the gaslight anthem

Playlist #219

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Happy Monday, folks! The ridiculously high temperatures outside persist, but so do I! I kinda have to, since I don’t think I’m allowed to die anytime in the next thirty or so years. Anyway, here’s a playlist.

  1. Rise Against, “Give It All”: How would I describe this one? Emo? Pop-punk? Alternative? I dunno. It’s just a good song, man. We don’t always have to fit everything into these tiny prescriptive boxes.
  2. 10,000 Maniacs, “Trouble Me”: I go through phases where I want my music to sound like someone else’s. Right now, I want my music to sound like 10,000 Maniacs. There are definitely worse sounds.
  3. Noah Kahan & Hozier, “Northern Attitude”: We get it, things in the northern part of the US are darker and colder and sadder and all that. Just move to Phoenix and get on with things, guys.
  4. Mark Knopfler, “Prairie Wedding”: I love the guitar line in this song, and it’s just such a simple, beautiful song about the power of Mark Knopfler’s letter-writing skills. How else did he convince a woman to move to the barren west and marry him?
  5. Gorillaz, “Some Kind of Nature (Featuring Lou Reed)”: Gotta love a song that uses Lou Reed’s raspy talking as a selling point.
  6. The Gaslight Anthem, “Biloxi Parish”: There’s something nostalgic and sad underlying this song, which is something you could say about a great number of the Gaslight Anthem’s songs.
  7. HAIM, “Now It’s Time”: It uses U2’s “Numb” as a basis, but goes in a totally different direction. Pretty neat.
  8. Murder By Death, “Believe”: Great band, weird name. Not a death metal band, as you may be thinking. Folky alternative.
  9. The Offspring, “Self Esteem”: The sneering “na-na”s in this song are just great.
  10. Enya, “Orinoco Flow”: Apparently she came up with this song after her A&R guy said, “I don’t hear a single.” Enya said, “Oh yeah? Bet,” and came back a couple weeks later with this song. She is now living the dream, only recording when she feels like it, rarely touring, and just hanging out in her freakin’ castle with her cats. We should all be so lucky.

Playlist #198

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Happy Monday, folks! Looks like another round of snow is headed towards Northern Virginia this week, so I’m looking forward to a short week of work (and not administering the WIDA exam on Wednesday). Here’s some songs to get you through the snowy cold.

  1. The Weather Station, “Neon Signs”: You could describe this as folk/Americana, or alternative, or “cosmic Americana,” my preferred genre. However you describe it, it’s good. The instruments fade in and out, entwine with one another then break apart, and the lyrics float in from the middle of absolute nowhere like they’ve just blown in from the desert. Good stuff.
  2. Waxahatchee, “Mud”: New Waxahatchee means happy Charlie, even if it is just a single.
  3. Wilco, “Handshake Drugs”: The deluxe edition of A Ghost Is Born was released Friday, so of course I’ve already listened to it. I’m a little disappointed the so-called “Expanded Edition” only included a single extra disc of early versions of the songs instead of the 9-disc full version that is apparently available out there for the diehards (yeah, I’ll probably end up tracking that one down. I’m a sucker for the iterative nature of songwriting).
  4. Michgander, “Emotional”: I’ve dug this guy and his work since I first heard an EP of his several years ago, and his songwriting only gets stronger and his arrangements only get fuller as time goes by. Love it.
  5. Electric Light Orchestra, “The Bouncer”: A bonus song off the Time album, and one that has a bouncy, fun little beat and all the trademarks of Jeff Lynne production.
  6. Iron & Wine, “Call Your Boys”: I love the slide guitar work on this song. It’s subtle but effective, and the vocal melody is beautiful and sad.
  7. Jesse Malin, “She Don’t Love Me Now”: I think it’s the horn section in this song that gets me.
  8. Mark Knopfler, “Donnegan’s Gone”: A skiffle song about the guy who started the skiffle craze? Why not?
  9. The Gaslight Anthem, “Say I Won’t (Recognize)”: Early Gaslight Anthem is full of punch and power and longing and more hair grease than was used on the set of the movie Grease. James Dean would be proud.
  10. Jason Isbell, “Elephant”: Whenever I want to cry and feel absolutely beautiful misery, I put this song on. Works every time.

