mon rovia

Playlist #279

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Happy Monday, folks, or as happy as a world can be without Dolly Parton in it. It was a rough weekend in the Branco-Cottrell household, and this next weekend is looking to be even rougher. If you have a second, send a little prayer our way and be thinking of us, especially our dear old lady cat Cici.

  1. Dolly Parton, “Shine”: Dolly gets a lot of praise for her work as a songwriter, and rightly so. But she was also a great interpreter, taking other people’s songs and making them feel like her own. She does that with this classic Collective Soul number, turning it into a bluegrass stomper that blows the roof off in the last couple of minutes.
  2. Alabama Shakes, “Another Life”: This R&B number is a cross between a torch song and a barnburner, and I am here for it. And that one-note guitar solo? Channeling Neil Young in the best way possible.
  3. Camera Obscura, “Tears For Affairs”: Yes, it’s twee and Scottish and more than a little kitschy. But I unironically love this song and its little organ riff.
  4. The Rolling Stones, “Not Fade Away”: The Stones were great at picking excellent covers. This one still rocks, all these years later.
  5. Tom Petty & The Heartbreakers, “Room At The Top”: I know Echo isn’t everyone’s first pick for their favorite Tom Petty album; it’s not the first one I reach for when I’m in the mood to hear him, either. But damn if it doesn’t just tweak something in my brain the right way.
  6. Mike Doughty, “Grey Ghost”: I’ve listened to a lot of Mike Doughty (both with and without the rest of Soul Coughing), and this remains one of my absolute favorites of his. Just the rhythm and tension in this song…just perfect.
  7. George Harrison, “Wreck Of The Hesperus”: I love all the wordplay in this song. Cheeky George is my favorite George.
  8. Rufus Wainwright, “Going To A Town”: Watching all the nonsense the current administration gets up to on a weekly basis, this song hits especially hard. “I’m going to a town that has already been burnt down.” Yeah, I feel that.
  9. Mon Rovia, “Heavy Foot”: It’s a protest song done up in such pretty, simple instrumentation that you don’t even notice the lyrical content until much later.
  10. Jason Isbell, “Cover Me Up”: Still one of the most beautiful songs Isbell has written, and that is saying something.

Playlist #249 – Black History Month Edition

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Happy Tuesday, everyone. Finally back in the school today, though of course with a two-hour delay. Not that I’m complaining. Anyway, February is Black History Month, and the 100th Anniversary of said month, so here’s a playlist to celebrate that!

  1. Louis Armstrong, “Mack the Knife”: I don’t think any discussion of the impact of African Americans on American music can be considered complete without mention of Louis Armstrong. From his distinctive voice to that great trumpet playing, Satch left an indelible mark on popular music of the 20th century. Oh, and his version of “Mack the Knife” is far superior to the Bobby Darrin version, regardless of what my wife argues.
  2. Tracy Chapman, “Talkin’ ‘Bout a Revolution”: Look, we all love “Fast Car.” Everyone knows and loves “Fast Car” because it’s a cold banger, alright? But Tracy Chapman is more than just “Fast Car.” I feel like this song gets at what she was always talking about in her music even better than “Fast Car” does. She’s about that revolutionary change, that paradigm shift, that emphasis on the people who go unnamed and unnoticed. And she will not sit quietly.
  3. Mon Rovia, “Heavy Foot”: I was thinking of putting together a Contemporary Protest Songs list for today instead of this playlist, but I can always do that later. This song would belong on both playlists regardless. Though the melody and instrumentation feel light and airy, folky even, the lyrical contents are heavy and weighty. The government’s on the heavy foot, and that foot was made for stepping on the necks of the people.
  4. Aretha Franklin, “Chain Of Fools”: Beyonce can call herself Queen B all she wants, but I know who my queen is.
  5. Sam Cooke, “A Change Is Gonna Come”: That voice, man. The longing, the depth, the yearning for a better life for everyone. It doesn’t get any better than this.
  6. Ray Charles, “(Night Time Is) The Right Time”: I haven’t been able to listen to this song the same way since I saw the Ray Charles biopic and saw the way he got those backing vocals from the female singer. I mean, damn, That was pretty brutal.
  7. Robert Randolph & The Family Band, “I Need More Love”: Blues rock combined with sacred steel (a pedal steel guitar style) equals a banger of a song. Give it a listen and you’ll understand what I mean.
  8. Rhiannon Giddens, “The Angels Laid Him Away”: American folk from someone who understands who the originally folk musicians really were.
  9. Robert Johnson, “Stop Breakin’ Down Blues”: The OG Delta Bluesman, the guy who went down to the crossroads to meet with the Devil and forever had hellhounds on his tail afterwards. This guy innovated (or at least popularized) much of what we think of as blues music today.
  10. Blind Willie McTell, “Dark Night Blues”: Twelve-string twelve-bar blues. The man makes the twelve-string guitar sound like an effortless instrument to play (which is no easy feat).

