the national

Playlist #241

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Happy Monday, folks! I’ve returned from sunny, warm Florida to a much chillier Northern Virginia. But it was a good trip! We relaxed and had a lot of fun, I got to see a friend from college whom I had not seen in over 20 years, and I slept quite a bit. And the Wife’s presentation went over well! Here’s some songs.

  1. MGMT, “Kids”: Yeah, it’s the only song I or probably any of you have ever heard from this band, but it’s a pretty good song. The Wife likes it, at any rate.
  2. Madison Cunningham, “Hospital”: So the album this song is off of won a Grammy for Best Folk Album? But this is very much not folk? Am I missing something? I think I must be missing something.
  3. Eve, “Let Me Blow Ya Mind”: One of our Uber drivers in Florida was bumpin’ a throwback R&B radio station, and this was one of the songs that came up.
  4. George Harrison, “You”: In case your morning needed a little…extra texture (see, this is funny, since the name of the album this song came off of was Extra Texture) (explaining the joke always makes it funnier) (over-explaining the joke makes it even funnier).
  5. Tom Petty & the Heartbreakers, “Insider”: This song just about made me cry yesterday afternoon. Admittedly, I’d had a weird dream featuring my grandmother and hadn’t taken my medication yet, but the fact holds.
  6. The Gorillaz, “Clint Eastwood”: A plinky little Casio cover of this song played over the plane speakers as we were boarding our flight home. The Wife and I looked at each other and immediately felt a million years old. The songs of our youth have become muzak.
  7. The National, “Rylan”: I still just absolutely love the drums for this song. As with most songs by the National, the drums are definitely the best part.
  8. Counting Crows, “Hard Candy”: The twelve-string jangle of this song heals something in my soul every time I hear it.
  9. Jet, “Are You Gonna Be My Girl”: Stomping, rollicking fun with a sleazy guitar riff. Good way to kick off your week.
  10. Traveling Wilburys, “Heading for the Light”: The second Traveling Wilburys song I learned to play (the first was “Handle With Care,” naturally) and a whole lot of fun. I should play that one again.

Playlist #230

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Happy Monday, folks. I’ve been a bit down the past few days, which may or may not have affected my choice in music. Let’s take a look at the playlist and see.

  1. Glen Campbell, “Wichita Lineman”: Heard this song last night and it made me cry.
  2. Counting Crows, “Holiday in Spain”: The saddest song about being on holiday in Spain I’ve ever heard. I would assume being on holiday in Spain is a joyous occasion, not one so somber.
  3. Genesis, “No Reply At All”: One of the most upbeat songs about getting ghosted I’ve ever heard.
  4. case/lang/veirs, “Atomic Number”: How can a song ostensibly about the periodic table feel so sad? There’s just so much longing and loss in this song that I can’t help but love it.
  5. The National, “Afraid Of Everyone”: “You’re an oasis, darling, in my soul soul soul soul” on repeat in my brain for the rest of the day.
  6. Van Morrison, “Not Supposed To Break Down”: A Van cast off that’s better than most bands’ best song.
  7. Spoon, “Everything Hits At Once”: It sure does, It sure does.
  8. Hem, “The Part Where You Let Go”: I love this band. They’re one of my go-tos when I’m feeling down. Very cinematic and widescreen in the best possible ways.
  9. Wilco, “Handshake Drugs”: Four-chord songs are fun to play sometimes. I love playing this one.
  10. The Rolling Stones, “19th Nervous Breakdown”: I dunno if it’s the nineteenth one or not, but I do feel like I narrowly avoided a breakdown last night. Why’s the world so overwhelming right now?

Playlist #229

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Happy Monday, folks! Here’s this week’s playlist:

