Playlist #265

Happy Tuesday, folks. I’ve got the first three days of this week off for various holidays and teacher work days, so I’ve spent the time relaxing and not thinking about what I have to do when I get back to work on Thursday. Here’s a playlist.

  1. The Gray Charlies, “Burnt Offering”: My brother released his full EP last Friday, and I think you should listen to the whole thing, but especially this song. And not just because this is the one that I wrote the words and music for. No, because the way the singer digs into it just hits right, and the strings are absolutely gorgeous.
  2. Rostam, “Like a Spark”: This is just Van Morrison’s “Astral Weeks,” right? Like, I’m not complaining, but this is just “Astral Weeks” with different words.
  3. The Pauls Band, “Penguin Parade”: A buddy of mine from work released a second single last week, and it’s pretty darn good.
  4. Shakey Graves, “Time Flies”: A lo-fi slab of acoustic-based alternative folk, which is a string of words that either immediately made you make a vomit emoji face or light up like a Christmas tree.
  5. The National, “The System Only Dreams In Total Darkness”: Aside from being the only National song I can think of with an actual guitar solo in it, the title is unnecessarily long and I kinda love it for that.
  6. Antony with Bryce Dessner, “I Was Young When I Left Home”: A Dylan cover? On one of my playlists? It’s more likely than you’d think!
  7. Hurray for the Riff Raff, “Pa’lante”: Apparently a word in Spanish that means “foward” or “keep going.” A nice little reminder that as hard as things get, as ridiculous as the world around us seems, we have to keep trying not to fuck it up too much and just move forward each time we do.
  8. Van Morrison, “Madame George”: Is it a song about a drag queen? Or about his own mother? Even Van doesn’t know. But it’s beautiful.
  9. Tom Petty. “The Apartment Song (Demo)”: I always preferred the demo version of this song, since the lyrics are a little different in the second chorus (instead of just repeating the chorus, he adds in some new words in the second run through and it just really fits and I’m sad it didn’t make it into the final version). Plus, I’m pretty sure that’s Stevie Nicks singing backing vocals on it.
  10. Daniel and the Lion, “No Ghost”: This slice of pop perfection is all Clyde’s fault. He’s the only reason I even know who this band is.

Playlist #261

Happy Monday, folks! We’re winding down the month of April and moving into what I think of as crunch time in the public schools, when all of the seniors suddenly realize that they need to pass my class if they want to graduate. The number of “what can I do to bring my grade up?” conversations I’ll have over the next few weeks is innumerable. Here’s a playlist.

  1. The Gray Charlies, “The Twelve Lines That Didn’t Work”: I’ve probably said before how strange it is to hear someone else sing words I wrote twenty-some years ago. It remains strange, but supremely satisfying. It’s also weird when you remember that you had to write a few extra lines for the song because the singer ended up doing it differently than you or your brother had originally anticipated and there’s gonna be some dead air in there. You can check the song out here.
  2. Khatumu, “blackout”: The more I listen to this woman’s work, the more I admire it. She’s really good at creating a gripping structure and writing compelling lyrics. The instrumental aspects are always excellent, well-produced with just that perfect hint of DIY.
  3. Joan Armatrading, “Water with the Wine”: Damn, but this woman can sing. I would listen to her sing the phone book.
  4. Patti Smith, “Gloria”: Ever wonder what would happen if Lou Reed recorded a Van Morrison song? It’d probably sound a lot like this.
  5. Pearl Jam, “I Am Mine”: I remember when the album this song is from, Riot Act, came out in 2002. I was in grad school and bought it from the school bookstore. I also bought a couple of Star Wars trade paperback comics for Dark Empire, which I read and reread multiple times over the next couple of years because I only owned, like, six comic books.
  6. Phosphorescent, “Tryin’ To Get To Heaven”: It takes balls to cover Bob Dylan at the best of times, and even more so when you’re covering one of his latter-day classics. Phosphorescent manages to pull it off with aplomb.
  7. Pink Floyd, “Set the Controls For the Heart of the Sun”: Early Pink Floyd is still the weirdest Pink Floyd, and I kinda need that sometimes. Heaven only knows what they’re gonna do when they reach the heart of the sun, but I’m sure someone probably has a plan.
  8. Aaron Neville, “Everybody Plans the Fool”: The little synth sting at the end of the chorus always gets me in this song.
  9. Nanci Griffith, “Boots of Spanish Leather”: I am apparently in a Bob Dylan covers mood this week. I should probably put together a list of my favorite Dylan covers someday (if I haven’t already done that, which I probably have, but man that is a list subject to change).
  10. Radiohead, “Bodysnatchers”: Whenever I’m working on a novel and have a fight scene, this is the music that I put on to help me write it. Works perfectly every time.

Playlist #255

Happy Monday, folks! We’ve got a three-hour early release due to a Death Storm headed our way this afternoon. How about some tunes to get us through the tornados?

  1. Bedouine, Hurray for the Riff Raff, and Waxahatchee, “Thirteen”: I swear, I think I have more covers of this song than just about any other. There’s something about it that just attracts musicians to it like honey. It is a fabulous song, mind, and every version I’ve ever heard of it is just different enough from each other and the original to be worth listening to. I guess Big Star is the Velvet Underground of power pop.
  2. Bruce Springsteen, “A Rainy Night In Soho”: A Pogues cover that makes Bruce Springsteen sound like Tom Waits. I can dig that.
  3. The Gray Charlies, “Nothing Matters”: Alright, lemme brag on my brother for a minute: Clyde has put together an EP of songs that are phenomenally crafted and expertly recorded. They sound remarkable. I wrote the lyrics for all of them, but don’t hold that against the band. This is the first single, available now, and I recommend you go give it a listen. It’s gorgeous!
  4. Gordon Lightfoot, “Sundown”: Canadian crooner compels compatriots to cease convening conveniently close to his casa.
  5. Lord Huron, “The Night We Met”: Apparently the song the band is most famous for, thanks to its inclusion in some teen drama on CW or something. I dunno, it’s a great song off a great album.
  6. Neko Case, “This Tornado Loves You”: Someone was asking me about the difference between a Tornado Watch and a Tornado Warning this morning, as we’ll be under at least one of those this afternoon. A Watch is when conditions are suited to the formation of a tornado, and a Warning is when tornados are imminent or possibly already making touchdown nearby. In either case, listen for the sirens and get someplace safe if you hear ’em.
  7. Jimi Hendrix, “The Wind Cries Mary”: There’s a chance of high winds even without tornados this afternoon, though I hear they’ve been downgraded from “hurricane-strength” to merely “Oklahoma breeze.”
  8. Tom Waits, “A Little Rain”: This was the sort of Tom Waits song I was talking about above when I was talking about that Bruce Springsteen song. It’s great.
  9. Calexico, “Not Even Stevie Nicks”: Man, not even Stevie Nicks? Not even her? Not even with all the scarves and diaphanous pieces of fabric draped across everything? Fuck.
  10. Stabbing Westward, “Violent Mood Swings”: If this doesn’t get your blood pumping, please check that you still have a pulse.