Looking Back Through the Mists of Time

If you’ve read The Invisible Crown and stuck around to read the Acknowledgements page, you might’ve noticed I talked about the long gestational period the story went through.  While I can no longer find the notebook I wrote the original story in way back in the summer of 2002, I did find a file on Dropbox the other day labeled “Hazzard 1 Rewrite.”  It is exactly what it sounds like – a new draft of the original story, written after the version created for the Writing Group in 2004-2005.  I was working to refine the thing, but this particular draft was abandoned about two pages in for some reason.  I thought it might be fun to share this nigh-ancient version of part of the first chapter.  For me, it’s fun because I get to see how much of the characters and setting were solidly in place from the very beginning,  and how much Eddie Hazzard has changed over time (he used to be an even bigger asshole, if you can imagine that).  Also, apparently I thought “Stoover” was an acceptable character name.

Please don’t hold any terrible prose or awful character choices against me.  This is over a decade old; when this was written, I was still an unmarried twit back then.

* * *

It was too early in the morning for me to be at work.  That is to say, it was still morning.  I generally prefer waiting until well after noon to start my day, and today especially should have been one of those days.  I was nursing a hangover, the sort that would kill a lesser man.

They say the best way to deal with a hangover is to have a drink of whatever you got drunk on.  I got out of my chair and walked over to a file cabinet.  The top drawer was labeled “Hard Evidence,” and the bottom was labeled “Hard Stuff.”  I went for the latter, pulled out a bottle that should have had a skull and crossbones on the label, and took a pull straight from the bottle.  My head cleared, and I staggered back to my worn-out chair, ready for a nap.

The sign on my frosted-glass door reads: “Eddie Hazzard, Hard Boiled Detective.”  Currently I’m not only hard boiled, but slightly pickled.  Such culinary feats are not my concern, though.  My concerns are normally 5’7”, red-headed, and sultry.  And at 11:00 AM this particular morning, one hell of a concern slinked into my office and fought my faithful bottle for attention.  She won.  Dames usually do.  Granted, the dames are usually what drive me to the bottle in the first place.

She slammed the door behind her, which brought me back to the land of the conscious.  I dropped the bottle, which rolled across the floor and came to a rest against her black high heel.  “A little early to be hitting the sauce, isn’t it, Detective Hazzard?” she asked in a clipped, much too precise way.

“Hey, it’s lunchtime somewhere in the world, lady,” I replied blearily.

“Are you the so-called ‘hard-boiled detective’ of this…establishment?” she asked.  She looked around my bare, shabby office for a place to sit that wasn’t covered in stacks of overdue bills, old coffee cups, or unidentifiable stains of questionable origins.  She gave up and just stood.

“Lady, I’m hard boiled, soft boiled, scrambled—I do all sorts of detecting.”  She frowned a little at me—women do that way too much—and said she had a case for me, if I was interested.  My body said “no,” but my bill collectors said “yes,” so I asked her what the case was.

“My name is Vera Stoover.  My husband, Wally, has disappeared.”

“That’s a real shame, lady,” I said, digging a cigarette out of the pack and lighting it up.

“Yes, well, he was scheduled to testify against some…gentlemen of questionable virtue in court next week, but he disappeared on his way to a safehouse.”

“So you think these guys grabbed him, huh?”

“I’m certain he’s been abducted by those men, Detective Hazzard,” she said in a low voice.  Her bosom moved in a way that I was sure was illegal in most states.  “Will you please find him for me?  I’ll pay you handsomely.”  She pouted, her full bottom lip protruding obscenely.  I couldn’t tell if she was doing this on purpose or was really just that sort of classic noir bombshell.  I decided I didn’t care.

I told her I didn’t care if the money was pretty or ugly, just so long as it was real.  She handed me a photograph of a skinny, sallow-checked man in an expensive suit and a hat that went out of style back in the 1940s.  “This is Wally,” she said.  “As you can see, there’s not much too him.  I fear he may be injured…or worse.”   She reached into her bag and pulled out a slip of paper with two names: Guido and Billy Sunshine.  I’d heard of them before; they were definitely bad news.  Then she pulled out a roll of twenties and handed it to me.