  1. Genesis, “Just a Job to Do”: The number of songs Phil Collins has written over the years about being a criminal just trying to do a (rather sinister) job is not a huge number, but it’s not a non-zero number, either. Was he secretly a hitman in the 1970s? Only he knows for sure.
  2. Margaret Glaspy, “These Days”: A lovely cover of the old Jackson Browne tune. It’s very sparse and slow, and I kinda dig it.
  3. Bruce Springsteen, “Born in the USA (Electric Nebraska)”: If Bruce had pursued this sound on Born in the USA rather than the athematic, keyboard-heavy style he used, maybe there’d have been fewer misunderstandings about what the song is actually about.
  4. The Cars, “Since You’re Gone”: Oh, 80s drum programming, never change.
  5. Andrew Bird, “Fake Palindromes”: This suprisingly uptempo song is so good, and apparently twenty years old now! Wow.
  6. Earth, Wind & Fire, “September”: No, it’s not the 21st of September, but Monday is the 22nd, so that’s too late. Therefore, have some EWF.
  7. The Shins, “Australia”: Is this song actually about the continent/island/country Australia? If so, what is it trying to tell us about it? I have no idea, but it’s a good song that I haven’t listened to in far too long.
  8. Veruca Salt, “Volcano Girls”: A 90s rock girl explosion of sound and energy, rather like a volcano.
  9. The National, “Terrible Love (Alternate Version)”: Still one of the best songs these guys have ever done, and the best version of the song.
  10. The Mystiqueros, “Good”: Back when I played with the group of musicians up in DC, this was one of the songs they played all the time. It’s a great song if you’ve got a group that can harmonize well.

Playlist #215

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Happy Monday! We’ve finally made it: the last week of school. And not even really a whole week. Just three days with the students and two teacher work days, and it’s all over and done until August, when we start this whole bag of nonsense all over again. Here’s a playlist to count down the hours:

  1. REM, “Everybody Hurts”: I should probably be joyous at the end of the school year, but I mostly find myself exhausted. And thinking about this song a lot. Sometimes all we see are the things and the people we’ve lost. All we see is the loss. But there’s far more to life than that. Remember the good, forget the bad, and always choose love.
  2. Van Morrison, “Only A Dream”: I still tend to think of 2002’s Down the Road as a recent or even new Van Morrison album, even though it’s old enough to drink. But the military march of this song and that beautiful sax solo get me every time.
  3. Stereo MCs, “Connected”: Connection is important. If you stumble, you might fall.
  4. Townes Van Zandt, “If I Needed You”: I’d only ever heard the Andrew Bird cover of this one. Townes’ version is a little rougher, a little simpler, but just as heartfelt.
  5. Counting Crows, “Up All Night (Frankie Miller Goes To Hollywood)”: Wait, am I just going through a depressive episode here? I think I might be. Also, I’ve struggled the past few weeks with getting to bed and sleeping at a reasonable hour. Summer tends to screw up the sleep schedule even further. This could be a problem.
  6. David Gray, “Please Forgive Me”: Okay, we’re just leaning into this now.
  7. Rilo Kiley, “A Better Son/Daughter”: “Sometimes when you’re on/You’re really fuckin’ on” is one of the best lines in music.
  8. Jackson Browne, “Fountain Of Sorrow”: It’s a good story song. I like a good story song.
  9. Jay Farrar, “Feel Free”: I like Jay Farrar’s songwriting, I really do. He’s made some great songs, some great albums, both with Uncle Tupelo and Son Volt and all by his lonesome. What are those songs about? Damned if I know. He’s great, but his writing is rather…elliptical, let’s call it.
  10. The National, “Lemonworld”: If we’re going to put together what is, essentially, a playlist of sad bastard songs, we can’t leave the National off the list. I also like the fact that the little guitar sting – that two chord strum they do in this song – gets used as interstitial music on NPR all the time.

Playlist #192 and #193: M’Shelby Mix Edition

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Happy…Monday? Wait, that can’t be right. Monday? Well, stranger things have happened other than me posting a playlist on time. For instance, today also happens to be my 18th Wedding Anniversary. Yay, our relationship is old enough to vote! Here’s a double playlist of some songs that I think my wife would love. I’ve been curating a playlist for her on my phone for years called M’Shelby Mix, and here’s the latest iteration.

