rhett miller

Playlist #233

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Happy Indigenous People’s Day, folks! We don’t talk about that other guy.

  1. Redbone, “Wovoka”: As the best Native American rock band of the 1970s, Redbone put a fascinating wrinkle on rock and roll. Nice native rhythms.
  2. Counting Crows, “1492”: Why does this song spend a whole verse talking about Christopher Columbus? What does this have to do with literally anything else in this song?
  3. The Narcissist Cookbook, “The Simplest Words”: Sometimes, your brain goes all dribbly, and this guy gets it.
  4. Phoebe Bridgers, “It’ll All Work Out”: A Tom Petty cover? In this economy? It’s slowed way down but beautiful.
  5. Alan Jackson, “Chattahoochee”: A song that understands consent better than the President of the United States.
  6. Rhett Miller, “A Little Song”: A beautiful little song off his new album, one made apparently while he was waiting to get surgery done on his vocal chords (he had a polyp and a cyst on them!) and was in danger of never being able to sing again if things went wrong. They went right, though, which is good for all of us.
  7. Rilo Kiley, “Does He Love You?”: Still one of the bitterest love songs I’ve ever heard.
  8. Seven Mary Three, “Water’s Edge”: Look, ma, we’ve got Richard Marx in the ’90s!
  9. Passenger, “Let Her Go”: What if Cat Stevens got his start in the 2010s?
  10. Matt Berninger, “Little By Little”: Still a damn good song that I just keep going back to again and again.

Playlist #232

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Happy Monday, folks. It’s SAT week here in Fairfax County, so I get to help administer that test this Wednesday. Joy. I love testing. These songs will hopefully carry me through the week.

  1. Taylor Swift, “Wood”: Yes, there’s a new Taylor Swift album out, and it’s all anyone is talking about. While I enjoy this song, it’s also rather amusing to me. Hearing Taylor sing double entendres is like hearing your middle schooler try out the word “fuck”: it’s mildly adorable to hear them trying, even though it sounds kinda cringey.
  2. Rhett Miller, “The El”: This could’ve come off an Old 97s album, honestly, but I can’t blame Rhett for keeping it for this solo record. It’s a bop.
  3. Neko Case, “Dirty Knife”: What is this song about? I have no idea, but there’s mention of the titular knife and a chorus (?) sung in, I think, Latin. It’s great.
  4. Tom Petty & the Heartbreakers, “California”: I’m just a sucker for the She’s the One soundtrack, as we are all well aware by now.
  5. The Raconteurs, “Intimate Secretary”: This just always seemed like an extremely fun band to be a part of, like these guys really synched up well and were all on the same page. This song is a perfect example of that chemistry.
  6. Robert Plant, “Chevrolet”: Robert Plant still makes pretty compelling music. His latest feels even more in line with the stuff he’s been making with Allison Krauss, even though she’s not even involved with the project.
  7. Spoon, “Chateau Blues”: A Spoon song that does and does not sound like a Spoon song is quite an accomplishment, but it’s one they pull off here.
  8. Lord Huron, “Meet Me in the Woods”: Still rather obsessed with Strange Trails. Will not apologize for that.
  9. Pearl Jam, “Hail, Hail”: When you need a little pick me up first thing in the morning, put it on this song and crank the volume. You’re welcome.
  10. John Prine, “Souvenirs”: And when you need someone to make you wistful and nostalgic and maybe just a little bit angry at the past, you could do much worse than Prine.

Playlist #146

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Happy Monday, folks! I hear Taylor Swift won the Super Bowl yesterday, so good for her. And in her rookie season, too.

  1. Dr. Dre, “Still D.R.E. (featuring Snoop Dogg)”: That intro is iconic, but maybe if you’re embarrassed to seen listening to a song that drops the n-word as frequently as this one does, find the clean version?
  2. The Decemberists, “Burial Ground”: It’s new Decemberists! It sounds exactly like what you think a Decemberists song would sound like. Your mileage with such a thing may vary.
  3. Coldplay, “Clocks”: I dunno, it’s just such a wistful, sad song to me for some reason. Not even really sure it’s intended to be a sad song, but that’s the tone I’m picking up.
  4. The Greencards, “Marty’s Kitchen”: Ever wanted to hear some of the fastest damn guitar, fiddle, and mandolin playing you’ve ever heard? This is the song for you.
  5. Jenny Scheinman, “I Was Young When I Left Home”: A Bob Dylan cover? On one of my playlists? It’s more likely than you’d think!
  6. Neko Case, “That’s Who I Am”: From the darkly gothic Ghost Brothers of Darkland County musical (written by John Mellencamp, T-Bone Burnett, and Stephen King). It’s sly and clever and has a good bounce to it. I want T-Bone to produce one of my albums someday.
  7. A.C. Newman, “Like a Hitman, Like a Dancer”: I was on an A.C. Newman kick last week, listening through Get Guilty and Shut Down The Streets several times.
  8. Phil Collins, “I Wish It Would Rain Down”: When I was a little kid and this song came out, the main draw was the Eric Clapton guitar part. Now, that’s the part of the song that makes me cringe. God, Eric Clapton, how come you turned out to be such a sleezebag?
  9. Rhett Miller, “The El”: I’ve been thinking about Rhett and his main band, the Old 97s, a bit lately. Probably because they have a new album coming out soon (notification of which was accidentally dropped early by Stephen King).
  10. Sheryl Crow, “My Favorite Mistake”: I wonder if her least-favorite mistake is that one duet with Kid Rock.