Playlist #246

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Happy Monday, folks. It’s my anniversary this week, so you’ll excuse me if I don’t answer any calls or whatnot tomorrow. Yeah, that’s right, I know when my wedding anniversary is. Take that, Boomer comedians! Anyway, have a playlist.

  1. Matt Berninger, “Blue Monday”: Is this the most obvious cover of all time? Possibly. Is it still a pretty great cover? Most definitely.
  2. Peter Gabriel, “Been Undone”: New Peter Gabriel, and we’re gonna keep getting new Peter Gabriel twice a month all year? I’m here for it. i/o was excellent, and o/i already seems like it might be just as good.
  3. The Faim, “Ease My Mind”: Poppier than what I usually listen to, but still a fun little number.
  4. Bob Weir, “Only A River”: Bob Weir passed last week, meaning the remaining Grateful Dead are now one fewer. While I never really cared much for the Dead or their jam band-y meanderings, I recognize their influence and lasting importance. Weir was a good songwriter and guitarist, and this track off of a solo album he released a few years ago remains very affecting.
  5. The Magnetic Fields, “Nothing Matters When We’re Dancing”: My song with The Wife. We have a poster with the lyrics on it hanging up in the living room that she bought for me last year. She is excellent at coming up with thoughtful gifts.
  6. Mon Rovia, “Bloodline”: I dig the short, simple songs these guys create. There’s a sincerity and honesty to the music that comes through in their arrangements and excellent vocal harmonies. I want more.
  7. David Bowie, “Five Years”: Is Ziggy Stardust an album about a weird singer, or is it a prophetic warning about the end of the world? Por que no los dos?
  8. Mark Knopfler, “Cannibals”: Cannibals and dinosaurs and hurricanes, oh my!
  9. Billy Bragg & Wilco, “Remember The Mountain Bed”: Just one of the sweetest – and somehow saddest – songs I can remember hearing in the past twenty-five years or so. Absolutely perfect, no notes.
  10. Cat Power, “The Greatest”: A song about a boxer, maybe, or maybe just a song about striving. It’s great either way.

Playlist #244: End of Year Wrap-Up

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Happy last Monday of 2025, folks! It’s been a helluva year, I think we can all agree, and I’ll be glad to see the back of it. But there were a lot of songs I listened to pretty much on repeat this year, such as the following:

  1. The Wallflowers, “It’s a Dream”: I love the rhythm of this song and the interior rhymes Jakob Dylan throws into it. And that’s a great chorus, too.
  2. Lord Huron, “Meet Me In The Woods”: I apparently have listened to this song about 50 times this year, and I only first hear the album in…August? September? Geez.
  3. Langhorne Slim, “House Of My Soul (You Light The Rooms)”: This song lights to rooms in the house of my soul.
  4. Matt Berninger, “Little By Little”: I loved this album and I love this song. It just has such great momentum and a catchy melody that I can’t stop humming to myself.
  5. Bob Dylan, “Red River Shore”: Why does this song feel more like a relic of a past century than something Dylan penned in 1997? And yes, I realize 1997 was last century, but you know what I mean. This feels like a song that has always existed, not one Dylan conjured from the aether while working on Time Out of Mind.
  6. Mon Rovia, “Heavy Foot”: It’s a simple political song masquerading as a stomp-clap-hey song.
  7. Chris Smither, “Origin Of Species”: Satirical look at the ascent of man through a warm, folky groove.
  8. Glen Phillips, “Go”: Just one of the most affecting songs I’ve heard in recent years. It’s beautiful and haunting and moving.
  9. Bob Dylan, “Boots Of Spanish Leather”: One of the saddest early Dylan songs, if you ask me. There’s no bitterness in it; the bitterness came later, I think. There’s just a resigned sadness in it.
  10. Hurray For The Riff Raff, “Snake Plant (The Past Is Alive)”: It’s amazing what you can do with just two chords.