Playlist #240: Covers!

Happy Monday, folks! I’m probably somewhere between Northern Virginia and Orlando, Florida, as you read this. The Wife is presenting at an education conference, and I’m joining her for moral and logistical support (and for the opportunity to not work for a week). Here’s a list of covers that I’ve enjoyed recently.

  1. Aimee Mann, “Rainy Days and Mondays”: A Carpenters cover? In this economy? It actually works pretty damn well, I think. She updates it in a few subtle ways, but mostly sticks to the original for her version.
  2. Mavis Staples, “Everybody Needs Love”: I loved this song when I heard the Drive-By Truckers original, and I love Mavis Staples’s version almost as much. Her voice carries the right tone and quality for the tune, and belies the age the woman actually is. I love it.
  3. Marc Sibilia, “Bittersweet Symphony”: His cover utilizes the same symphonic sample as the Verve Pipe’s original, but everything built around that seems more subdued, more subtle. It’s good stuff.
  4. The Presidents of the United States of America, “Kick Out the Jams”: Gotta love a band gutsy enough to take on an MC5 song, especially this one, but they manage to pull it off with some nervy energy and chutzpah.
  5. Phoebe Bridgers, “It’ll All Work Out”: I didn’t think it would be possible to slow down this Tom Petty number, but she does. I do miss the mandolin from the original, though.
  6. Iron & Wine and Ben Bridwell, “I Still Haven’t Found What I’m Looking For”: A mellower, folkier version of the U2 classic.
  7. Margaret Glaspy, “Have You Ever Seen the Rain”: I needed a slow, beautiful cover of CCR today, didn’t you?
  8. Willie Nelson, “Don’t Give Up (feat. Sinead O’Connor)”: Willie’s voice has just become this weathered, worn thing that just keeps getting better for the songs he sings. Fits perfectly, and Sinead O’Connor is a great duet partner for him.
  9. Bob Seager, “New Coat of Paint”: Seager turns Tom Waits’s raucous, bluesy number into…well, it’s not ’80s blooze-rock, not quite, but it does take some of the subtlety and nuance out of things. It’s still a fun cover, though.
  10. Robert Plant & Allison Krauss, “Quattro (World Drifts In)”: Speaking of nuance and subtlety, Plant and Krauss manage to inject a little bit more into this Calexico number. I dig it almost as much as I love the original, and I really love the original.

Playlist #233

Happy Indigenous People’s Day, folks! We don’t talk about that other guy.

  1. Redbone, “Wovoka”: As the best Native American rock band of the 1970s, Redbone put a fascinating wrinkle on rock and roll. Nice native rhythms.
  2. Counting Crows, “1492”: Why does this song spend a whole verse talking about Christopher Columbus? What does this have to do with literally anything else in this song?
  3. The Narcissist Cookbook, “The Simplest Words”: Sometimes, your brain goes all dribbly, and this guy gets it.
  4. Phoebe Bridgers, “It’ll All Work Out”: A Tom Petty cover? In this economy? It’s slowed way down but beautiful.
  5. Alan Jackson, “Chattahoochee”: A song that understands consent better than the President of the United States.
  6. Rhett Miller, “A Little Song”: A beautiful little song off his new album, one made apparently while he was waiting to get surgery done on his vocal chords (he had a polyp and a cyst on them!) and was in danger of never being able to sing again if things went wrong. They went right, though, which is good for all of us.
  7. Rilo Kiley, “Does He Love You?”: Still one of the bitterest love songs I’ve ever heard.
  8. Seven Mary Three, “Water’s Edge”: Look, ma, we’ve got Richard Marx in the ’90s!
  9. Passenger, “Let Her Go”: What if Cat Stevens got his start in the 2010s?
  10. Matt Berninger, “Little By Little”: Still a damn good song that I just keep going back to again and again.

Playlist #104 – Two Years

Happy Monday! Today marks two years since I started doing the playlist a week thing. In honor of that, I’ve decided to revisit the first playlist and pick new songs by those ten artists. Have I doomed myself by placing a one-hit wonder on that first list? Let’s find out!