Playlist #126

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It’s a Tuesday following a holiday on a Monday, which makes it a Playlist day! The next Eddie Hazzard book, a short story collection titled Quick Cases, is up for pre-order! I’ll post the cover reveal as soon as I have it back from my illustrator.

  1. Jason Isbell & the 400 Unit, “Death Wish”: Isbell’s latest album, Weathervanes, continues to drill deep into my soul.
  2. Pearl Jam, “Corduroy”: Was Vitalogy the last truly great Pearl Jam record? Or was it Vs?
  3. EL VY, “Happiness, Missouri”: This is a two-minute shot of adrenaline right in the arm.
  4. The Raconteurs, “Carolina Drama”: Who is Billy’s daddy? Is it the priest or the milkman?
  5. Rhett Miller, “The El”: The most romantic song written about a public transit system since…um, ever, I guess. I can’t think of any other romance songs based around public transit.
  6. Yola & the Highwomen, “Hold On”: No, it’s not a Wilson Philips cover, sadly. It’s still a good song, though.
  7. Fun., “Carry On”: It’s a fun song by Fun. I’m always a bit suspicious of bands that include punctuation in their name. I’ve got my eye on you, band that hasn’t released an album since 2012.
  8. Foo Fighters, “These Days”: Hey, it’s a Foo Fighters song I can play on guitar! What fun!
  9. Florence + the Machine, “Shake It Out”: Every Florence + the Machine song feels like running an anthematic marathon, and I am exhausted at the end of it.
  10. Electric Light Orchestra, “Eldorado”: I had an argument (or a debate or whatever) with my brother over the weekend in regards to this album. I claim it’s their most consistent album, thematically and stylistically. He argues that the point of ELO is that Jeff Lynne had so much more diverse inspirations than your typical ’70s rock band and that cohesion was never the point. I think he’s just mad about “The Whale” on Out of the Blue).

Playlist #113

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By the time you see this, I’ll be in Oklahoma for my grandmother’s funeral. It’s going to be rough, but I’m glad I get to be back home for it.

  1. John Mellencamp, “Circling Around The Moon”: I have a soft spot in my heart for the Mellencamp album Mr. Happy Go Lucky. It’s very much of its time, with the drum machines and nods to rap and hip-hop in the music.
  2. M. Ward, “Hi-Fi”: M. Ward always delights and always puts out something clever and ephemeral.
  3. Matchbox 20, “Damn”: I don’t know why I like Matchbox 20 so much. I can’t explain it.
  4. MILCK, “Quiet (Stripped)”: A more subtle, acoustic version of this song that I liked very much when I heard the original version.
  5. Molly Lewis, “Our American Cousin”: Who doesn’t love a song about Abraham Lincoln’s trip to Ford’s Theater?
  6. The Mountain Goats, “Wage Wars Get Rich Die Handsome”: When doesn’t a Mountain Goats song make you want to eat the rich?
  7. The Mystiqueros, “Good”: I learned this song years ago at the Mansion on O Street from the band I used to play with on Sundays. It’s a pretty decent little number.
  8. The Yardbirds, “Smokestack Lightning (Live)”: Who doesn’t love the Yardbirds?
  9. Rhett Miller, “Terrible Vision”: This song is sad and beautiful and I love it.
  10. Pixies, “Debaser”: Why. not round things out with some screaming?

Playlist #74

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Happy Tuesday, folks. Got sick over the weekend, and took yesterday off to recover. Still feeling under the weather, but good news! It’s not Covid this time.