Playlist #197

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Happy Monday, folks! We finally made it through that nigh-unending January, sanity (mostly) intact. Here’s some songs to get us through the week.

  1. David Gray, “As I’m Leaving”: David Gray’s earlier stuff is much more striped down and folky. I kinda dig a lot of it, especially this piano ballad off the Lost Songs collection.
  2. You+Me, “From a Closet in Norway”: Maybe I’m just a sucker for acoustic-based folk-pop?
  3. Van Morrison, “Madame Joy”: This song is just so full of joy, it’s hard not to love. Van could rave it up sometimes.
  4. Wilco, “You Are My Face”: I love the breakdown in this song, where it totally changes tone and rhythm and becomes a completely different song for a couple of minutes. Great.
  5. Jackson Browne, “Downhill From Everywhere”: An actual environmental protest song, this time about the sea and how we’re all connected to it.
  6. Beck, “Lost Cause”: I know Sea Change is Beck’s big breakup album/Bob Dylan reference, and it’s good, and it sounds like he’s just being backed by the Flaming Lips the whole time (to the point that he took them out on tour as his opener and his backing band for the subsequent tour), but it does occasionally make me miss the whimsical, clearly-stoned-out-of-his-gourd Beck.
  7. Richard Thompson, “Beeswing”: Back on my folky acoustic bullshit, but it’s a damn good story song.
  8. George Harrison, “Not Guilty”: Solo George is the best George.
  9. The Gaslight Anthem, “Blue Jeans & White T-Shirts”: Early Gaslight Anthem, with the band showing they have a softer, more sensitive side.
  10. Aimee Mann, “Stranger Into Starman”: A subdued ender for this particular playlist, but a perpetual favorite. Aimee Mann somehow became one of my favorite artists over the past few years, and I’m not sad about that at all.

Playlist #179

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It’s another rainy, gray Monday here in Northern Virginia. But we’ve got some tunes and we’ve got a bit of caffeine in our systems, so let’s go!

  1. Kris Kristofferson, “The Best of All Possible Worlds”: I know four things about Kris Kristofferson, who passed away over the weekend. (1) He was pretty badass in the Blade movies. (2) He stood beside Sinead O’Connor at the Concert for Dylan’s 30th Anniversary in solidarity with the singer while the crowd booed her (she’d just torn up a picture of the Pope on Saturday Night Live, like, a week earlier). (3) He once threatened to beat Toby Keith’s jingoist ass into the ground at a 9/11 benefit concert. (4) He was a damn good songwriter, and he’ll be missed.
  2. Jimmy Eat World, “The Middle”: Uplifting and danceable.
  3. Sabrina Carpenter, “Please Please Please”: Maybe I’m just showing my age here. Maybe this music isn’t for me, no matter how ELO-inflected the instrumentation may seem. But when did pop singers get so horny on main? I’m no prude, and I definitely don’t want to yuck someone else’s yum (especially since I think she’s pretty talented and a decent-enough songwriter), but I just don’t think I’m the target audience for this, and that’s okay.
  4. Chappell Roan, “Red Wine Supernova”: Speaking of pop singers I’m not the target audience for…
  5. Bruce Springsteen, “She Don’t Love Me Now”: A Springsteen cover of a Jesse Malin song? Yes, please! The sax solo fits perfectly.
  6. Billy Idol, “Bitter Taste”: A 21st century Billy Idol song that’s actually pretty good? It’s more likely than you’d think!
  7. The Gaslight Anthem, “Stay Lucky”: If ever there was a song that got the blood pumping while you speed down the highway doing way too many miles per hour over the speed limit, it was probably this one.
  8. Pearl Jam, “Hail Hail”: Maybe I’m just in a mood this morning and need to be pepped up, I dunno.
  9. Toad the Wet Sprocket, “Nightingale Song”: I love the harmonies on this song.
  10. JD McPherson, “The Phantom of New Rochelle”: A surfy rock instrumental from the Okie guitarist. Fun and reverby.

Playlist #139: Boxing Day

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Happy Tuesday! Of course I didn’t post a playlist yesterday, it was Christmas. I was eating my own weight in ravioli. But today is Boxing Day, and since I can never let a day where I can purposefully misunderstand the purpose of the day for a giggle, here’s a list of boxing-themed songs for this week’s playlist, the last of 2023!

