Playlist #228

Happy Monday, folks! Another week, another batch of tunes to get you started on the right foot.

  1. Hurray for the Riff Raff, “Alibi”: The ease with they toss off song after beautiful song never fails to impress me.
  2. Van Morrison, “Domino”: There are few performers alive who have as much energy as Van when he’s on.
  3. The Wallflowers, “Nearly Beloved”: Reckless runaway rhythm. This song always feels like it’s just on the verge of falling apart to me.
  4. Lord Huron, “Fool For Love”: A long-lost Springsteen song with more reverb than is strictly called for? Could be.
  5. Statler Brothers, “Flowers on the Wall”: Who doesn’t want to be smokin’ cigarettes and watchin’ Captain Kangaroo?
  6. Michgander, “Important (with Taylor Goldsmith)”: A beautiful piano ballad. I’ve loved everything this guy’s done.
  7. Leonard Cohen, “Anthem”: I’ve been thinking of Leonard Cohen songs all weekend. Dunno why. This one remains one of my absolute favorites, though.
  8. Stone Temple Pilots, “Interstate Love Song”: If you’re listening to this song while driving down the highway and suddenly find yourself doing 90 mph, don’t be surprised.
  9. Supertramp, “Goodbye Stranger”: Rick Davies, leader of the band Supertramp and singer of most of their hit songs, died over the weekend. I always enjoyed Supertramp. Stupid name, great band.
  10. Josh Ritter, “Galahad”: For some reason, I always imagine this song is about the Monty Python and the Holy Grail Sir Galahad, and it cracks me up.

Playlist #224

Happy Monday, folks. We’re up bright and early today because it’s the first day of teacher in-service week, when they see if they can crush the desire to teach out of us via the medium of meetings. We’ll see if they succeed this year or not.

  1. The Wallflowers, “Some Flowers Bloom Dead”: One of the first Wallflowers songs I tried to learn (after “One Headlight,” of course). The chords are easy enough, as I recall, though I don’t think I ever sang it very well. That has never stopped me from singing a song, though.
  2. Neil Young, “Harvest Moon”: Speaking of songs I don’t sing well, I kinda love this one. It’s a simple love song, but it just sounds so beautiful.
  3. Fleetwood Mac, “Seven Wonders”: ’80s Mac just hits different.
  4. Glen Phillips, “Men Just Leave”: I still love how stripped down and countryish that first Glen Phillips solo album is. Even almost 25 years later, it’s still very immediate and evocative.
  5. Van Morrison, “Once In A Blue Moon”: Mid-2000s Van is a strange beast, taking elements from all the other versions of him that are out there and amalgamating them into something that still feels relevant, joyful, and vital.
  6. The Raconteurs, “Carolina Drama”: Sometimes you’re the preacher man, and sometimes you’re the milkman.
  7. The Band, “Acadian Driftwood”: It’s always interesting hearing about the treatment of Native Americans/Indigenous Americans/First People (depending on where and who you are) in places like Canada, though a lot of it still boils down to, “Same shit, different government.”
  8. Wilco, “Summer Teeth”: A perfect encapsulation of the wanning days of summer.
  9. Old 97s, “Every Night Is Friday Night (Without You)”: Gotta love a shout-along song from these guys. It’s always fun.
  10. The Decemberists, “Sons & Daughters”: It’s so rare that you hear a song sung in the round in this day and age, but they manage to pull it off.

Playlist #221

Happy Monday, folks! After several days of our upstairs neighbors sounding like they were trying to slam their way through the floor into our bedroom (but probably just redoing their flooring, I think), things have quietened down around here, just in time for the wee lad Donovan to come visit. Here’s a playlist.