“I’m very thankful for your help, Detective Hazzard,” she said.  “This is a small advance for your services.”

“Don’t worry, Mrs. Stoover, I’ll find your husband,” I said, mustering as much confidence as I could manage.  She smiled weakly and slunk back out of my office, and the view drug me out of my alcohol haze long enough to wonder if I’d maybe made a bad mistake.  I retrieved my bottle and took another pull.  Times like these made me wish I’d listened to my mother and played in traffic when I was a kid.

* * *

My first stop in my search was the corner of 4th and Shirley Temple Avenue, locally known as “No!  Not my knee!”  It was the favored hangout of unemployed bodyguards, thugs, and hired goons.  These were the kind of grunts who made a living teaching anyone who got too close or asked the wrong questions a “lesson.”  Ironic, really, considering most of them had the educational equivalent of flunking kindergarten.  Granted, a lesson taught by one of these simpletons wasn’t one you’d forget in a hurry.  It was a very blunt education.  Or occasionally sharp, if they put a nail in the stick or used a knife.

They spent most of their free time doing pretty much the same stuff they did when they were employed, only without the guidance, direction, or discipline of working for a mob boss.  Folks tended to stay as far away from this area as possible; yet here I was, walking right into it.  Sometimes, the hero has to do brave but stupid things.  Or he might just be completely stupid.  You never can tell.

I had a certain thug in mind, a gorilla of a man named Vinny.  Vinny didn’t have the intelligence of a gorilla, mind you—no, an ape has a few more braincells banging around in their skulls than Vinny does—but he was the approximate shape and size of one and had about as much hair on his body.  Vinny stood about 6’8” and weighed 350 pounds.  He sort of stooped over, and you almost expected to see his hairy knuckles drag the ground.  He had a slopping forehead, thick eyebrow (there was only one, of course), and tiny, beady eyes.  In a word, Neanderthal.  Not that he’d understand the word.  They called him Vinny the Pooh, because most of the people he paid a visit to were prone to crapping themselves whenever they saw him.

I found Vinny standing in the mouth of a small side alley, blocking daylight for the poor sap he had cornered.  “Th’ Boss wants yer to pay up by t’morrow, or else.”  Most people said “or else” with an implied ellipsis at the end of it, as though the worst part of the threat was that you didn’t know what would come next.  But with Vinny, it was obvious what was to come: a beating so severe your grandmother would feel it.  He didn’t have to threaten; he merely promised great pain if his demands weren’t met to the letter.  It was amazing how often the poorest of men somehow managed to scrape together a loan payment after a visit from Vinny.

Vinny shuffled aside with all the speed and grace of continental drift and the guy scurried out of the alleyway as fast as his rubbery legs would carry him.  Vinny’s piggy eyes followed his fleeing prey but got distracted when I stepped into view.

“Whudda you want?” he asked in his gravelly drawl.

“I need to see your boss, Vinny,” I said, trying my best to keep my knees from knocking.  The trick with guys like Vinny was to never show them fear and hint that you would bleed much too easily to make it worth their bother hitting you.  It’s a delicate balance to say the least.

Vinny took a minute to process my request, his brow furrowing like plowed field.  Then he finally said, “Tuba no wanna talk witchu.  He still ain’t happy ‘bout whatchu done to Four Eyes.”  He meant Four Eyes Malone, the Tuba’s accountant.  I’d sent Malone up the river for a sum in the federal pen a few months ago.  It was rumored that Malone’s incarceration ended up costing the Tuba millions of dollars in missed opportunities and poor interim bookkeeping.

“Look, Vinny, let’s let bygones be bygones,” I said, smiling.  When his brow furrowed in concentration and confusion again, I said, “Hey, let’s forget the past.  I’m sorry about Four Eyes, and I really need to talk to the Tuba.  Where is he?”