  1. Simon & Garfunkel, “The Boxer”: You knew this was going to be the first, most obvious song on this list, right? Of course you did.
  2. Mark Knopfler, “Song For Sonny Liston”: A biographical look at the life of boxer Sonny Liston.
  3. The Gaslight Anthem, “Boxer”: I’m not really sure what this song has to do with boxing or being a boxer, but the chorus does include the line, “Remember when I knew a boxer, baby.” So there’s that.
  4. Bruce Springsteen, “The Hitter”: Bruce takes a look at an aging, worn-out fighter.
  5. The Extra Lens, “Cruiserweights”: John Darnielle of the Mountain Goats is apparently so engaged with the sport of boxing that he formed a second group, the Extra Lens, that recorded an entire album about a boxer.
  6. Survivor, “Eye of the Tiger”: It would have been very easy to just make this playlist all songs from the Rocky movies. Don’t think I didn’t think about it.
  7. Rush, “Cinderella Man”: A song about a man trying to achieve his dream against staggering odds and prog rock.
  8. Rachel Platten, “Fight Song”: Isn’t boxing just fighting with rules? I’m pretty sure it’s just fighting with rules.
  9. Ben Folds Five, “Boxing”: Apparently this song is designed to be an imagined conversation between Muhammad Ali and Howard Cossel, the sportscaster, who apparently made his name commentating on boxing matches.
  10. The Boxer Rebellion, “Spitting Fire”: The Boxer Rebellion was a fight between a small group of Chinese kung fu experts (called the Order of the Holy Fist, or “Boxers”) and the English, all about opium. It…didn’t go well for the Boxers.

Best Albums of 2023

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Ignore all of those other best-of lists you’ve seen around. This ain’t those. It is, however, my ten favorite albums from this year.

It was a tricky list to put together, if for no other reason than the fact that my sense of time has gotten all out of whack over the past few years. “Wasn’t that new Wallflowers album from early this year? Wait, it was 2021? What?” Or, “Oh, that new Taylor Swift album – not one of the re-records – was…no, that was last year. Damn.” I kinda had to scrabble around to find 10 albums I really liked.

And it shouldn’t have been that hard! Both the National and Josh Ritter had new albums out this year. Those are usually shoo-ins. But this year…eh. Neither of them really wowed me.

Anyway, here are ten albums that did wow me, in no particular order.

  1. boygenius, the record: I kinda low-key love this album. Three brilliant musicians coming together and just showing everyone how it ought to be done.
  2. Peter Gabriel, i/o: If an album takes twenty years to complete and comes out in not one, not two, but three slightly different mixes, you’d be understandably trepidatious about the album. But no, it’s really damn good. It’s vital and deep and rewards relistens.
  3. Wilco, Cousins: While not as essential as their best work, it’s more cohesive and concise than last year’s Cruel Country. Good, but also kinda forgettable.
  4. The Gaslight Anthem, History Books: A damn sight better than their last album, Get Hurt. It’s energetic and loud and exciting.
  5. Slowdive, everything is alive: I’m not usually one for shoegaze, but these songs are great. It’s slow and pensive and gets under your skin.
  6. New Pornographers, Continue as a Guest: I love the band, I hate the name. That will always be the case. But with A.C. Newman and Neko Case on the roster, you know the songs are going to be good and the vocals are going to be stellar. And they are.
  7. M. Ward, supernatural thing: M. Ward just cranks out good stuff whenever he decides to drop into the recording studio. Nothing spectacular or mind-altering, just really good songs that you can listen to over and over again.
  8. Noah Kahan, Stick Season: Vermont Hozier, as he’s apparently known, puts out some somber, low-key songs that stick to your brain and just burrow in.
  9. The Mountain Goats, Jenny From Thebes: I love me some Mountain Goats. This one is heavier on the piano and keyboards than previous entries, and the usage of horn sections and strings (freakin’ strings! On a Mountain Goats record!) add some new flair and textures to the always-excellent songwriting.
  10. Jason Isbell & the 400 Unit, Weathervanes: I know I said this list isn’t in any particular order, but this is my absolute favorite album of the year. The more I listen to the work of Jason Isbell, the more I’m convinced he’s the best songwriter of the current generation. He creates characters and situations full of anger, fear, distrust, love, longing, a sense of loneliness, isolation, and rising above it all. All in a single record. Soaring choruses, thoughtful verses, and a band that is as simpatico as humanly possible just makes this one of the best records out there.

