the beatles

Playlist #225: Back to School Edition

/ xeyeti / Leave a comment

Happy Monday, folks! And welcome back to school, students. That’s right, the school year has officially begun in Northern Virginia, marking my 21st year as a teacher. Yup, my career will be old enough to drink this year. That’s terrifying. Let’s get to the playlist.

  1. The Calling, “Let The Day Begin”: As I’ve said in the past, this song is intimately linked in my mind with the start of the school day. It played on the classic rock station every morning right around the time I was headed to school, so it’s kinda irrevocably linked forever to me.
  2. Langhorne Slim, “The House of My Soul (You Light the Room)”: Love playing this song. It’s such a simple chord progression that he manages to squeeze a lot of energy and emotion out of.
  3. Radiohead, “Go To Sleep (Live)”: Live Radiohead is always a fun time, because I’m left wondering how they managed to get the song that appeared on the album (with all its blips and squiggles and beeps) to sound so good live.
  4. Golden Earring, “Twilight Zone”: Man, after spending several weeks not working, being back in the classroom feels more than a little like the Twilight Zone.
  5. The Beatles, “Yer Blues”: So John says, “If I ain’t dead already/Well, you know the reason why,” but do we? Do we really know the reason why, John? Because I don’t think we do.
  6. Tom Petty & the Heartbreakers, “Casa Dega”: Hearsay and secondhand information lead to heartbreak. Or Heartbreakers.
  7. Pink Floyd, “Pigs (Three Different Ones)”: The repeated “ha-ha, charade you are” line kills me every time. The very British pronunciation of charade (“sha-raad”) makes me giggle.
  8. Elliott Smith, “Everybody Cares, Everybody Understands”: Man, I haven’t listened to Elliott Smith in a while. I think fall is the best time to listen to him, and a revisiting of his discography is imminent.
  9. The Lemonheads, “Into Your Arms”: There are a few ’90s songs that are just there for that killer chorus (this one, the La’s “There She Goes,” REM’s “The One I Love,” Deep Blue Something’s “Breakfast at Tiffany’s”). Someday I’mma put together that playlist.
  10. Gin Blossoms, “Hey Jealousy”: Speaking of great ’90s songs…

Playlist #208: Uncle Gert

/ xeyeti / Leave a comment

It’s Tuesday, but I only just got back from a quick trip to Oklahoma last night. Yes, I said I was going to Ohio last week for Spring Break, but then a difficult and unfortunate thing happened: my Uncle Randy died. So instead of Ohio, I headed to Oklahoma. Anyway, here are ten songs that I think of when I think of my uncle.

  1. The Traveling Wilburys, “Poor House”: Whenever the family gets together, the guitars come out. And whenever the guitars come out, we play this song. Uncle Randy was the lead player of the family, the guy who knew all the parts in each song and can usually come up with something on the spot that perfectly fits the song. He loved playing this one and asked me to sing it every time.
  2. Chicago, “25 or 6 to 4”: Apparently both my dad and my uncle were completely and totally in love with Chicago back in the 70s, and this was always their favorite by them. The Terry Kath guitar solo in this one is a hell of a challenge, but apparently Randy was able to master it in high school.
  3. The Beatles, “Two Of Us”: We loved playing this one in the guitar pickin’ circle. It’s got beautiful vocals from Lennon and McCartney, giving my dad and me a chance to each sing one part. This generally works better when we’re not trying to harmonize, as I tend to follow any other voice I hear in terms of how they’re singing.
  4. Pink Floyd, “Wish You Were Here”: My uncle did a long-running series of covers called “Family, Friends, and Me.” He did well over 100 covers of rock and roll songs over the years, recently releasing the seventh volume online just a couple of weeks ago. One of the songs for this most recent collection was this Pink Floyd tune, one I’ve loved since I heard it so many years ago.
  5. The Eagles, “Desperado”: A beautiful ballad that Gert’s friend Teresa sang on the seventh volume of “Family, Friends, and Me.” She does it perfect, and I honestly can’t imagine anyone else ever singing it.
  6. The Regular Joes, “Flame On, Fire of Love”: My uncle was in a number of bands over the years, but the one I will always remember was called the Regular Joes. They were a rock and roll band who did a share of covers and originals, and this original was on their last record. It’s one of those rock songs that manages to be wistful and sad and beautiful all at once, and it’s always been one of my favorites of theirs.
  7. Creedence Clearwater Revival, “Who’ll Stop the Rain”: There are good songs on every single CCR album, even the really terrible last couple. But this one stands tall even among their vaunted catalog. We played this one all the time in the pickin’ circles.
  8. Boston, “More Than a Feeling”: The guy behind the band Boston, Tom Scholz, reminds me a lot of Uncle Randy. They were both perfectly at home in the studio and crafted multi-layered, phenomenal songs.
  9. The Cottrell Boys, “Rainin’ on a Thursday”: My dad and Randy recorded a few songs themselves, just for fun, and I usually wrote lyrics for them. This is one of the songs dad and I are most proud of, and they made it sound perfect in my opinion.
  10. Foo Fighters, “My Hero”: There’s a photo of my uncle, from when he was young, sitting there in sunglasses and holding a Strat. For his birthday a few years ago, his son, my cousin Chris, gave him a blown-up version of the photo with the lyrics to this song on the back. It featured in the funeral, even. It’s a song that’s now indelibly linked with my uncle in my mind.