Vinny stood there for a moment, then finally rumbled, “He’s at the Speakeasy on 8th Street.”

“The Speakeasy?” I asked.

“Yuh, that,” Vinny the Pooh said, then shambled off to find something else to beat up.

Other People’s Hard Work

Today, I thought it’d be fun to take a look at the actual dead trees edition of The Invisible Crown (available now, hint hint).  Back before the book came out, I saw a digital mock-up of the cover.  It’s pretty awesome, but getting to hold the actual, physical thing in my hands is evEddie-bookmarks-crown-1.jpgen better.  And that’s down to the fine folks who designed it all.

Generally speaking, most people tend to skip over the Acknowledgements page in a book.  I know I usually do, because I don’t know them and I won’t get the little in-jokes and personal asides that pepper those pages.  But when you skip over the Acknowledgements, you miss out on finding out who all supported the author in creating the book.
So today, let’s take a look at a couple of those individuals.  First, there’s our cover artist, Freddy Torres Vega.  Freddy came up with several character pieces of Eddie Hazzard, Miss Typewell, and a couple of other characters.  It’s some cool work, even if I’m a little iffy on his portrayal of Hazzard with a mustache.  His use of color is fantastic, though, and he really came through with a cool design for the cover (way better than whatever crappy pencil sketch I initially sent them.  That’s why he’s the guy who designs covers, and I just write the words that go behind the cover).2017-02-22-09-31-53

The other hidden superstar of the book is Cindy C. Bennett, the editor and book designer.  She did all the layout and formatting for the book, chose the fonts and all that jazz.  She’s also the reason the 2017-02-22-09-32-08.jpgbook isn’t composed entirely of commas.  She made some great choices, too: the font for each section heading page is awesome, and the little symbol she used in place of my * * * between subsections?  It’s freakin’ cool.  I mean, look at it!

So, yeah, without the hard work of several other people, this book wouldn’t look as good as it does.  So, thanks to them!

 

Protest Music

If you’ve had a conversation that lasts more than two minutes with me in the past month or so, you’ve probably heard me go off on some rant about the current political climate and America’s current administration.  Believe me, I’d love to talk about something else, but every time I turn around, something new and horrifying has happened and I get angry and riled up all over again.

Now, this may seem tangential, but my creative pursuits go in waves.  Sometimes, I’m all about novel writing, sometimes it’s comics and drawing, and sometimes it’s music.  Lately, it’s been music.  And here’s where it connects: the single upside to my current mood and reaction to American politics has been to write a slew of protest songs.

Now, there’s a long history of musicians picking up an instrument and address injustice and inequality.  Guys like Bob Dylan, Pete Seeger, and Woody Guthrie made their careers writing songs of protest (sure, Dylan moved away from that pretty quick, but that’s how he started out).  Speaking out for the less fortunate, the voiceless, the silent masses – that’s what protest music is all about.

And so, despite my distaste for the current administration and its policies, my songwriting has felt pretty inspired lately.  I would gladly trade inspiration for a different president, mind you.

Happy Valentine’s Day 2017

When I was a younger man, single and insecure and full of anxiety and dumb ideas, I was a bit of a sad sack.  Okay, a lot of a sad sack.  I moped around the campus fountain at midnight listening to sad songs on my Discman like some mooney-eyed twit.  And I made mix CDs of songs about love gone sour and losers.

Nowadays, I tend to mope less, mostly because I finally got medication and therapy.  Marrying an amazing woman helped, too.  While I don’t make mix CDs anymore (I make playlists on my phone instead, because it’s 2017), I do still enjoy putting together thematic lists for special occasions.  While I think of myself as less of a loser than I once did, I thought it might be fun to put together one more Loser List for Valentine’s Day.

