the lemonheads

Playlist #269

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Happy Monday, folks! It’s officially summer (both in that the summer solstice occurred yesterday and I’m finally no longer in school), and that means most teachers are sitting curled up in a ball dissociating for a few days before they jump into whatever summer job they’re doing. I’m working at a summer camp that’s running out of Michelle’s school (though there is no official connection between the two other than the camp is using the Sycamore School’s location to host the camp). All that being said, here’s a playlist to set the mood.

  1. Roosevelt, “Everywhere”: It’s a Fleetwood Mac cover! That really doesn’t do anything all that different than the original. Which always makes me wonder, why cover a song if you’re not going to do anything different with it?
  2. Modest Mouse, “Missing The Boat”: That drum machine beat that kicks the song off always gets to me for some reason. I just really dig it.
  3. Margaret Glaspy, “Jesus, Etc.”: I’ve been compiling a list of songs I want played at my funeral, and this one currently tops that list. Ir’a just so forlorn and heartbroken that it fits perfectly for something like a funeral.
  4. The Mountain Goats, “Up The Wolves”: I like The Sunset Tree. As a transition between the boombox era of the band the fleshed out, full band that appears on Tallahassee and later records, it’s a neat look at how John Darnielle came to grips with working directly with other musicians. Also, it’s just a great song.
  5. The Avett Brothers, “Die Die Die”: Emotionalism remains my favorite Avett Brothers album, and songs like this one – with the harmonies and the stomping rhythm – help exemplify why.
  6. B.B. King, “The Thrill Is Gone”: You can’t beat the king of the blues, and this is hands-down his best song. I still marvel at the idea of adding strings to a blues song. It’s great.
  7. Bruce Springsteen, “Reason To Believe (Electric Nebraska)”: The electric Nebraska demos sound exactly what you think Nebraska would sound like if all the songs were played with bass and drums added in. That said, this song still hits right if you ask me. The rhythm section gives it some muscle and some menace.
  8. Genesis, “Man On The Corner”: I know Phil Collins Genesis is often dismissed as pop pablum, especially when you get to Invisible Touch, but I always really dug the stuff they did when he was the leader of the band. And this song shows that he could ask some big questions about the nature of society and how we treat one another. Also, it’s got a good hook.
  9. HAIM, “Now It’s Time”: Why not take a U2 Pop song (specifically, “Numb”) and reuse it to do something completely different?
  10. The Lemonheads, “Take It Easy”: Another cover to round things out. Again, doesn’t really do much of anything all that different from the original version, though at least Evan Dando’s voice is different enough from Glen Frey’s that it’s got that going for it.

Playlist #225: Back to School Edition

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Happy Monday, folks! And welcome back to school, students. That’s right, the school year has officially begun in Northern Virginia, marking my 21st year as a teacher. Yup, my career will be old enough to drink this year. That’s terrifying. Let’s get to the playlist.

  1. The Calling, “Let The Day Begin”: As I’ve said in the past, this song is intimately linked in my mind with the start of the school day. It played on the classic rock station every morning right around the time I was headed to school, so it’s kinda irrevocably linked forever to me.
  2. Langhorne Slim, “The House of My Soul (You Light the Room)”: Love playing this song. It’s such a simple chord progression that he manages to squeeze a lot of energy and emotion out of.
  3. Radiohead, “Go To Sleep (Live)”: Live Radiohead is always a fun time, because I’m left wondering how they managed to get the song that appeared on the album (with all its blips and squiggles and beeps) to sound so good live.
  4. Golden Earring, “Twilight Zone”: Man, after spending several weeks not working, being back in the classroom feels more than a little like the Twilight Zone.
  5. The Beatles, “Yer Blues”: So John says, “If I ain’t dead already/Well, you know the reason why,” but do we? Do we really know the reason why, John? Because I don’t think we do.
  6. Tom Petty & the Heartbreakers, “Casa Dega”: Hearsay and secondhand information lead to heartbreak. Or Heartbreakers.
  7. Pink Floyd, “Pigs (Three Different Ones)”: The repeated “ha-ha, charade you are” line kills me every time. The very British pronunciation of charade (“sha-raad”) makes me giggle.
  8. Elliott Smith, “Everybody Cares, Everybody Understands”: Man, I haven’t listened to Elliott Smith in a while. I think fall is the best time to listen to him, and a revisiting of his discography is imminent.
  9. The Lemonheads, “Into Your Arms”: There are a few ’90s songs that are just there for that killer chorus (this one, the La’s “There She Goes,” REM’s “The One I Love,” Deep Blue Something’s “Breakfast at Tiffany’s”). Someday I’mma put together that playlist.
  10. Gin Blossoms, “Hey Jealousy”: Speaking of great ’90s songs…

Playlist #212

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Happy Monday, folks! The end of the school year always seems so far away, until suddenly it’s upon you. We’ve only got a few classes left with each of our cohorts, and then it’ll be summer time! In the meantime, I finally have physical CDs of the new album, Beard Situation, so hit me up if you want a copy of that. And now, on with the playlist!