  1. Queens of the Stone Age, “No One Knows”: Is this the heavy week of songs? ‘Cause this is a pretty heavy song. Kicks some ass. Makes me wish I owned a motorcycle and I could drive it 100 mph down the highway without a helmet on.
  2. Godsmack, “Voodoo”: Yeah, it’s the heavy week! They don’t even say the title of the song until near the very end, but that chorus just rocks.
  3. Lord Huron, “Bag of Bones”: Okay, so maybe calling this “the heavy week” is a bit of a stretch, since this song is pretty hazy and Americana-y. I do like it a lot, though.
  4. Southern Culture on the Skids, “Voodoo Cadillac”: The Regular Joes (Uncle Randy’s old band) used to play this one at their shows, and I’ve always dug it.
  5. The Wallflowers, “Move The River”: I know my brother doesn’t really consider the album this is from to really be a real Wallflowers album, what with it really only featuring Jakob Dylan from among all the folks who’ve ever been in the band, but I still like it.
  6. Matthew Sweet, “Girlfriend”: I always expect the drums to be a fuller, heavier presence in this song than they are, but it’s still a damn good song.
  7. Mike Doughty, “Fort Hood”: Best use of the “Age of Aquarius/Let the Sunshine In” chorus that I’ve ever heard.
  8. Jimmy Eat World, “The Middle”: Such a hopeful, upbeat song.
  9. Jason Isbell, “24 Frames”: Such a fuckin’ downer. Also, this album came out ten years ago? It feels like it’s always existed, and Isbell just conjured it into the physical realm.
  10. They Might Be Giants, “Kiss Me, Son of God”: Hey, I can’t help it if everyone thinks I look like Jesus and mistakes me for His second coming. That’s just a side effect of this beard, man.

Playlist #218

Happy Monday, folks! Summer proceeds apace, and we have air conditioning again, thank God. I was not doing well in those higher temperatures we were experiencing last week, let me tell you. Anyway, here’s some songs.

  1. Bruce Springsteen, “Shut Out the Light”: Been slowly working my way through Tracks II the past few days, and I know it’s cliche at this point but holy crap, Bruce throws out entire albums he’s not completely satisfied with? Which makes me wonder what possessed him to release High Hopes (zing!).
  2. Wilco, “Hell is Chrome (Live)”: A new live Wilco set just dropped, but most of what it did was remind me that I really do not remember many Wilco songs after about Sky Blue Sky. These are good songs, expertly performed, but they all feel pretty damn ephemeral to me, just background noise as I go about my day. This song, from A Ghost is Born, still slaps, though.
  3. James McMurtry, “South Texas Lawman”: A new James McMurtry album is a cause for celebration. He does one about 9/11 and W on here, and even though that’s only about a quarter century late it still feels entirely too relevant given the current tensions in the Middle East with another country whose name starts with an “I.” But that’s not this song. This is a country rocker about a lawman who wants to retire to the beach.
  4. Murder by Death, “Believe”: These guys just hit that dopamine button in my brain and make me wanna pick up my guitar and just strum the hell out of a couple of songs.
  5. Better Than Ezra, “Desperately Wanting”: There’s more to this song than the chorus, but all you really want to sing is the chorus part. The band gets that. They keep the verses short.
  6. Adeem the Artist, “Cowards Together”: I wish more country artists had the guts to be as open about who they are as Adeem the Artist, the cast-iron pansexual who pens such beautiful songs about not wanting to fight.
  7. The Wallflowers, “It’s A Dream”: My brother dismisses Glad All Over as “the Wallflowers just trying to sound like the Clash, but we’ve already got the Clash at home,” but I think it plays enough with the usual Wallflowers formula to keep them fresh and interesting and it’s still one of my go-to driving albums.
  8. Jack Johnson, “Taylor”: I remember, back in college, hearing a solo acoustic demo of this song around the time his debut, Brushfire Fairytales, came out, and I loved it. The version included on On and On is still plenty good, mind you, but I’ve been sorely tempted to go digging and see if I can find that original version again.
  9. Counting Crows, “Untitled (Love Song)”: “Throw your arms around my neck” is actually a pretty good chorus, actually.
  10. Aimee Mann, “Columbus Avenue”: Aimee Mann makes me nostalgic for college. Not because I listened to her stuff in college – I was stick pretty deep in the Bob Dylan thing back then – but just the tone of it seems to evoke a nostalgia in me, and when I feel nostalgic, that’s the time I think of. I feel like I could walk the streets of Clarksville at midnight with this song on repeat on the discman and all would be, if not quite right with the world, at least bearable and acceptable.