Playlist #130

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Happy Monday, folk! This is moving week, the week where all of my sanity leaves my body in a sudden rush and I wake up on Friday, hopefully in a new place with all of my stuff there. If not, well, I know how to cry.

  1. Paul McCartney, “Brown Eyed Handsome Man”: I tell myself this one is about me. I’m not 100% convinced I’m wrong. My wife thinks I’m handsome, at any rate.
  2. HAIM, “The Wire”: I have heard exactly three (3) songs by this band in my whole life, and I’ve like all three of them. This one cops the drum rhythm from the Eagles’ “Heartache Tonight,” which is actually pretty dope.
  3. The Gaslight Anthem, “Our Father’s Sons”: It’s not a finished song. Bits and pieces of it end up in other songs off The ’59 Sound album. But the lyrics are fairly unique to this particular version, and I like those.
  4. Joe Cocker, “The Letter”: Oh, so a fast train ain’t good enough for ya, Joe? You gotta get on an aeroplane instead? I mean, I guess it makes sense, at least here in the States where high-speed rail just isn’t a thing. But if you were in Japan, you’d be rethinking that train.
  5. Amanda Shires, “Pale Fire”: I keep coming back to this song every few months. I love it. There’s a simplicity and honesty to it that I really appreciate and tend to look for in music.
  6. Patti Smith, “Smells Like Teen Spirit”: If you’d told me there’d be a version of this song that features stand-up bass and a banjo and that I’d love this particular version of the song, I’d…probably have believed you, that sounds right up my alley.
  7. The Beatles, “Two Of Us”: “On our way back home.” Yeah, this one is a stealth moving song!
  8. Muddy Waters, “Goin’ Home”: If it’s good enough for Muddy, it’s good enough for me.
  9. Moxy Fruvous, “Boo Time”: I will never, until the day I die, truly understand or maybe even be able to appreciate this band’s bizarre name, but I can get behind some of their stranger songs like this one. What the hell is “Boo Time,” anyway? Is this a Halloween song? Or is it the time when you cuddle up close to your boo? I honestly don’t know, and it keeps me up some nights.
  10. Electric Light Orchestra, “Roll Over Beethoven”: The pinnacle of early ELO. I will not be taking comments about it at this time, or ever.

Playlist #122

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Happy Monday, folks! Unless you live in Florida, in which case, um, have fun getting hit by a hurricane?

  1. The Gaslight Anthem, “Positive Charge”: This song has been stuck in my head for two or three weeks at least. Maybe this will finally dislodge it. Maybe.
  2. Charlie Sexton, “Regular Grind”: Of all the musicians I listen to, this is the one who needs to put out a new album the most. It’s been almost 20 years, man! Give us something new!
  3. Jason Isbell & the 400 Unit, “King Of Oklahoma”: This man, on the other hand, cranks ’em out like clockwork pretty regularly. And damn if this song doesn’t make me feel something.
  4. John Cougar Mellencamp, “Rumbleseat (2022 Mix)”: Generally speaking, I’m curious to hear what musicians come up with when they remix their old albums with modern techniques and studio trickery. This feels…unsuccessful on that front. The guitars are too muted, the drums are too loud and yet also lifeless, and it just feels like it was a huge missed opportunity to really punch everything up.
  5. Drive-By Truckers, “Used To Be A Cop”: The Drive-By Truckers can take even the most irredeemable character – in this case, a cop who had a nasty streak and has all sorts of misogynistic tendencies – and still make them someone you want to sympathize with. That’s impressive.
  6. The Head And The Heart, “Lost In My Mind”: “How’s that bricklayin’ comin’/How’s your engine runnin'”? is one of those couplets that seems innocuous when you first listen to it, but the stuff that follows – “Is that bridge getting built/Are your hands getting filled/Won’t you tell me my brother/’Cause there are stars/Up above” – and the way their voices soar in harmony is just…damn, it’s just really good.
  7. Mark Knopfler, “Hill Farmer’s Blues”: Speaking of musicians who can make downtrodden and misunderstood characters feel sympathetic, here’s Knopfler singing about a farmer going to town for supplies and making it seem freakin’ epic.
  8. Fall Out Boy, “Dance, Dance”: You get a pass this one time, Fall Out Boy, but only because you’re named after a Simpsons reference.
  9. The Beatles, “You Really Got A Hold On Me”: Michelle and I were listening to this song over the weekend and just commenting on how great a song it is. Smokey Robinson knew what was up, my friends.
  10. Van Morrison, “Magic Time”: Though it happens less frequently than it used to, Van Morrison can write a stunningly beautiful song. This one counts and makes me wish he hadn’t become some sort of weird Covid skeptic and conservative curmudgeon in recent years.

