Playlist #26 – Spooooooky Tunes

Happy Monday, folks! As you probably known, this coming Sunday is Halloween, so for this week’s playlist I’ve put together songs from (mostly) 90s horror and Halloweenish movie soundtracks! I mostly wanted an excuse to put Toad the Wet Sprocket’s cover of “Hey Bulldog” on a playlist.

  1. Toad the Wet Sprocket, “Hey Bulldog”: From the I Know What You Did Last Summer soundtrack. Who doesn’t love a good Beatles cover?
  2. Nick Cave & the Bad Seeds, “Red Right Hand”: From the Scream soundtrack. Who doesn’t love a song about the devil?
  3. D Generation, “Helpless”: From The Faculty soundtrack. This was the band Jesse Malin was in before he went solo. They’re very punk and snarly and sneering. It’s fun, but it’s not a Neil Young cover.
  4. Stevie Ray Vaughn & Double Trouble, “Willie the Wimp (And His Cadillac Coffin)”: From the From Dusk Till Dawn soundtrack. Vampires and Texas electric blues go together better than you’d think.
  5. Nine Inch Nails, “Dead Souls”: From The Crow soundtrack. Part of the impetus for this playlist was just a glut of fantastic 90s soundtracks. This one is more specific than it could’ve been, since I could have added stuff from Empire Records, or Reality Bites, or any other seminal Gen-X soundtrack.
  6. Stabbing Westward, “Torn Apart”: From the Spawn soundtrack. Y’know what’s super-nineties? Spawn. Like, the comic, the movie, the whole thing. So 90s.
  7. Danny Elfman, “What’s This?”: From The Nightmare Before Christmas soundtrack. It’s classic Danny Elfman from a movie that, I’m ashamed to admit, I’ve never actually seen.
  8. Roger Daltrey, “Don’t Let The Sun Go Down On Me”: From The Lost Boys soundtrack. Now, this one is a bit of a cheat, since The Lost Boys came out in 1987, but it’s Roger Daltrey and it’s my playlist, so deal with it.
  9. The Wallflowers, “Heroes”: From the Godzilla soundtrack. Soundtracks in the 90s were often an opportunity for a band to play cover songs. This isn’t the best David Bowie cover out there, but it is pretty solid.
  10. Heather Nova, “I Have The Touch”: From The Craft soundtrack. Who doesn’t love a Peter Gabriel cover? No one, that’s who.

Playlist #4

The end of the school year is fast approaching. Here’s some songs to ride out this week:

1. The Pixies, “Where Is My Mind”: The Wife loves the Pixies. I’m pretty okay with them most of the time.

2. Toad the Wet Sprocket, “Inside”: Most ridiculous name for a band ever? It’s definitely in the top ten. Awesome song? Also definitely.

3. 2Pac, “Keep Ya Head Up”: Uplifting rap about respect for women. A good ‘un.

4. XTC, “Stupidly Happy”: It’s a goofy song that I just love to pieces.

5. William Elliott Whitmore, “Diggin’ My Grave”: This guy does more with a banjo and a stomp box than most bands do with a full ensemble. He also sounds like he’s had a few packs of cigarettes too many.

6. Traffic, “The Low Spark of High-Heeled Boys”: If there’s a stinker on the list this week, it’s probably this song. It’s too long and pretty repetitive. The only reason I put it on is because I read that one of the Mussel Shoals Rhythm Section (who play on the album this is from) passed away this weekend.

7. Tom Waits,”Sixteen Shells from a Thirty-Ought Six”: If there’s a more sinister line than “I’m gonna whittle you into kindlin’,” I don’t think I’ve heard it.

8. Tom Lehrer, “Poisoning Pigeons in the Park”: First heard it many years ago on the Dr. Demento Show, and the tune holds up. Can’t help giggling every time I get to the line, “And maybe we’ll do in a squirrel or two.”

9. Tennessee Ernie Ford, “Sixteen Tons”: Sure, it’s predominantly about how awful the blue collar worker’s life is, but there’s also that verse about how you shouldn’t mess with him because he’ll kill you. And that’s pretty baller.

10. Filter, “Take a Picture”: For about two months during my freshman year of college, I was completely obsessed with this song. I even bought the CD that it was on (this is what we had to do back before you could just download whatever songs you wanted onto your phone, back in the distant 1990s). It was…not at all like the rest of the album.