Playlist #205

/ xeyeti / Leave a comment

Happy Monday, folks, and Eid Mubarak! Karaoke was fun over the weekend, and we did all of the songs as a big group sing-along. Also, in case you missed it, my new album came out on Friday, available on the streaming service of your choice. Go listen to that! Then come back and look at this list of songs:

  1. Queen, “Bohemian Rhapsody”: Yeah, this is how we kicked off the karaoke. Bold move, I know, but we’re a bold bunch.
  2. A-Ha, “Take On Me”: If you’re not trying (and failing) to hit that high note at the end of the chorus, what even are you doing at karaoke?
  3. Fine Young Cannibals, “Good Thing”: Turns out, “She Drives Me Crazy” would’ve been a better choice, since we all actually know that one.
  4. Cake: “The Distance”: If you want a bunch of Millennials and Gen-Xers to sing along as loud as humanly possible, you could do worse than this.
  5. Violent Femmes, “Blister In The Sun”: Yeah, we all knew all the words to this one without the karaoke version flashing them up on the screen.
  6. Gin Blossoms, “Hey Jealousy”: I think we eventually found our sweet spot in ’90s alternative.
  7. Wham!, “Careless Whisper”: The song where Wham! earned that exclamation mark.
  8. The Beatles, “I Saw Her Standing There”: Can we, for a just a moment, stop and cringe at the first line of this song and then move on? Yes, he’s singing about a 17 year old girl. Yes, it’s creepy and skeevy and gross. This song is still a banger, though.
  9. The Police, “Every Little Thing She Does Is Magic”: Did we sing this one? I can’t remember. We should have, if we didn’t.
  10. Backstreet Boys, “I Want It That Way”: Look, there were a lot of people at this thing, and everyone has different ideas of what makes a good karaoke song. Also, that Brooklyn 99 cold open that features this song is brilliant.

Playlist #178 – Jangly Electric 12 String

/ xeyeti / Leave a comment

Happy Monday and happy Autumn, folks! Last week, Clyde challenged me to come up with a whole playlist of songs that feature an electric 12-string. At first, I just thought I’d post a link to the Byrds’ greatest hits and leave it at that, but I decided that might be too much of a cop-out even for me. So instead, I sat down and came up with ten songs that feature electric 12!