  1. Kate Bush, “Running Up That Hill”: We finally got around to starting Stranger Things season 4 over the weekend, and it’s quite good. The use of the Kate Bush song is perfect. I’m not ashamed to say I haven’t listened to much Kate Bush over the years; her stuff always struck me as too weird for my tastes. But this song slaps and deserves the attention it’s getting.
  2. Glen Phillips, “Held Up”: Sorta went through a Glen Phillips thing over the weekend, and this song especially spoke to me. Sung to me. Whatever.
  3. Bear Cub, “Hey B”: My brother used to play with this guy way back in the day (back when both of us had full heads of hair). He and his current singer, Kelly, did a cover of it about eight years ago. It’s quite good.
  4. Michael Penn, “No Myth”: Man, does this guy know how to write a bad song? No, no he does not.
  5. The Mountain Goats, “Wage Wars Get Rich Die Handsome”: Speaking of great songs, this one’s title tells you everything you need to know about it and then some.
  6. Paul McCartney, “Beautiful Night”: I rather liked McCartney’s Flaming Pie album, with its Beatles allusions and smooth early aughts production values and him obviously playing most every single instrument on the thing. Plus, it frequently featured Steve Miller (Mr. Space Cowboy himself), who is coincidentally still alive and still touring, God bless ‘im.
  7. Rhett Miller, “Terrible Vision”: I dig the Old 97s, and actually found them through the backdoor of lead singer Rhett Miller’s first solo album, The Instigator. This is the closer from that album, and it’s beautiful and flawed and wonderful.
  8. Jars of Clay, “Frail”: The re-recorded version of this song from the Furthermore collection. Their second album left me rather underwhelmed, compared with their debut and their third album, If I Left the Zoo.
  9. Jason Isbell & the 400 Unit, “Hope The High Road”: I don’t think anyone else out there writes songs like this right now, and that’s a shame. Isbell is great at the hopeful, rocking anthem, and we could use more of those in these dark days.
  10. Toad the Wet Sprocket, “Enough”: Sounds like a classic Toad song with modern production, which is exactly what new Toad the Wet Sprocket albums should sound like.

Playlist #54

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Good Monday Morning, folks! Follow me on Patreon. I’m super excited about May’s song there. Meanwhile, here’s this week’s playlist:

  1. Dream Wife, “Hey Heartbreaker”: The chugging guitar is great, and I love the overlapping vocals at the end.
  2. Drive-By Truckers, “Outfit”: “Don’t call what you’re wearing an outfit,” the narrator’s father admonishes him, and I can admit that I have done that on numerous occasions. Oh well.
  3. Wilco, “Say You Miss Me”: A heartbreaker of a song. Love it.
  4. Tom Waits, “Goin’ Out West”: “Well, I’m goin’ out west/Where the wind blows tall,” Tom Waits begins, and things only get weirder from there. Because of course they do, this is a Tom Waits song.
  5. Spoon, “You Got Yr. Cherry Bomb”: A reverb-drenched shot of adrenaline straight to the heart.
  6. SaraoMusic, “Coming Home”: Sunny So-Cal indie pop at its finest.
  7. The Rolling Stones, “Factory Girl”: Always imagined this as the mid-70s version of that Shakespearean sonnet, “My mistress’s eyes are nothing like the sun.”
  8. The Beatles, “Two Of Us”: If there’s a better song on Let It Be, make your case in the comments.
  9. Rhett Miller, “The El”: Who doesn’t love rattling along on the El in Chicago?
  10. Josh Ritter, “Hopeful”: Taking those first few tentative steps out into the wild after a relationship collapses can be terrifying, but you gotta stay hopeful.

Playlist #22

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Happy Monday, folks. Have a list of songs.

  1. Jay Farrar, “Feel Free”: For years, I thought NPR stood for “Non-Profit Radio.” It made sense, right? That is not what it stands for, by the by.
  2. The Gaslight Anthem, “Mama’s Boys”: The most Rolling Stones-iest song they ever recorded. It’s fun to sing along at the top of your lungs as you drive way too fast down the road.
  3. Ra Ra Riot, “Ghost Under Rocks”: I don’t even remember how it is I came to know about this band, but I’ve always liked the promise of this song (even if I haven’t cared as much for the rest of their output).
  4. Lil Nas X, “THATS WHAT I WANT”: First off, can we discuss the lack of an apostrophe in the title? That always annoys me. Grammar aside, the song slaps.
  5. Jason Isbell and the 400 Unit (Featuring John Paul White), “Driver 8”: Did you know the REM song “Driver 8” had discernable lyrics hidden within it? And that they’re about a train driver? True story.
  6. ABBA, “Waterloo”: I’m a sucker for songs about historical subjects, and this is the second-best song about the Napoleonic Wars ever (the best is the 1812 Overture).
  7. The Mountain Goats, “Get Famous”: The continued prominence of the Mountain Goats gives me hope that even someone with a voice like mine could someday make it.
  8. George Harrison, “Cheer Down”: Not enough has been written about the wordplay and wry humor of George Harrison’s songwriting. This song is a great example of all that, and the guitar work is killer.
  9. Rhett Miller, “The El”: The way I found out about the Old 97s was by hearing this album by Rhett Miller first. Then I found Too Far To Care and it was all downhill from there for me.
  10. Gillian Welch, “Revelator”: So damn downbeat and depressing, melancholy and bittersweet and beautiful. So beautiful.