  1. Bruce Springsteen, “Radio Nowhere”: Starting out strong with the Boss, so there’s plenty of songs to choose from. This is one of the few latter-day Springsteen songs that I truly enjoy, and it reminds me so much of a song I wrote (“Complete Control,” for those who are curious). I think my song predated his, but I also doubt he knew anything about my song because it only got released this year finally.
  2. Johnny Cash, “A Boy Named Sue”: You can’t go wrong with a song written by Shel Silverstein and sung by Johnny Cash.
  3. Dog’s Eye View, “Umbrella”: Here’s where I thought I’d screwed myself. I barely remembered that first Dog’s Eye View song, and was pretty sure they hadn’t done anything else of note. Having heard this song, I’m still not 100% sure they did, but it’s…not bad. It’s okay. Fairly forgettable mid-90s earnest singer-songwriter stuff.
  4. Bob Dylan, “High Water (For Charley Patton)”: I blame this song for sending me down a delta blues rabbit hole last week. I ended up listening to a lot of Robert Johnson and Charley Patton. And boy, can Patton holler, y’all.
  5. The Interrupters, “Raised By Wolves”: These guys are just too much damn fun. I could honestly have picked just about any song off any of their albums and it would’ve been a banger. The “Ah-wooooo”s in the chorus kill me every time.
  6. Madonna, “Vogue”: It’s easy finding other well-known, popular Madonna songs. Finding other well-known, popular Madonna songs that I can stand? Taller order. This one’s pretty good for dancing music, I guess.
  7. Phoebe Bridgers, “If We Make It Through December”: Very quiet song, piano driven. Vocals almost a hushed a whisper. The lyrical content – about the struggles of surviving winter and the dark months – is quite depressing, but I kinda dig it.
  8. Redbone, “Come And Get Your Love”: Sometimes picking a second song from a specific band is a no-brainer. This is one of those moments.
  9. Aimee Mann, “Stranger Into Starman”: I’m a sucker for Aimee Mann songs and songs about crossword puzzles, so this was an easy pick.
  10. Hem, “The Pills Stopped Working”: My pills all still work just fine, singer for the band Hem. Maybe you need to go see your doctor again and get your prescriptions checked. Have you been taking the pills consistently? Have dosage levels changed?

Playlist #1

I’ve started creating weekly playlists, ten songs each. Trying not to repeat artists from week to week or on a playlist. Don’t want to replicate songs from week to week. Here’s last week’s playlist.

  1. Bruce Springsteen, “Ain’t Good Enough For You”: Uptempo and fun, a joyful bop to start us off.
  2. Johnny Cash, “Out Among the Stars”: Could anyone other than Johnny Cash write such a cheerful, uplifting song about a kid committing suicide by cop? No, they could not. And that chorus is awesome.
  3. Dog’s Eye View, “Everything Falls Apart”: You could have told me this song could have been written and performed by any of a few dozen guitar-based alternative rock groups from the ’90s and I would have believed you. It is so completely generic that you could replace the lyrics with gibberish and folks would still bounce around to it.
  4. Bob Dylan, “Positively Fourth Street”: The meanest kiss-off song in the business, even sixty or so years later. No one lays down a sick burn like a scorned Dylan.
  5. The Interrupters, “She’s Kerosene”: Who doesn’t like a little skank in their music? Commies, that’s who.
  6. Madonna, “Like a Prayer”: Remember how controversial this song and video were back in the ’80s? All those burning crosses and the Black Jesus! It’s a damn good song, though.
  7. Phoebe Bridgers, “Kyoto”: I dunno, I like the keyboards.
  8. Redbone, “We Were All Wounded at Wounded Knee”: Native American band telling it like it is.
  9. Aimee Mann, “Great Beyond”: I absolutely adore the work of Aimee Mann and I’m kicking myself for the “no back to back songs from the same musician/band” rule I established for myself already.
  10. Hem, “Great Houses of New York”: Every song by this band feels like it belongs with a film. It’s all very cinematic. This song is no exception, except it’s exceptionally amazing. Like all of Hem’s work.