  1. The Byrds, “Turn! Turn! Turn!”: Honestly, any Byrds song could fill this spot. All of their best stuff features an electric 12 played by Roger McGuinn. This is the single most obvious song on this entire list.
  2. The Beatles, “A Hard Day’s Night”: George Harrison occasionally rocked an electric 12 on some Beatles songs, including this one and the always-awesome “And Your Bird Can Sing.” It was a close call between those two songs, but I went ahead and put this one on the list because of the electric 12 guitar solo.
  3. Led Zeppelin, “The Song Remains the Same”: For a dude who carried around a double-necked Gibson an awful lot, I don’t feel like Jimmy Page played much electric 12. He does on this track, though, and it’s great.
  4. Tom Petty, “I’ll Feel A Whole Lot Better”: Tom Petty is often associated with twelve string guitars, though I feel like he mostly stuck to acoustics for that. Not for this one, though. Also, the “12 string” part of “American Girl?” Not actually a 12 string, but two six-string guitars played by Petty and Mike Campbell in such sync that it just sounds like a 12 string. Kinda amazing.
  5. XTC, “Mayor of Simpleton”: Just a fantastic song from a fantastic band with a fantastic electric 12-string guitar part in it.
  6. Pink Floyd, “Fearless”: Apparently David Gilmour occasionally deigns to use an electric 12 on some songs, including this Floyd number from Meddle. Such a damn good album.
  7. The Hollies, “Bus Stop”: Another band that frequently used an electric 12. “Bus Stop” is possibly the greatest love story song from the British Invasion era.
  8. The Decemberists, “Yankee Bayonet”: Apparently Chris Funk, guitarist for the Decemberists, frequently uses the electric 12 for his stuff. Very cool.
  9. REM, “So. Central Rain”: That 12-string riff that starts the song off? So damn good.
  10. Gin Blossoms, “Til I Hear It From You”: When I think of ’90s jangle-pop, the Gin Blossoms are what I’m thinking of. This song is a perfect example of why.

Playlist #159: Count It In

/ xeyeti / Leave a comment

Happy Monday, folks. It’s SOL testing season here in Northern Virginia, so I get to spend most of my free time each school day proctoring! Woo! It’s so much fun. Today, we count it in with a selection of songs featuring – you guessed it – a count in!

  1. The Beatles, “Taxman”: George starts us off right with a song all about counting. Speaking of taxmen, I might have to fire mine, since between them they almost cost me $2000 this tax season (instead of the $500 it actually ended up being). Of course, considering my taxmen are my brother and my father, and I don’t actually pay them, I guess you could argue I’m getting what I pay for.
  2. The Presidents of the United States of America, “Cleveland Rocks”: The POTUSes know how to kick it up a notch, and it starts with a, “3, 4!”
  3. Ryan Adams, “To Be Young”: This song just bleeds in from the opening argument with Dave Rawlins (which isn’t exactly a song, since it’s just the two of them arguing about Morrissey’s catalog). It does feature a hasty count-in, though, so it…counts.
  4. Outkast, “Hey Ya!”: Why do so many songs that start with a count-in of “3, 4”? Why do we skip the one and the two? Why is five never considered? Is it because we’re always in 4/4 time? That doesn’t seem fair, exactly. Outkast know better, though, giving us a full four count.
  5. The Avett Brothers, “Will You Return?”: So do the Avett Brothers, actually! It’s nice to hear. And that heavy-strummed banjo.
  6. Pink Floyd, “Free Four”: I’m not sure if this actually counts, since “free” is not a number.
  7. Moxy Fruvous, “Earthquakes”: This one makes due with a, “1, 2, 3” count-in, skipping four entirely.
  8. U2, “Vertigo”: Someone needs to have a conversation with Bono, because, “1, 2, 3, 14” is not how we count.
  9. Tom Petty & the Heartbreakers, “You Got Lucky”: This one just gets a “1” before Petty gives up counting and the song just starts.
  10. The Decemberists, “Shankill Butchers”: A trailing, “2, 3, 4” leads off this song about youths who will cut you, they will.

Playlist #153 – Annabelle the Horsewoman

/ xeyeti / 1 Comment

Happy Tuesday, folks! I returned from the great wide west to my humble abode in Virginia safe and sound. And today is eldest niece Annabelle’s birthday! In her honor, all of the songs have to do with horses, ’cause that girl is equestrian.