  1. The Record Company, “So What’cha Want”: Did you ever want to hear the Beastie Boys as a blues jam? ‘Cause this is what that would sound like.
  2. The Lemonheads, “Sad Cinderella”: Nothing better than a Townes Van Zandt cover to get your Monday started off right. Or wrong. I don’t know you, I don’t know how you feel about Townes Van Zandt. I know how you should feel about his music. You should feel good knowing you yourself are not Townes Van Zandt and are, statistically, not nearly as fucked up as he was.
  3. Macy Gray, “Creep”: Macy Gray did a covers album, and if you’re wondering, “Do all the songs sound like I think they should sound by the lady who sang ‘I Try’?” well buddy, I’ve got some good news for you. This is a cover of the Radiohead song. Not the one by Stone Temple Pilots. Or TLC.
  4. Fiona Apple, “Pretrial (Let Her Go Home)”: A damn good song about a pressing topic: maybe we shouldn’t lock people up just because they can’t afford bail, then take away their children because they can’t get out of jail to go home because they can’t pay bail. Cash bail is a huge scam, is what I’m saying.
  5. Thom Yorke, “And It Rained All Night”: I like my Thom Yorke drone-y and paranoid.
  6. Tom Petty & the Heartbreakers, “Ways To Be Wicked”: Not a week goes by where I don’t think, “Man, I need to add [fill-in-the-blank-Tom-Petty-song] to a playlist!” This week, it’s this song.
  7. JD McPherson, “Signs And Signifiers”: Any ideas what kind of guitar is on the cover of this album? I wanna say it’s an Epiphone, but my knowledge of guitars from the 1950s and 1960s is sketchy at best.
  8. Jelly Roll Morton, “Black Bottom Stomp”: According to his own self-mythology, Jelly Roll Morton invented Jazz with this song. I don’t know how true that statement may be, but it’s a fun song. It’s got a good beat and you can dance to it.
  9. Watkins Family Hour, “Steal Your Heart Away”: A cover of a Lindsey Buckingham song and not, as I first kinda hoped, the Van Morrison song of the same name. Oh well. It’s still a beautiful string band ballad.
  10. The War On Drugs, “Living Proof”: An original, not a Bruce Springsteen cover. Though that is a cover I would now like to hear…

Playlist #2

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Here’s this week’s playlist. I was feeling a little more melancholy this week than last, which I feel is reflected in the selections.

  1. Josh Ritter, “Come and Find Me”: Pretty sure most of this song is just a G chord with little variations to keep it interesting.
  2. The Lemonheads, “Into Your Arms”: One of my team teachers loves the Lemonheads (she’s seen them in concert dozens if not hundreds of times) and I learned how to play this song on the guitar for her. It’s a good and simple song.
  3. The Low Millions, “Eleanor”: Did you know Leonard Cohen’s son had a band? And it was this band? And they never put out another album other than the one this song is on? It’s all true.
  4. The Marshall Tucker Band, “Can’t You See”: I’m a sucker for songs with a real simple chord progression, and this one is just D, C, G, D the entire way through. That’s it. No variation, no chorus, nothing but those three chords.
  5. The National, “90-Mile Water Wall”: My favorite part of this early song from the National is that you can hear the lead singer breathing into the microphone if you listen for it.
  6. Neko Case, “Margaret and Pauline”: Such a beautiful song and character sketch. The juxtaposition of the two characters is sad and gorgeous.
  7. Sturgill Simpson, “Keep It Between the Lines”: Part of the album Simpson wrote ostensibly as advice to his newly-born child, this one advises the listener to, “Stay in school/stay off the hard stuff and/keep it’ tween the lines.” Good advice for anyone, really.
  8. Uncle Tupelo, “High Water”: There was a time in graduate school where I became more than a little obsessed with everything even tangentially related to the band Wilco, which included Jeff Tweedy’s original band Uncle Tupelo. This song, from their fourth and final album, is a good indicator of why I liked them so much if not really representative of what they did as a band (think “punk country” or “alt-country,” if you will).
  9. Van Morrison, “Wonderful Remark”: Specifically, the version from the Philosopher’s Stone collection of outtakes and rarities. The original version is awesome, too, though this one somehow feels more striped down without the overwhelming piano of the original (and this one has flute).
  10. Ryan Adams & the Cardinals, “Friends”: Ryan Adams, I think we can all agree, has some problems. Dude is terrible to women and suffers from diarrhea of the recording studio (remember those times he put out three albums in a single calendar year? Yeah, I said times, plural, ’cause he’s done it more than once). But this song, from the double-album Cold Roses (which I still insist would have made one of the finest single albums of his career if he’d just cut some of the fat from the two-disc set), is still one of the best he’s ever written or committed to tape.