  1. The Pixies, “Wave of Mutilation (UK Surf Mix)”: Probably the definitive version of this particular tune. Slowed down from the original, given a slight air of menace, and just a killer drum beat.
  2. Arcade Fire, “Intervention”: Gotta love the church organ.
  3. AC Newman, “Take On Me”: Newman doesn’t aim for quite the same glass-shattering falsetto in the chorus, but the slowed down, acoustic-driven version he turns in sounds just as good as anything a-ha ever did.
  4. Elliott Smith, “Baby Britain”: Favorite line is a toss-up between “We knocked another couple back/Dead soldiers lined up on the table/Still prepared for an attack/They didn’t know they’d been disabled” and “The light was on but it was dim/Revolver’s been turned over/And now it’s ready once again/The radio was playing “Crimson and Clover.”
  5. The Flaming Lips, “Free Radicals (A Hallucination of the Christmas Skeleton Pleading with a Suicide Bomber)”: A sneering indictment of Bush-era foreign policy.
  6. Rilo Kiley, “Does He Love You?”: A sordid tale of love triangles and whether or not he’d ever really leave his wife for you. Why would he, though?
  7. Phil Collins, “In the Air Tonight”: If there’s a better drum fill in existence, I don’t know about it. Oh, to be able to go back and hear this song for the first time.
  8. The National, “Slow Show”: Probably Michelle’s favorite song by the National. And it’s a banger. I love that guitar chord progression. Wish I could get my voice low enough to actually sing it.
  9. Josh Ritter, “Golden Age of Radio”: We both sing along at the top of our lungs when this song comes on. It might as well be part of our marriage vows.
  10. Iron & Wine, “Such Great Heights”: Postal Service cover done with such delicate heartache and beauty that you forget there’s another version of this song out there.
  11. The Four Tops, “Bernadette”: Shouted backing vocals are always fun.
  12. The Cure, “Just Like Heaven”: Given her adoration of stuff from the ’80s, it should come as no surprise that Michelle loves the Cure. I’ve grown to tolerate most of their stuff, though this song I really do actually enjoy.
  13. Tom Waits, “Hoist That Rag”: What can I say? Michelle likes pirates and pirate songs.
  14. They Might Be Giants, “She’s An Angel”: This song always makes me think of Michelle. I know she digs TMBG, and likes this song, but she said it couldn’t be our song because it’s too one-sided and doesn’t reflect her feelings for me. And, y’know, I get it. But it’s still a song that makes me think of her.
  15. Better Than Ezra, “Rosealia”: Michelle also really digs the ’90s, and especially Better Than Ezra. This one is another sing-along song.
  16. Pearl Jam, “Elderly Woman Behind the Counter in a Small Town”: Acoustic Pearl Jam? More entertaining and worthwhile than you might think!
  17. David Bowie, “Life On Mars”: Did you know he wrote this after Frank Sinatra didn’t accept some lyrics he wrote for “I Did It My Way”? It’s true! It’s why the two songs have such similar chord progressions.
  18. Weezer, “Say It Ain’t So”: Far better than that song about him hitting on a lesbian.
  19. Bruce Springsteen, “Candy’s Room”: Probably Michelle’s favorite Springsteen song. It’s got amazing drums and a beautiful piano line, so I get it.
  20. The Magnetic Fields, “Nothing Matters When We’re Dancing”: This is our song. We eloped and didn’t have a wedding reception, much to our chagrin, but if we did have one, this would’ve been the first song we danced to. We have a poster with the lyrics of it hanging up in our living room.

Playlist #188: Name Dropper

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Happy Monday! It’s December, and the weather over the weekend turned decisively cold. I’m down with it, or would be if our thermostat was working and we could actually turn the heat on. Here’s a list of songs that reference other musicians in the lyrics.

  1. Lynyrd Skynyrd, “Sweet Home Alabama”: “Well I heard Mr. Young sing about her/And I heard ol’ Neil put her down/Well I hope Neil Young will remember/A southern man don’t need him around anyhow.” Obvious digs at Neil Young’s songs “Alabama” and “Southern Man” aside, Young apparently agrees that “Southern Man” in particular maybe took things a little too far.
  2. The National, “So Far Around the Bend”: “You’ve been humming in a daze forever/praying for Pavement to get back together.” Leave it to a band like the National to name check Pavement in a song.
  3. The Replacements, “Alex Chilton”: It’s a whole song about Box Tops and Big Star singer Alex Chilton! And it’s awesome.
  4. The Animals, “Story of Bo Diddley”: Not just about Bo Diddley, but also a brief history of rock and roll and the British Invasion, complete with Beatles and Rolling Stones references. I could do without Eric Burden’s impressions of Bo Diddley and his entourage at the end, though.
  5. Elliott Smith, “Baby Britain”: “The light was on but it was dim/Revolver’s been turned over/And now it’s ready once again/The radio is playing ‘Crimson and Clover.'”
  6. Van Morrison, “Whatever Happened to PJ Proby?”: This one’s a three-for-one: the reference to American songwriter PJ Proby in the title, and further references to “Scott Walker” and “Screaming Lord Sutch”, all bizarre niche musicians from the 1960s.
  7. Counting Crows, “Monkey”: “Got nowhere but home to go/Got Ben Folds on my radio right now,” and now we know how I came to find out about Ben Folds.
  8. Taylor Swift, “The Tortured Poets Department”: While “You’re not Dylan Thomas, I’m not Patti Smith” only references one musician (Dylan Thomas is a poet, not a songwriter, rage against the dying of the light), the song also references Charlie Puth later (“We declared Charlie Puth should be a bigger artist”), and I have it on good authority from my students that Charlie Puth is, indeed, a musician.
  9. Bob Dylan, “I Feel a Change Comin’ On”: “I’m listening to Billy Joe Shaver/And I’m reading James Joyce/Some people tell me/I’ve got the blood of the Lamb in my voice” is just such a perfect Dylan line.
  10. Semisonic, “Gone to the Movies”: “And it covers up the cars/And the Wallflowers CD ended half an hour ago.” This is just such a sad song, largely about the a guy who wants to go out looking for his lady but he can’t or won’t because it’s snowing like crazy out there and his car probably won’t start.