  1. Bob Dylan, “All The Tired Horses”: The kickoff to the infamous Self Portrait album doesn’t even feature any Dylan vocals. Which probably should’ve been a sign to folks, I think.
  2. Moxy Fruvous, “Horseshoes”: “You keep handin’ out horseshoes/Horseshoes have gotta be tossed.”
  3. America, “Horse With No Name”: Spoiler alert: you don’t have to keep riding a nameless horse. You can give it a name anytime you want. Horses don’t care. They don’t know their names.
  4. Bruce Springsteen, “Silver Palomino”: According to britannica.com., a palomino is a “colour type of horse distinguished by its cream, yellow, or gold coat and white or silver mane and tail.” Which…I mean, I guess you can refer to a horse by its mane color primarily, sorta like we do with hair color, except humans aren’t completely covered in hair that gives us a much better descriptor we could use, Bruce.
  5. Aerosmith, “Back In The Saddle”: If you fall out of the saddle, this song encourages you to get back up and climb back into it once more. Whereas I would say, “Bugger that for a lark, I’m gonna go have a lie down.” Because I apparently became British when I fell.
  6. Counting Crows, “Another Horsedreamer’s Blues”: Why does dreaming of horses give one the blues? I do not know. Maybe it’s because they’re so expensive?
  7. The Rolling Stones, “Wild Horses”: I dunno, I get the feeling wild horses would not want to be employed, let alone to drag anyone anywhere. But maybe that’s just me.
  8. Soul Coughing, “16 Horses”: I have so many questions. Why is she pushing the horses? Why sixteen of them, specifically? You guys have a lot of explaining to do.
  9. The Beatles, “Dig A Pony”: But not as much explaining as John Lennon has. Why do you dig a pony, John? And how? What is…is this a sex thing? Do I really even want an answer to that question?
  10. Tom Waits, “Pony”: Why does he sound so sad while he sings about riding his pony? I thought these things made people happy. I don’t understand.

Playlist #132

/ xeyeti / Leave a comment

Happy beginning of November, folks! The days are shorter, the nights are longer, and the sun sets at 5:00 now. These tunes ought to keep you going through the darkness, though.

  1. Golden Earring, “Twilight Zone”: I guess I’d never really thought much about the chorus to this song, but holy crap did I apparently not know, like, any of it. “It’s just like steppin’ into the Twilight Zone/This is a madhouse, feels like bein’ cloned/My beacon’s been moved under moon and star/Where am I to go now that I’ve gone too far?” Like, I had never in my life parsed even half of those lyrics. This song is just wild, man.
  2. The Beatles, “Now And Then”: Anyone with even a passing interest in my writings or who I am as a person knows that the Beatles are my all-time favorite band. Sure, it’s a cliché, but when your father is a Boomer, you have to expect things like this. And this is billed as the “final” Beatles song. Well, the last one made featuring original work from all four Beatles, I’m sure. And it’s not bad! Like “Free As A Bird” and “Real Love,” it was made using an old demo Lennon made that the other three built around, but they had to use Peter Jackson’s AI unmixer to isolate Lennon’s vocals on the track. The result is that he comes through real clear, more so than on the two Anthology songs. Is it the best Beatles song? No, far from it. Is it still pretty damn good? Yes.
  3. The Rolling Stones, “Bite My Head Off”: Everything old is new again. The Stones put out a new album (only their second or so of the 21st century?), and it’s not bad. It’s not essential, but they left that behind decades ago and are mostly coasting on cool factor now. And that’s okay. If I were in the Rolling Stones, I’d be coasting by on having written some of the best damn rock’n’roll songs of all time, too, by the time I hit my 80s. Not working on new material. This one features Paul and Ringo from the Beatles, even! Pauls’ bass riff at the end is nasty stuff, and I love it.
  4. P!nk, “Who Knew”: Why does she spell her name with an exclamation point? I have no answer. But I kinda dig this song anyway.
  5. Semisonic, “Only Empathy”: Semisonic always hits a bright, warm spot in my heart, and their new album positively glows with energy and love. I particularly like this song.
  6. Tom Petty, “There Goes Angela (Dream Away)”: I always have a place in my heart for Tom Petty music, especially from the Wildflowers/She’s the One era. This particular demo/home recording is simple and gorgeous.
  7. Josh Ritter, “Getting Ready To Get Down”: If I understand the lyrics to this one correctly (and I’ll be the first to admit that my literary analysis skills have waned over the years), I’m pretty sure this is the story of a young woman who discovers she’s a lesbian, gets sent to Bible college, and comes back even more lesbian. Hey, even some of those “little Bible college[s] in Missouri” will teach you something about the world if you’re not careful!
  8. Cory Branan, “When In Rome, When In Memphis”: I absolutely love the chorus and coda to this song. “When I go, I ghost” is just a great lyric.
  9. The National, “Wake Up Your Saints”: High Violet is still the best the National album and even its outtakes and bonus tracks prove that.
  10. Bob Dylan, “False Prophet”: For a while there, I was concerned that Dylan had lost a step or two. I mean, I get one album of Sinatra covers, but three? And one of them was a freakin’ triple album? That seems excessive. But Rough and Rowdy Ways was a fun album full of the Dylan lyricism and in-jokes I’ve come to expect from the man, and I just have to stand in awe that even as he eases into his 80s he’s still releasing exciting and interesting new stuff. The Stones could probably take a tip or two.

