Happy Monday, folks! It’s officially summer (both in that the summer solstice occurred yesterday and I’m finally no longer in school), and that means most teachers are sitting curled up in a ball dissociating for a few days before they jump into whatever summer job they’re doing. I’m working at a summer camp that’s running out of Michelle’s school (though there is no official connection between the two other than the camp is using the Sycamore School’s location to host the camp). All that being said, here’s a playlist to set the mood.

1. Roosevelt, “Everywhere”: It’s a Fleetwood Mac cover! That really doesn’t do anything all that different than the original. Which always makes me wonder, why cover a song if you’re not going to do anything different with it?
2. Modest Mouse, “Missing The Boat”: That drum machine beat that kicks the song off always gets to me for some reason. I just really dig it.
3. Margaret Glaspy, “Jesus, Etc.”: I’ve been compiling a list of songs I want played at my funeral, and this one currently tops that list. Ir’a just so forlorn and heartbroken that it fits perfectly for something like a funeral.
4. The Mountain Goats, “Up The Wolves”: I like The Sunset Tree. As a transition between the boombox era of the band the fleshed out, full band that appears on Tallahassee and later records, it’s a neat look at how John Darnielle came to grips with working directly with other musicians. Also, it’s just a great song.
5. The Avett Brothers, “Die Die Die”: Emotionalism remains my favorite Avett Brothers album, and songs like this one – with the harmonies and the stomping rhythm – help exemplify why.
6. B.B. King, “The Thrill Is Gone”: You can’t beat the king of the blues, and this is hands-down his best song. I still marvel at the idea of adding strings to a blues song. It’s great.
7. Bruce Springsteen, “Reason To Believe (Electric Nebraska)”: The electric Nebraska demos sound exactly what you think Nebraska would sound like if all the songs were played with bass and drums added in. That said, this song still hits right if you ask me. The rhythm section gives it some muscle and some menace.
8. Genesis, “Man On The Corner”: I know Phil Collins Genesis is often dismissed as pop pablum, especially when you get to Invisible Touch, but I always really dug the stuff they did when he was the leader of the band. And this song shows that he could ask some big questions about the nature of society and how we treat one another. Also, it’s got a good hook.
9. HAIM, “Now It’s Time”: Why not take a U2 Pop song (specifically, “Numb”) and reuse it to do something completely different?
10. The Lemonheads, “Take It Easy”: Another cover to round things out. Again, doesn’t really do much of anything all that different from the original version, though at least Evan Dando’s voice is different enough from Glen Frey’s that it’s got that going for it.