Playlist #181

Wednesdays are the new Mondays, baby!

  1. Redbone, “Wevoka”: Monday was Indigenous People’s Day, after all, so what better way to kick off our playlist for this week than a song from the Native American rock band Redbone?
  2. Stevie Nicks, “The Lighthouse”: If you told me that, in her late 70s, Stevie Nicks would release a maximalist pop song supporting women’s rights just weeks before the 2024 presidential election, I’d have said that…sounds about right, actually.
  3. Juan Luis Guerra, “Ojala Que Lluave Cafe”: A Dominican Republic singer-songwriter writes about only being able to move home if it starts raining rice and coffee. It’s a beautiful, heartbreaking song that includes a children’s choir.
  4. Teddy Swims, “Lose Control”: This man’s got some pipes. There’s something about the big white guy with face tattoos who can really belt that I kinda dig.
  5. Tom Petty, “Won’t Back Down”: I’ve been immersing myself in Tom Petty again lately. This song will still remain long after America is a distant dream in some ancient textbook.
  6. Adele, “Rolling in the Deep”: Is it a four-chord pop song? Yes. Does Adele just whip ass at singing the hell out of it anyway? Oh my, yes.
  7. Soundgarden, “Black Hole Sun”: My favorite part of this song is the guy who does the backing vocals singing, “Black hole sun, black hole sun!” in the background towards the end of the song. I don’t know why, but the guy’s tone just cracks me up every single time.
  8. Bruce Springsteen, “Atlantic City”: Nebraska remains my undisputed favorite Springsteen album. Sure, it’s very spare and stark, but I kinda like that about it, and the way he plays the guitar on some of them – like “Atlantic City,” for instance – fills in the corners of the song in a way that make a full band treatment absolutely unnecessary.
  9. Paul McCartney, “My Brave Face”: No idea why McCartney wrote a song about trying to get back on the horse after a divorce while he was still married to and deeply in love with Linda, but it’s a decent one.
  10. The Wallflowers, “Sleepwalker”: Did they ever write a better song than this? I don’t think they did.

Playlists #164, #165, and #166

As you read this, I’m somewhere between Virginia and Oklahoma, headed back to the land of my birth for my grandfather’s funeral. He passed away this weekend, and it’s kinda left me gutted. I’m glad I got to see him over Father’s Day weekend, and that he was in good spirits at the time. It’ll be nice to remember him that way.

Anyway, I’m combining three playlists into one today, because I’m behind a bit and I put together a big playlist to get me to Oklahoma. Here’s thirty songs.

