Playlist #276

Happy Monday, folks! The AC is out at the Wife’s school, which has sent them scrambling home and us to the local library for the day. But playlists don’t care about the temperature!

  1. The Allman Brothers Band, “Midnight Rider”: All these years later, this song still kicks a serious amount of ass. Those harmonies in the chorus? They send chills down my spine.
  2. Badfinger, “Day After Day”: It’s always a bit of a tragedy, this band. They had so much potential, and it ended up being (mostly) wasted by managerial incompetence (or, y’know, malfeasance).
  3. Bruce Cockburn, “Lovers In A Dangerous Time”: I heard a Barenaked Ladies cover of this song the other week, and it just…lacked any kind of oomph. The line “You gotta kick at the darkness ’til it bleeds daylight” is still stone-cold badass, though.
  4. Tom Waits, “Get Behind The Mule”: The title for this song apparently came from famous bluesman Robert Johnson’s father, who famously said, “the only thing wrong with Robert Johnson is that he doesn’t want to get behind the mule in the morning and plow.” And that thought now resides rent-free in my head.
  5. Tom Petty, “You And Me”: I’ve softened considerably on latter-day Tom Petty as I’ve grown older, especially The Last DJ and Highway Companion. This one comes from the former, though I think I can be forgiven for originally thinking it came from the latter. It just has that solo style, that easy-going, laid-back tone that so much of his best work possessed.
  6. Queen, “’39”: A folky little slice of…I dunno, colonialism? It’s less endearing than I originally thought now that I give it more thought. Hmm.
  7. Monsters of Folk, “Say Please”: Speaking of a group that’s supposed to be folky, there’s these guys. I wonder if any of them ever went on to make anything else?
  8. The English Beat, “Save It For Later”: A stone-cold classic. I feel like the horn section is what really holds the song together and gives it that certain something that sets it above many of the English Beat’s peers.
  9. Billy Preston, “Nothing From Nothing”: That Billy Preston could release songs with such emotion and energy and feel as…trapped as he apparently felt still resonates with me.
  10. Jefferson Airplane, “Somebody To Love”: How did the band that released songs like this, “White Rabbit,” and “Volunteers” eventually morph into the band that released “We Built This City?” It’s one of life’s great mysteries.

Playlist #66

Happy Monday and welcome to August, everyone! As always, you can back me on Patreon, and there’s still that GoFundMe for my wife. We’re woefully underfunded for the month of August, so any little bit helps.

  1. Simply Three, “Dance Monkey”: The podiatrist my wife goes to always has some interesting music playing in the waiting room. This was playing there last week, and I kinda dig it.
  2. Jackson Browne, “Jamaica Say You Will”: Jackson Browne is just hands down one of the best songwriters of the 20th century, and this song – which opens up his self-titled album – is a good example of his songcraft.
  3. Aerosmith, “Big Ten Inch Record”: Aerosmith are the masters of what Nanny Ogg would call “single-intenders.” They’re not quite double entendres, because there is no subtlety to them whatsoever. But my, are they fun.
  4. The Wallflowers, “I’ll Let You Down (But Will Not Give You Up)”: Oh, Jakob. You know what a Wallflowers song sounds like, and you hit so close on most of this album. Letting Rami Jaffe go was a mistake, though.
  5. Toad the Wet Sprocket, “I’ll Bet On You”: The chord changes and melody for this song are based on a Lapdog song (made up of half of the band while Toad was on hiatus back in the early oughts), but then Glen Phillips came in and said, “Hey, this sounds great, but you know what would sound greater? If I wrote new lyrics for it and sang on this one instead of one of you other yokels.” And then they did that.
  6. Three Dog Night, “Shambala”: Shambala is a mythical place, rather like El Dorado or that Tibetan monastery where the Iron Fist trained. It’s also a pretty good song.
  7. Billy Bragg & Wilco, “When The Roses Bloom Again”: Yeah, the third volume of Mermaid Avenue was a collection of diminishing returns, but even in among all the fair-to-middling stuff on there, you find the occasional gem such as this one. It’s a gorgeous song and Jeff Tweedy’s vocals are perfect.
  8. Radiohead, “Ill Wind”: It’s an ill wind blows no man good, or something like that. Hey, I wrote a book with a title very similar!
  9. The Regular Joes, “Restless”: Found an email from my uncle the other day that he wrote back when I first moved out to Virginia (some 17 years ago now). It has the chord changes for this song in there, ’cause I wanted to learn to play it on guitar. It’s a very simple song, chords-wise, so I’ll probably be playing it later today.
  10. The Allman Brothers Band, “Midnight Rider”: They are just determined not to let the midnight rider catch them. Nosiree, not those Allman boys.