Before the list, though, a few words on this holiday.  I’ve never been a big fan of Valentine’s Day.  Maybe it’s a result of being single throughout college and grad school.  Maybe I resent being told I have to be romantic on a set day in a specific way (today’s comic is a pretty clear indicator that the Wife and I have our own unique brand of affection and romance).  Honestly, I don’t think there’s any real reason to feel obligated to do some big, ridiculous thing today, unless you really want to.  Some folks really love Valentine’s Day, and that’s great for them!  For the rest of us, let’s just act like it’s a regular ol’ Tuesday, and everyone has joined Garibaldi’s Red Shirts for the day for some weird reason.

Anyway, without further ado, here’s the Losers List.

The Beatles, “I’m a Loser”: A Hard Day’s Night is one of my absolute favorite Beatles albums, and this manages to be one of the best songs on the record.

Beck, “Loser”: Like this song wasn’t going to show up on this list.

Tom Petty & the Heartbreakers, “Even the Losers”: More a song of hope than anything else, it always gives me strength to think that even the losers can get lucky sometime.

The Avett Brothers, “Shame”: Sometimes we feel so sure of ourselves, only to realize we’re being tremendous assholes.

Bob Dylan, “You’re Gonna Make Me Lonesome When You Go”: Blood on the Tracks is full of sad songs of love gone wrong, but this is one of my favorites.

Cake, “Friend is a Four-Letter Word”: If early-20s me had an anthem, this was probably it.  If anyone needed a punch in the face, it was early-20s me.

Camera Obscura, “Lloyd, I’m Ready to be Heartbroken”: “‘Cause I can’t see further than my own nose at the moment.”  Brilliant.

Sting, “Seven Days”: Sting’s face is pretty punchable, too, if only because he refers to his rival as “Neanderthal.”

Jesse Malin, “She Don’t Love Me Now”: I’m a sucker for great horn arrangements.

Led Zeppelin, “Hey Hey What Can I Do”: Your woman runs around on you while everyone’s at church?  Robert Plant feels your pain.

Hike-a-Thon

Over on my comic blog the past couple of weeks, I’ve been running a storyline about the Trail Police.  The Trail Police were an idea my brother and I came up with back in the summer of 2002 while we were working in Yellowstone National Park.  The idea was the Park Rangers couldn’t manage the trails and the park visitors alone, and needed a vigilante to run around zapping ne’er-do-wells with a cattle prod.  It became this whole convoluted thing, involving a rival trail police guy named the Trail Master, and then I moved on with my life.  I revisited the idea a couple of summers later, then again late last year by bringing the Trail Master into the “real world” to compete and then befriend the comic representation of my brother.

And then all the nonsense with the Parks Service Twitter accounts happened, and my brother texted me asking why I wasn’t doing a Trail Police comic about it.  And then I couldn’t not do a series.

For this week’s comics, I decided to do a series of images of the characters hiking in various national parks.  I picked five of my favorites, found photos, and added Clyde, his daughter, and the Trail Master into them.  And the idea behind that – hiking in the parks to highlight and bring attention to the astonishing beauty and importance of these public spaces – felt like something important, something I’d like to see actually happen in the real world.

Now, I know not everyone lives near a national park, or a national park that isn’t under six feet of snow in the middle of February.  So what I was thinking was this: why not do a big hike for the parks sort of thing in March?  Get people out there, expressing their appreciation for the parks, reminding people of how important America’s Best Idea really is.

The plan, then: on March 25, we hike.  Everyone.  Get out to the nearest national park and get on the trail.  Carry signs if you want.  Tell the world you think the National Park System is worth preserving, worth fighting for.  Join me on the trail that day, won’t you?

Confession Time

I was once a Republican.

Now, in my defense, it was 1998, I grew up in Oklahoma, and I was pretty naive and didn’t know much about anything outside of my small town life.

But yeah, for a single midterm election in 1998, I voted Republican.  It was during my first semester of college, and honestly voting in Oklahoma for anyone other than the Republicans on the federal level (or even the state level, most of the time) was an exercise in futility.

But I did it because I was, in that first semester in college, very much a Republican.