  1. David Gray, “A Clean Pair of Eyes”: Early David Gray just hits different. It’s folkier, more acoustic, and very introspective. I dig it.
  2. Louis Armstrong, “Mack the Knife”: There is no better moment in music than when Louis throws it to himself for the trumpet solo at the end.
  3. Bing Crosby, “Swinging on a Star”: One of the best songs about the importance of education ever committed to tape.
  4. Ryan Adams, “Desire”: Yeah, the guy has diarrhea of the recording studio, and some of the crap he’s pulled over the years is rather reprehensible, but he does occasionally write and record good tunes.
  5. Mavis Staples, “Eyes on the Prize”: Leave it to Mavis to turn a Civil Rights Standard into a bluesy banger.
  6. Greg Feldon, “Incoming”: On one of my (many) recent trips back from Oklahoma, I spent the better part of a day driving up I-81 listening to this song on repeat until I had it memorized. It’s a good song.
  7. The Rolling Stones, “Honky Tonk Women”: Poor Mick just can’t even have an easy one night stand, can he?
  8. James McMurtry, “Choctaw Bingo”: It’s something of a standard “driving to Oklahoma” song for me at this point. It pops up on lots of playlists, because it’s a good song and it’s kinda long.
  9. Mark Knopfler, “Cannibals”: There are no cannibals anymore, are there, Mark? I think some folsk would beg to differ with a knife and fork, sir.
  10. Rilo Kiley, “More Adventurous”: Such a beautiful, forlorn sort of song. I’ve always loved it.
  11. Big Red Machine, “Renegade (feat. Taylor Swift)”: I’d be okay with Justin Vernon and Taylor Swift doing more duets for the next decade or so if they’re up for it.
  12. Ben Caplan, “Down to the River”: Did you know you needed more klezmer-inflected folk music in your life before you heard this song? Because I didn’t, but I obvious do need more of that in my life.
  13. Hank Williams, “Honky Tonk Blues”: This man knew from hard living, not that you’d know it from his songs necessarily. If he were alive today, he’d put the rest of the country music scene to shame, I’m pretty sure.
  14. The Mountain Goats, “Training Montage”: An amazing song if for nothing else than the line, “I’m doing this for revenge.”
  15. Neil Young, “Downtown”: I do enjoy it when Neil, the godfather of grunge, rocks out with Pearl Jam in tow. It’s a good time.
  16. Van Morrison, “Give Me a Kiss”: Old school Van was always top notch, as this song proves.
  17. The Wallflowers, “Misfits and Lovers (feat. Mick Jones)”: If you’re gonna do an album that sounds heavily indebted to the Clash, it’s probably a damn good idea to get a member of the Clash to guest on it.
  18. Tom Waits, “Chocolate Jesus”: Sacrilicious.
  19. Tom Petty & the Heartbreakers, “Angel Dream”: Can we talk for a minute about the run Tom Petty had between 1987 and 1999? He released Full Moon Fever, Into the Great Wide Open, Wildflowers, the She’s the One Soundtrack, and Echo, all bangers. All classics. Name me band in the past thirty-five years that’s had a string of records that good.
  20. Toad the Wet Sprocket, “Are We Afraid”: A quieter, more reflective moment from their odds & sods collection In Light Syrup.
  21. Pearl Jam, “Better Man”: I think I mentioned a few weeks ago how the Seven Mary Three song “Water’s Edge” is just a 90s rewrite of Richard Marx’s “Hazard,” and this song is just a rewrite of the final verse of Bob Seger’s “The Fire Inside.”
  22. Peter Gabriel, “Washing of the Water”: How does this man create such consistently interesting and provocative music? It’s wild.
  23. Paul McCartney & Elvis Costello, “My Brave Face (Original Demo)”: Two great tastes that taste great together, as it turns out. Elvis brought out the sharper side of McCartney (for a given value of sharper, since McCartney long ago filed off everything to smooth edges).
  24. Drive-By Truckers, “Everybody Needs Love”: An anthem for our time. Everybody does need love.
  25. Descendents, “‘Merican”: Another anthem for our time, this time about the true history of our country and how some folks just don’t want to see everything.
  26. The Dead Weather, “Hustle and Cuss”: It’s nice to see a Jack White project where he kind of takes a backseat to the proceedings, mostly just playing the drums and occasionally singing (like on this track).
  27. David Bowie, “Modern Love”: Dance-pop-era Bowie usually isn’t my favorite, but this song rocks.
  28. Calexico, “Guero Canelo”: Do I understand a word in this song? No. Does it still slap? Yes.
  29. Bob Dylan, “Song For Woody”: Another appropriate “traveling to Oklahoma” song. Woody is a state treasure, or damn well ought to be.
  30. Creedence Clearwater Revival, “Someday Never Comes”: One of the saddest songs that John Fogerty ever wrote, if you want my opinion. It’s dark and bittersweet and sad and longing, and it hits in just that right spot every time.

