new playlist for your ears’ enjoyment!

  1. Silverchair, “Tomorrow”: I never really listened to these guys back in the day. They were still in high school when they got signed. High school! Back in high school, I was worried about pimples and whether or not my girlfriend would leave me, not signing record contracts and going out on tour.
  2. Peter Gabriel, “Olive Tree”: When an artist takes twenty years to record an album, then releases it with at leas three different mixes, it’s usually a bad sign. This album is an exception to that sort of thinking. Gabriel has put together a beautiful, thoughtful, and touching set of songs. “Olive Tree” is a standout, but honestly I could have put virtually any song from this album in this spot and said the same thing. It’s just so damn good.
  3. Gorillaz, “Tomorrow Comes Today”: Heard it as an interstitial on NPR this morning, and now it won’t stop playing in my head. So you get to hear it, too.
  4. Drive-By Truckers, “Used To Be A Cop”: These folks are such good storytellers. You almost manage to feel sorry for an ex-cop who got kicked off the force for…reasons.
  5. XTC, “The Ballad Of Peter Pumpkinhead”: I have an unabashed, non-ironic love for XTC. They just made such fun, joyful music. It’s fantastic. This song is fantastic. Andy Partridge and Colin Moulding deserve better.
  6. Michael Penn, “No Myth”: This dude just always amazes me with his way with a melody or a lyric. He’s great. This song is peak ’80s but also great.
  7. Sting, “All This Time”: One of my favorite lines of all time came from this song: “Men go crazy in congregations/They only get better one by one.”
  8. Norah Jones, “The Long Way Home”: Who doesn’t love a Tom Waits cover? No one. No one doesn’t love a Tom Waits cover.
  9. Mark Knopfler, “We Can Get Wild”: This man just struggles to write a bad song, y’know? Yeah, they’re out there, but they’re few and far between. He just crafts with such a high level of skill and thought that even his bad songs have something interesting going on in them.
  10. James McMurtry, “Just Us Kids”: This guy tells fun stories about losers and folks who think they’re winning, even if only in their surface thoughts.

Playlist #74

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Happy Tuesday, folks. Got sick over the weekend, and took yesterday off to recover. Still feeling under the weather, but good news! It’s not Covid this time.

  1. Kate Bush, “Running Up That Hill”: We finally got around to starting Stranger Things season 4 over the weekend, and it’s quite good. The use of the Kate Bush song is perfect. I’m not ashamed to say I haven’t listened to much Kate Bush over the years; her stuff always struck me as too weird for my tastes. But this song slaps and deserves the attention it’s getting.
  2. Glen Phillips, “Held Up”: Sorta went through a Glen Phillips thing over the weekend, and this song especially spoke to me. Sung to me. Whatever.
  3. Bear Cub, “Hey B”: My brother used to play with this guy way back in the day (back when both of us had full heads of hair). He and his current singer, Kelly, did a cover of it about eight years ago. It’s quite good.
  4. Michael Penn, “No Myth”: Man, does this guy know how to write a bad song? No, no he does not.
  5. The Mountain Goats, “Wage Wars Get Rich Die Handsome”: Speaking of great songs, this one’s title tells you everything you need to know about it and then some.
  6. Paul McCartney, “Beautiful Night”: I rather liked McCartney’s Flaming Pie album, with its Beatles allusions and smooth early aughts production values and him obviously playing most every single instrument on the thing. Plus, it frequently featured Steve Miller (Mr. Space Cowboy himself), who is coincidentally still alive and still touring, God bless ‘im.
  7. Rhett Miller, “Terrible Vision”: I dig the Old 97s, and actually found them through the backdoor of lead singer Rhett Miller’s first solo album, The Instigator. This is the closer from that album, and it’s beautiful and flawed and wonderful.
  8. Jars of Clay, “Frail”: The re-recorded version of this song from the Furthermore collection. Their second album left me rather underwhelmed, compared with their debut and their third album, If I Left the Zoo.
  9. Jason Isbell & the 400 Unit, “Hope The High Road”: I don’t think anyone else out there writes songs like this right now, and that’s a shame. Isbell is great at the hopeful, rocking anthem, and we could use more of those in these dark days.
  10. Toad the Wet Sprocket, “Enough”: Sounds like a classic Toad song with modern production, which is exactly what new Toad the Wet Sprocket albums should sound like.