Playlist #249 – Black History Month Edition

Happy Tuesday, everyone. Finally back in the school today, though of course with a two-hour delay. Not that I’m complaining. Anyway, February is Black History Month, and the 100th Anniversary of said month, so here’s a playlist to celebrate that!

  1. Louis Armstrong, “Mack the Knife”: I don’t think any discussion of the impact of African Americans on American music can be considered complete without mention of Louis Armstrong. From his distinctive voice to that great trumpet playing, Satch left an indelible mark on popular music of the 20th century. Oh, and his version of “Mack the Knife” is far superior to the Bobby Darrin version, regardless of what my wife argues.
  2. Tracy Chapman, “Talkin’ ‘Bout a Revolution”: Look, we all love “Fast Car.” Everyone knows and loves “Fast Car” because it’s a cold banger, alright? But Tracy Chapman is more than just “Fast Car.” I feel like this song gets at what she was always talking about in her music even better than “Fast Car” does. She’s about that revolutionary change, that paradigm shift, that emphasis on the people who go unnamed and unnoticed. And she will not sit quietly.
  3. Mon Rovia, “Heavy Foot”: I was thinking of putting together a Contemporary Protest Songs list for today instead of this playlist, but I can always do that later. This song would belong on both playlists regardless. Though the melody and instrumentation feel light and airy, folky even, the lyrical contents are heavy and weighty. The government’s on the heavy foot, and that foot was made for stepping on the necks of the people.
  4. Aretha Franklin, “Chain Of Fools”: Beyonce can call herself Queen B all she wants, but I know who my queen is.
  5. Sam Cooke, “A Change Is Gonna Come”: That voice, man. The longing, the depth, the yearning for a better life for everyone. It doesn’t get any better than this.
  6. Ray Charles, “(Night Time Is) The Right Time”: I haven’t been able to listen to this song the same way since I saw the Ray Charles biopic and saw the way he got those backing vocals from the female singer. I mean, damn, That was pretty brutal.
  7. Robert Randolph & The Family Band, “I Need More Love”: Blues rock combined with sacred steel (a pedal steel guitar style) equals a banger of a song. Give it a listen and you’ll understand what I mean.
  8. Rhiannon Giddens, “The Angels Laid Him Away”: American folk from someone who understands who the originally folk musicians really were.
  9. Robert Johnson, “Stop Breakin’ Down Blues”: The OG Delta Bluesman, the guy who went down to the crossroads to meet with the Devil and forever had hellhounds on his tail afterwards. This guy innovated (or at least popularized) much of what we think of as blues music today.
  10. Blind Willie McTell, “Dark Night Blues”: Twelve-string twelve-bar blues. The man makes the twelve-string guitar sound like an effortless instrument to play (which is no easy feat).

Playlist #25

Happy Monday, folks. Here’s a new set of tunes to carry you through the week:

  1. Ben Caplan, “Southbound”: My friend Brandon got me into this guy a while back. It’s a weird mish-mash of folk, singer-songwriter, and klezmer music, and it oddly works.
  2. Ben Harper & the Blind Boys of Alabama, “Well, Well, Well”: I’m a sucker for Gospel-inflected harmonies, and the Blind Boys of Alabama (all of whom are, quite literally, blind old dudes) do it better than anyone else. And it’s a Dylan tune, too.
  3. Taylor Swift, “exile (feat. Bon Iver)”: A “he said/she said” song featuring the guy from Bon Iver. It’s pretty damn good.
  4. Zager & Evans, “In the Year 2525 (Exordium & Terminus)”: Fantasy space opera nonsense about the far-flung year 2525. Futurama used it to great effect in one of their time traveling episodes.
  5. Young Dubliners, “Last House On The Street”: My uncle’s band, the Regular Joes, used to play this song at shows. I always enjoyed hearing them play it, and I finally tracked down the (tremendously hard to find) EP that it’s on and listen to…well, pretty much just that song over and over again.
  6. Stephen Stills, “Wooden Ships (Demo)”: I love this demo. If they’d released the demo as the finished version of the song, I think it would’ve been one of the best studio tracks ever.
  7. Scott Bradlee’s Postmodern Jukebox, “No Diggity (feat. Ariana Savalas)”: I dig me some ’40s-style, and I dig me the song “No Diggity.” Putting them together? *chef’s kiss*
  8. Robert Randolph & The Family Band, “Why Should I Feel Lonely”: If you ever wanna hear a guy just absolutely go to town on pedal steel guitar, Robert Randolph is your man.
  9. The Police, “Canary In A Coalmine”: There’s really not a bad song on Zenyatta Mondatta, is there? No, there is not.
  10. Jennifer Paige, “Crush”: For years, there was a song that came out back in like summer of ’98 that I heard on the radio over and over again that summer, and then…I forgot about it. And then I tried to find it again for years. I think this is it? I’m pretty sure this is it. It’s a great little pop song.