Playlist #161

Tuesdays are the new Mondays, am I right? Whatever. I was hanging out with my mom yesterday, on the rare opportunity to have a family member from Oklahoma out in my neck of the woods, so today is the day for the playlist.

  1. Drive-By Truckers, “Marry Me”: It’s so rare to hear a joyous, happy song from these guys, and this one stands as one of my favorites.
  2. Soul Asylum, “Runaway Train”: On the list “90s Songs I Love to Play But Really Can’t Sing,” this one is near the top. It’s a great, song, though.
  3. Counting Crows, “Rain King”: Speaking of songs from the 90s that I love, this one never fails to get the blood pumping and me singing along. I also end up doing at least 20 over the speed limit whenever it’s on in the car, which might be a problem.
  4. Tom Petty & the Heartbreakers, “Have Love Will Travel”: On the long list of Tom Petty albums that I own and love, The Last DJ ranks pretty low (okay, at the very bottom). A recent re-listen just confirms that, while there are a few gems tucked away (the title track, “Dreamville,” “Like a Diamond,” and this particular song), it’s mostly best left forgotten as the concept album that couldn’t.
  5. Fleetwood Mac, “Little Lies”: One of the few Fleetwood Mac songs my wife can even stand. I, of course, like most everything they’ve done.
  6. The Wallflowers, “Bleeders”: I mostly just love the little organ flourish that starts this song off, and want to someday start a song of my own that way.
  7. Fiona Apple, “Criminal”: I also someday want to work in some Fiona Apple-style piano in a song. I have a long list of things I want to borrow and reappropriate from other musicians, as it turns out. All art is love and theft.
  8. Paolo Nutini, “Let Me Down Easy”: I oughta sue this guy for stealing my song title. And I know mentioning him will only bring my brother out of the woodwork to talk about how much of a dick the guy apparently is.
  9. Andrew Bird Trio, “Caravan”: Sadly, not the Van Morrison song, but an old jazz standard, apparently? I would love to hear Andrew Bird sing some Van. Give me that cover album, dammit.
  10. Nirvana, “Lithium”: With our use of Sirius XM in the car nowadays, we’ve spent a lot of time listening to the 90s grunge/alternative station, Lithium. They only play the Nirvana song of the same name about once a day, though.

Playlist #107

It’s yet another Monday, yet another playlist. A rather lowkey playlist for the week, given how lowkey I’m feeling this week.

  1. The National, “Start A War”: NPR sometimes uses a short snippet from this song as a bumper sometimes. They did it this morning, so now this song is stuck in my head. This is not a bad thing.
  2. Neko Case, “Maybe Sparrow”: At some point, I’m pretty sure I’ll have included every song from Fox Confessor Brings The Flood on a playlist. This just puts us one step closer to that eventuality.
  3. The New Pornographers, “Sweet Talk, Sweet Talk”: Two Neko-sung songs, back to back? Surely I didn’t do that on purpose.
  4. Wilco, “I Might”: Been giving later-career Wilco a chance lately, and I’ve been pleasantly surprised with the quality of the musicianship.
  5. The Wallflowers, “Up From Under”: Breach is still probably the best Wallflowers album.
  6. Michael Stipe & Big Red Machine, “No Time For Love Like Now”: The song title reminds me of something from 30 Rock, which makes me giggle uncontrollably.
  7. Fastball, “Out Of My Head”: It’s everyone’s second-favorite song by a band named after a porno!
  8. Fleetwood Mac, “Everywhere”: Christine McVie was an underrated songwriter, I feel, and never got enough credit for her songs in Fleetwood Mac. This one’s a perfect latter-day example of her craft.
  9. Gillian Welch & David Rawlins, “Jackson”: I sometimes wish Gillian Welch would loosen up and sound like she’s actually having fun playing music. Playing is so much fun, I think. But I guess when you’re in the vanguard of gatekeeping a traditional music structure/style, you feel like you can’t ever let your guard down.
  10. Greg Brown, “Someday When We’re Both Alone”: This dude’s voice just gets me every time.