Playlist #130

/ xeyeti / Leave a comment

Happy Monday, folk! This is moving week, the week where all of my sanity leaves my body in a sudden rush and I wake up on Friday, hopefully in a new place with all of my stuff there. If not, well, I know how to cry.

  1. Paul McCartney, “Brown Eyed Handsome Man”: I tell myself this one is about me. I’m not 100% convinced I’m wrong. My wife thinks I’m handsome, at any rate.
  2. HAIM, “The Wire”: I have heard exactly three (3) songs by this band in my whole life, and I’ve like all three of them. This one cops the drum rhythm from the Eagles’ “Heartache Tonight,” which is actually pretty dope.
  3. The Gaslight Anthem, “Our Father’s Sons”: It’s not a finished song. Bits and pieces of it end up in other songs off The ’59 Sound album. But the lyrics are fairly unique to this particular version, and I like those.
  4. Joe Cocker, “The Letter”: Oh, so a fast train ain’t good enough for ya, Joe? You gotta get on an aeroplane instead? I mean, I guess it makes sense, at least here in the States where high-speed rail just isn’t a thing. But if you were in Japan, you’d be rethinking that train.
  5. Amanda Shires, “Pale Fire”: I keep coming back to this song every few months. I love it. There’s a simplicity and honesty to it that I really appreciate and tend to look for in music.
  6. Patti Smith, “Smells Like Teen Spirit”: If you’d told me there’d be a version of this song that features stand-up bass and a banjo and that I’d love this particular version of the song, I’d…probably have believed you, that sounds right up my alley.
  7. The Beatles, “Two Of Us”: “On our way back home.” Yeah, this one is a stealth moving song!
  8. Muddy Waters, “Goin’ Home”: If it’s good enough for Muddy, it’s good enough for me.
  9. Moxy Fruvous, “Boo Time”: I will never, until the day I die, truly understand or maybe even be able to appreciate this band’s bizarre name, but I can get behind some of their stranger songs like this one. What the hell is “Boo Time,” anyway? Is this a Halloween song? Or is it the time when you cuddle up close to your boo? I honestly don’t know, and it keeps me up some nights.
  10. Electric Light Orchestra, “Roll Over Beethoven”: The pinnacle of early ELO. I will not be taking comments about it at this time, or ever.

Playlist #122

/ xeyeti / Leave a comment

Happy Monday, folks! Unless you live in Florida, in which case, um, have fun getting hit by a hurricane?