Playlist #118

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Happy Monday, folks! Hard to believe we’re already at the end of July. School will be starting again soon, as I’m sure your desperate and terrified children can attest to. Anyway, here’s a playlist to get you through those hot summer days.

  1. Andrew Bird, “Mancey”: “M, as in Mancy.”
  2. Jimmy Eat World, “A Praise Chorus (feat. Davey Vonbohlen)”: A song that references everything from “Crimson and Clover” to They Might Be Giants’ “Don’t Let’s Start.” All in just over four minutes.
  3. Elastica, “Stutter”: Punky song about Damon Albarn’s erectile dysfunction (it’s true!).
  4. Paul McCartney, “Every Night”: For every clunker or half-finished song idea that’s barely more than a demo on his self-titled, DIY album, there’s a gem like this one.
  5. Drive-By Truckers, “Danko/Manuel”: Who doesn’t love songs about the Band?
  6. Stevie Wonder, “Pastime Paradise”: Ever wonder where Coolio got the sample for “Gangsta’s Paradise?” It’s from this song.
  7. Simon & Garfunkel, “A Hazy Shade Of Winter”: I, for one, am done with this ridiculous heat and ready for winter to return.
  8. Rob Thomas, “Streetcorner Symphony”: I have a completely unironic love for this guy’s music. I can’t explain why.
  9. The Gaslight Anthem, “Say I Won’t (Recognize)”: From an early EP by the band, where they’re still trying to find their footing and figure out who they are as a band (they’re a punk band with delusions of Springsteen. That is as awesome as it sounds).
  10. Sinead O’Connor, “Nothing Compares 2 U”: Is it the obvious pick from this artist? Yes, yes it is. Is it still just an absolute stone-cold classic of a song that everyone should listen to and enjoy at every available opportunity? Yes, yes it is.

Playlist #116 – Three Song Runs

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My brother Clif challenged me to come up with a playlist made of three-song runs by artists/bands, runs of songs that are all killer, no filler. There are limits: no compilations/best of collections, no soundtracks, just three songs in a row from a single album. So here’s four such runs.

Run 1: Carole King, “You’ve Got A Friend,” “Where You Lead,” and “Will you Love Me Tomorrow” (from Tapestry): I’ve said it before and I’ll say it again: Tapestry is solid from beginning to end. There is not a bad song on that album. I could have pulled any three songs from this album at random and it would’ve been just as good.

Run 2: Creedence Clearwater Revival, “Lookin’ Out My Back Door,” “Run Through the Jungle,” and “Up Around the Bend” (from Cosmo’s Factory): Honestly, I could’ve pulled any three song run from any of CCR’s first five albums (well, maybe not their self-titled) and it would’ve been just a series of bangers. These guys cranked out just amazing songs every time out (we’ll ignore Pendulum and Mardi Gras).

Run 3: The Gaslight Anthem, “The ’59 Sound,” “Old White Lincoln,” and “High Lonesome” (from The ’59 Sound): Again, you could pull any three songs from this album and they’d all rock. These three songs in particular feel like Bruce Springsteen fronting a punk band, a thing I never knew I wanted until just now.

Run 4: Tom Petty & the Heartbreakers, “Refugee,” “Here Comes My Girl,” and “Even the Losers” (from Damn the Torpedoes): Damn the Torpedoes plays like a greatest hits album. Seriously. Even the deep cuts from this album are amazing. These three songs open the album, and it only stays this awesome from there.