Playlist #185

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It’s a Tuesday, folks. Those’re like Mondays.

  1. Johnny Rivers, “Seventh Son”: I happen to like late ’50s/early ’60s swagger songs like this. “I can heal the sick/Raise the dead/Make the little girls talk out of their heads” is a pretty great claim.
  2. Nathaniel Rateliff & the Night Sweats, “Love Don’t”: This dude can holler, and this song is pretty damn great.
  3. Neko Case, “Hold On, Hold On”: I listened to this album (and especially this song) just about on repeat last week and almost bought a tenor guitar because of it.
  4. The National, “Sorrow”: The band once played this song for over six hours. It’s pretty amazing how the song evolved and shifted over that time.
  5. Billy Bragg & Wilco, “When The Roses Bloom Again”: It’s a fairly standard war story sort of thing, where a dying soldier tells the last person he sees to let his darling know he remained faithful to her, but it still tugs at the heartstrings.
  6. The Mountain Goats, “Going Invisible 2”: With its refrain of “I’m going to burn it all down today/Down today, okay?”, this song might just be my anthem for the month.
  7. Big Red Machine, “Phoenix (feat. Fleet Foxes and Anias Mitchell)”: A bouncy, folky burst of pop that offers a moment of respite in an otherwise gloomy world.
  8. Bone Thugs-n-Harmony, “Home”: It takes chutzpah to sample Phil Collins, and even more to feature him prominently in the accompanying video, but it really works.
  9. Tom Waits, “Chocolate Jesus”: Not just for Easter anymore.
  10. James McMurtry, “Just Us Kids”: The older I get, the less I feel like I have everything in my life together. I get the feeling this was uncommon even a generation ago, but feels very common today. Why is that?

Playlist #184: Election Day

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Happy Monday, folks. Tomorrow is the day here in the United States: Election Day. Have you voted yet? You ought to. I’d tell you who I voted for and who I think you should vote for, but that seems crass. Besides, if you’ve talked with me or seen my comics from the past decade or so, you can probably guess how I voted. Anyway, here’s a playlist of songs to encourage you to vote!

  1. Radiohead, “Electioneering”: I definitely expect some shenanigans from at least one side of the aisle this year.
  2. Billy Bragg & Wilco, “Christ for President”: Could there be a better man for the job? No, there could not. Would be flip some tables? You bet your ass.
  3. The National, “Mr. November”: I kinda hoped they’d release an updated version of this called “Mrs. November” this year. Alas, it was not to be so.
  4. Molly Lewis, “Pantsuit Sasquatch”: An ode to former candidate Hillary Clinton, who after the 2016 election fucked off into the woods like the mythical Bigfoot, only wearing a pantsuit.
  5. Toad the Wet Sprocket, “Old Habits Die Hard”: I know this election cycle has flipped a lot of voters from one party to the other, or at least away from one slightly orangish candidate.
  6. The Byrds, “I Wanna Grow Up To Be A Politician”: No, guys, you really don’t.
  7. The Doubleclicks, “President Snakes, Part 1”: A president who is nothing but a bunch of snakes? Wouldn’t be the worst we’ve dealt with.
  8. Drive-By Truckers, “The President’s Penis Is Missing”: It very well might be, guys. It very well might be.
  9. Over the Rhine, “If A Song Could Be President”: I find it amusing that they name check Neil Young in this song, a famously Canadian songwriter.
  10. The Presidents of the United States of America, “Lump”: Like I wasn’t going to include a song from this band.

