I was sick over the weekend and the beginning of this week, which means I got a whole lot of nothing written (well, I wrote exactly two things: a one-liner for Miss Typewell that I like, and a couple lines of what will eventually be a song).
But I was busy last week! During my downtime (mostly lunch time), I did a second draft of Book 3 of Eddie Hazzard’s adventures. In the process of polishing things and making sure it all made sense and wasn’t absolute crap (jury is still out on all that; it needs to go to my beta readers next), I added about 2,000 words to its length. My stuff tends to be short; this book currently clocks in at about 55,000 words. Book 2 is a little over 60,000, and Book 1 was around 56,000. But I believe in getting in there, getting the story told, and getting out. I don’t need to describe every single brick of every single building. This ain’t Tolkien. Could I expand things, make the story longer or add in more detail? Sure, I could probably do those things. But I like economic storytelling. I like stories that can be read quickly. So that’s the sort of stories I write.
Sometime in the next few months, it’ll go out to my beta readers for their opinions and perspectives. I trust them; the two ladies who’ve beta read my other books have offered excellent advice and suggestions. Then, I’ll make a few tweaks based on their feedback and find an editor to pick through it. With any luck, I should have the book ready to publish by early next year.
I’ll probably start doing the next draft of Book 4 in the next few weeks. It needs more work than the earlier books did; of everything I’ve written, it’s the one I’m least-confident in (it’s also technically the second full-length novel I wrote; it’s gone through two massive rewrites since the first draft back in, like, 2013). With any luck, that one will be off to the beta readers before the end of the year.
One of the things I’ve noticed about successful self-publishing authors (from this Facebook group I’m in) is that they’re constantly working on multiple projects at once. They’ve always got things in various stages of completion. I need to do that to capitalize on any momentum I might end up generating with one of my books. Sure, the first book hasn’t really sold well (or at all, to be completely honest), but that’s okay. It’s the first one. I have to build the audience and bring in the readers over time. Eventually, they’ll be there. The sales will be there. I’m mostly doing all of this for fun. It’d be nice to recoup expenses (good editing services are not cheap), but I’m mostly doing this because I love telling stories. That’s not going to change anytime soon.