  1. The Gaslight Anthem, “Positive Charge”: This song has been stuck in my head for two or three weeks at least. Maybe this will finally dislodge it. Maybe.
  2. Charlie Sexton, “Regular Grind”: Of all the musicians I listen to, this is the one who needs to put out a new album the most. It’s been almost 20 years, man! Give us something new!
  3. Jason Isbell & the 400 Unit, “King Of Oklahoma”: This man, on the other hand, cranks ’em out like clockwork pretty regularly. And damn if this song doesn’t make me feel something.
  4. John Cougar Mellencamp, “Rumbleseat (2022 Mix)”: Generally speaking, I’m curious to hear what musicians come up with when they remix their old albums with modern techniques and studio trickery. This feels…unsuccessful on that front. The guitars are too muted, the drums are too loud and yet also lifeless, and it just feels like it was a huge missed opportunity to really punch everything up.
  5. Drive-By Truckers, “Used To Be A Cop”: The Drive-By Truckers can take even the most irredeemable character – in this case, a cop who had a nasty streak and has all sorts of misogynistic tendencies – and still make them someone you want to sympathize with. That’s impressive.
  6. The Head And The Heart, “Lost In My Mind”: “How’s that bricklayin’ comin’/How’s your engine runnin'”? is one of those couplets that seems innocuous when you first listen to it, but the stuff that follows – “Is that bridge getting built/Are your hands getting filled/Won’t you tell me my brother/’Cause there are stars/Up above” – and the way their voices soar in harmony is just…damn, it’s just really good.
  7. Mark Knopfler, “Hill Farmer’s Blues”: Speaking of musicians who can make downtrodden and misunderstood characters feel sympathetic, here’s Knopfler singing about a farmer going to town for supplies and making it seem freakin’ epic.
  8. Fall Out Boy, “Dance, Dance”: You get a pass this one time, Fall Out Boy, but only because you’re named after a Simpsons reference.
  9. The Beatles, “You Really Got A Hold On Me”: Michelle and I were listening to this song over the weekend and just commenting on how great a song it is. Smokey Robinson knew what was up, my friends.
  10. Van Morrison, “Magic Time”: Though it happens less frequently than it used to, Van Morrison can write a stunningly beautiful song. This one counts and makes me wish he hadn’t become some sort of weird Covid skeptic and conservative curmudgeon in recent years.

Playlist #117 – More Three-Song Runs

/ xeyeti / Leave a comment

Yeah, it’s Tuesday, but I forgot to post yesterday. Here are four more three-song runs that are all killer, no filler.

Run 1: The Beatles, “Can’t Buy Me Love,” “Any Time At All,” and “I’ll Cry Instead” (from A Hard Day’s Night): The Beatles are obviously one of those bands where you could throw a dart at a board with all their albums listed on it and pick a random three song run and it’d be full of bangers. This is still one of my favorite Beatles albums, and these songs really hold up.

Run 2: Bob Dylan, “Subterranean Homesick Blues,” “She Belongs To Me,” and “Maggie’s Farm” (from Bringing It All Back Home): Again, much like the Beatles, many of Dylan’s albums are front-to-back amazing (we’ll ignore those born again albums in the late 70s/early 80s and most of what he did in the late 80s). These songs were a sonic manifesto in 1964, with Dylan going electric and tearing the roof off the place.

Run 3: Sting, “La Belle Dame Sans Regrets,” “Valparaiso,” and “Lithium Sunset” (from Mercury Falling): I’ll admit, I have a soft spot for the work of Sting, both solo and with the Police. Mercury Falling may be one of my favorite albums he’s released, and these three songs – the French “La Belle Dame Sans Regrets,” the sailor’s voyage of “Valparaiso,” and the country twang and pedal steel guitar of “Lithium Sunset” – are the closing three tracks on the album, and they serve as an excellent summation of what he was doing here.

Run 4: Wilco, “Muzzle Of Bees,” “Hummingbird,” and “Handshake Drugs” (from A Ghost Is Born): Possibly my favorite Wilco album, possibly tied with Yankee Hotel Foxtrot. These songs are mellow and odd and a perfect summation of where Wilco was at this point in their career.