Playlist #171

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Happy Tuesday, folks! I’m back from Florida, and just in time if the weather is anything to go by. We had a lot of fun at Disney World, and I built me a lightsaber. Yes, I am a giant geek. Anyway, here’s a list of songs.

  1. Bikini Kill, “Rebel Girl”: I want to be in a band that plays this song live. It’s just so much fun.
  2. The National, “I Need My Girl”: I just love the guitar riff in this song. The whole song is just gorgeous and moody and perfect.
  3. Blondie, “Dreaming”: I always forget that Blondie were capable of this driving, powerful sort of song, not that disco-glammy “Heart of Glass” stuff all the time.
  4. Jack Johnson, “Flake”: When you leave the beach, but the beach don’t leave you.
  5. Extreme, “Hole Hearted”: The story is that the guitarist just got a 12-string acoustic and took it with him to the bathroom. When he came out, he’d written the chord structure for this song, and they did a quick demo of it that turned out better than any actual recording attempt they tried at a later date, so the version you hear on the album is that demo version. Wild.
  6. Soundgarden, “Burden in my Hand”: I heard this song about a half dozen times on Sirius XM over the course of a few weeks, so it’s stuck in my head. I dig it.
  7. Waxahatchee, “War”: I love how simple yet complex her songs are.
  8. U2, “Atomic City”: The chorus sounds almost note-for-note like “Call Me.” It’s weird.
  9. Echosmith, “Cool Kids”: I was not one of the cool kids in school. Ever. No one ever thought I was cool. My wife makes the argument that she thinks I’m cool now, but I know I’m even lamer now than I was back then. See previous statement about building a lightsaber at Disney World.
  10. Electric Light Orchestra, “So Serious”: Sure, by this point in the band’s history, they were really just ELO, there were no strings (except for the guitars, natch), and it’s mostly just Jeff Lynne accompanied by Jeff Lynne and Jeff Lynne, but the dude could write damn catchy songs.

Playlist #157

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Happy Monday, folks! I hope everyone is doing well, and that folks out in Oklahoma weren’t hit too hard by all that weather over the weekend. It looks like the city of Sulphur got beaten up pretty badly, though.

  1. Uncle Tupelo, “Steal the Crumbs”: Went through an Uncle Tupelo kick late last week, especially their final record, Anodyne. Such a good album, and Jeff Tweedy really starts to find his voice as a songwriter. But Jay Farrar is still the frontman of this band, and this song is a good example of why.
  2. Simon & Garfunkel, “Kathy’s Song”: I’m constantly amazed by what these two could do with just their voices and a single acoustic guitar.
  3. Bob Dylan, “Seven Curses”: A simple tale of a horse thief condemned to death and his daughter, whose only path to freeing him is to sleep with the crooked, sleezy judge. Who, of course, does not free her father, but has him hanged instead. She puts one hell of a curse on him for it, too: “That one doctor cannot save him/That two healers cannot heal him/And that three eyes cannot see him/That four ears cannot hear him/That five walls cannot hide him/That six diggers cannot bury him/And that seven deaths shall never kill him.”
  4. Glen Phillips, “Train Wreck”: Glen Phillips sometimes comes across as a master of songs that are depressing as all hell and very, very bittersweet.
  5. The Head and the Heart, “Rivers and Roads”: The harmonies on this one are pretty nice.
  6. Jackson Browne, “Fountains of Sorrow”: Another one of those bittersweet songs about loss of love and innocence that just feels like a nostalgic gut punch.
  7. Moxy Fruvous, “My Poor Generation”: I always wish these guys had gotten just a little bigger, had stayed together just a little bit longer, and maybe released another album or two. It was awful, coming in right at the end of their time together, getting to hear all the cool stuff they’d done and slowly realizing that, hey, that’s it, there will be no more.
  8. REM, “Sweetness Follows”: I could not for the life of me tell you what this song is about, though it always feels like an elegy to me.
  9. The National, “Lucky You”: Probably the first great song written by these guys. It’s perfect, no notes.
  10. John Prine, “The Late John Garfield Blues”: Damn, but this man wrote simple songs about complicated things. Or maybe complicated songs about simple things? A little of both?