Playlist #99: Elvis Has Left the Building…

No, don’t worry, I haven’t lost my mind and finally made an all-Elvis playlist. No, this is a playlist all about rooms and buildings. It goes rather like this:

  1. John Hartford, “In Tall Buildings”: A rumination on giving up the wild, carefree days of youth to go work in tall buildings downtown. It’s sad and thoughtful and a little bit rueful.
  2. Counting Crows, “Perfect Blue Buildings”: “I wanna get me a little oblivion,” Adam Duritz sings. I think we could all use a bit of oblivion. Or at least a nice nap in a perfect blue building.
  3. Crosby, Stills, Nash, & Young, “Our House”: Why are the two cats out in the yard? They’ll decimate the bird population! Is that what you want, guys? Huh?
  4. The Wallflowers, “I Am A Building”: Being the son of Bob Dylan must be hard. I’m pretty sure that’s why Jakob Dylan tried being a building for a while in the early ’00s.
  5. The Commodores, “Brick House”: She is mighty mighty.
  6. XTC, “No Thugs In Our House”: This seems like a reasonable thing to expect. Little Graham better be on his best damn behavior, that’s all I’m saying.
  7. The White Stripes, “Hotel Yorba”: Did you know you can still write a song that’s just G, C, and D? Jack White knows!
  8. Traveling Wilburys, “Poor House”: If there’s a song that’s more fun to play in a pickin’ circle, I don’t know it.
  9. Tom Petty, “The Apartment Song”: I, too, used to live in a two-room apartment where the neighbors were knocking on my walls. Tom Petty is the Everyman.
  10. Bruce Springsteen, “Mansion On A Hill”: However, I never lived in a mansion, hill-based or otherwise. So much for this man of the people!

Tune in next week, when I’ll do something completely different for Playlist #100!

Playlist #87

Happy Boxing Day! Here’s your latest playlist.

  1. Lil Nas X, “Old Town Road (featuring Billy Ray Cyrus)”: No, I don’t understand what bizarre deal with the devil Lil Nas X made, but this song is so earwormy that Chekov twitches when he hears it. That was a Star Trek reference, yo.
  2. Billie Ellish, “bad guy”: I’ve heard many, many great things about Billie Ellish, and I’ve tried on more than a few occasions to listen to and even enjoy her stuff. I can listen to it, but I’m not still not quite sure I can enjoy it. It’s just not for me. And that’s okay. It takes all sorts of music or all sorts of folks.
  3. The Crazy World of Arthur Brown, “Fire”: “I am the god of hellfire, and I bring you fire.” That’s how the song begins. The guy who sings it wears a headdress thingie that is also lit on fire. It’s crazy, and the song has a great organ hook, but it’s far less weird than that intro suggests.
  4. The Thorns, “Blue”: A “supergroup” (for lack of a better term) made up of Matthew Sweet, Shawn Mullins (that “Lullaby” guy), and Pete Droge, covering a song by the Jayhawks. The harmonies are pretty great.
  5. Bob Dylan, “Isis (Live)”: I kinda always loved this song, This live version (from the Bootleg Series, Volume 5) is even better than the studio version.
  6. Simon & Garfunkel, “America”: Just a beautiful song.
  7. Stroke 9, “Little Black Backpack”: One of those late 90s one hit wonder types that’s a lot of fun.
  8. Third Eye Blind, “Jumper”: One of the more upbeat songs about trying to talk someone down off the ledge.
  9. Vance Joy, “Riptide”: I still don’t know if the main rhythm instrument is some type of guitar or a mandolin or a ukulele or what, but I like it.
  10. The Wallflowers, “Back to California”: Rebel, Sweetheart is still one of my favorite Wallflowers albums.