About a year ago, I reviewed Steen Jones’s debut novel, The Door Keeper. There was a lot to love about it: the characters were great, the plot was tight, and the story kept me engaged from the very first line. So I was pretty excited when, a few weeks ago, she released the sequel with little-to-no-fanfare.
The new book, The Lost Door, picks up seven years after the end of The Door Keeper. Life for Eden and her family – both the one she’s made for herself on Earth and the one she rediscovered in the first book on the world of Caelum – is good.
Then mysterious things start to happen with the doors, and Eden rushes off to solve the mystery. Instead, she’s kidnapped by a new foe who wants to use her unique gifts to open up other worlds to allow him to conquer them. Together with her family – especially her daughter, Gabby, who discovers her own gifts this time around – Eden must protect the doors and save the day.
I’m not doing the plot justice. It’s both more complex and much simpler than how I’d describing it. Steen Jones remains an excellent plotter; the action comes quickly but isn’t rushed, and the only lulls in the action are of the “calm before the storm” variety.
Steen splits the first-person point of view between Eden, the protagonist from the first book, and her daughter Gabby. Both characters have distinctive, separate voices, and the trading off of POV doesn’t distract as it can often do. It’s never easy to pull off the multiple POV trick, but it’s to Steen Jones’s credit that she makes it look effortless.
In addition to the main characters carried over from the first novel, there’s a whole host of new protagonists and a new antagonist. Steen manages to set up the new antagonist, Aslek, as both a sympathetic individual and an evil, dastardly villain. She walks a fine line, but sticks the landing on it. I was a bit surprised when his character seemed to disappear about halfway through the book, to be replaced by a secondary antagonist left over from the first book, but Aslek does manage to loom over the proceedings despite receiving very little actual time in front of the reader.
I do have a few points of criticism, though most of them have nothing to do with the story or its characters. I love those things. But it feels like the book needed another round of editing to be ready. Really obvious mistakes – consistently misspelling lightning as lightening, misplaced apostrophes in plural possessive words (making the words singular possessive instead), rod iron instead of wrought iron – cropped up every few pages. Lord knows my own novels have typos in them (there’s probably at least two just in this review, I betcha), but a good editor should have caught these. Most of them are consistent, recurring mistakes, especially the lightning/lightening thing. The errors rarely impeded my ability to understand what the author was trying to say, but it did happen on occasion and I did sometimes have to go back and re-read sentences to make sure I understood what they were trying to say.
Overall, The Lost Door is a fun, adventurous sequel to Steen Jones’s The Door Keeper. It’s fun, fast-paced, and enjoyable. It’s nice seeing characters who make an effort to understand one another, whose relationships are driven by character and genuine emotions rather than what would be narratively convenient. Everyone’s actions make sense, their choices feel genuine, and the story leaves me wanting more. I can’t wait for the final act in the trilogy.