I remember the first time my college biology professor mentioned evolution in class.  I had a bit of a tantrum, demanding to know how evolution could work if God existed.  I don’t recall correctly, but the professor was far kinder to me than I deserved.  He didn’t taunt me or belittle my beliefs, though he may have heaved a laborious sigh (this probably wasn’t a common position to come across when you teach science in a small, church-affiliated private university in the Ozark Mountains in Arkansas).  He said there was nothing in evolution that contradicted the notion of God or God creating everything.  I wasn’t 100% convinced, but I subsided.

And by the time I came home for Winter Break a couple of months later, I’d be basically unrecognizable as that naive young man.  I’m not saying Republicans are naive, just that I sure was.

I spent the next several years trying to tell myself and those around me that I was a left-leaning moderate, when the reality was that I was tipping so far to the left that I just about fell off that end of the spectrum.

I’m not saying education automatically makes everyone more liberal.  I know plenty of well-educated people who nonetheless remain conservative.  But it’s hard to go through several years of education in the social sciences and not come out of it thinking maybe the government needs to have some compassion for those outside the majority because, let’s face it, the government has spent centuries mistreating those in the minority.

 

tl; dr: College turned me liberal, and I’m super okay with that.

What Makes A Good Review?

Many of you (hopefully) have had a chance to purchase and read The Invisible Crown by now. You’ve probably heard me (and other authors) say that reviews are really important: they help drive sales, encourage readers to take a chance on an unknown author, and feedback helps us grow as writers.  But maybe you’re not sure what to write, or think writing a review is a painstaking, time-consuming process.

Well, I’m here to tell you that’s not the case!  You can write a review in just a minute or two, really, even if you type like my father (who has never evolved past the hunt-and-peck-with-his-index-fingers method of typing).  Below are all the important elements you’ll need to write a great review for any book!

  1. Keep it simple.  No reason to explain the whole plot or provide bios for all the characters.  The readers will get that stuff when they read the book.  On the other hand, you should…
  2. Be specific.  What did you really like?  What did you really dislike?  What is the one thing about the book that really jumped out at you?
  3. Be constructive.  It’s okay if you didn’t think it was the best book you’ve ever picked up.  Sometimes readers and books just don’t gel.  I had one of my self-published books disparaged because the reviewer found the book to just be, “too weird.”  Which is fine, if that’s how you feel, but it doesn’t really help, y’know?
  4. Be positive.  This isn’t saying you can’t voice legitimate criticism or talk about what you didn’t like.  You can totally do that.  But there are positive, constructive ways to do that.  One reviewer for TIC said they had a difficult time connecting with Hazzard because he was just too mean and drunk most of the time.  But he also couched it in a larger discussion of the things that the reviewer enjoyed in the book, and how he thought the book fit into a larger genre of fiction.  Plus, this is the first book in a series: gotta leave myself room for character growth (and improved sobriety).
  5. Be honest.  If you liked it, say so.  If you didn’t, still say so, but don’t be a jerk about it.

Ultimately, a short, honest review that is specific and constructive is much better than a long, rambling review that tries to do too much.  Happy reading and reviewing!

America’s Best Idea

One of my fondest memories is of the time I spent working in Yellowstone National Park one summer.  My brother and I worked in the dining hall at Mammoth Hot Springs, at the far northern end of the park up in Montana.  We were table bussers (though I eventually moved back into the kitchen as a prep cook), working four days a week on average.  On our days off, we’d take long, meandering hikes of 15-20 miles each with nothing but some trail mix, some Ritz Bits S’mores, and a couple of bottles of water in our fanny packs (that’s right, we had fanny packs.  They were effective, dangit).

I’d just graduated from college and had no idea what I’d be doing when I returned from my three months in the wilderness (spoiler alert: the answer was graduate school at the University of Oklahoma).  But honestly, I wasn’t all that concerned about it at the time, and not just because I was 22 and dumb as a box of rocks.  Yellowstone was and remains the home of a breathtaking variety of sights.  From the aforementioned hot springs to the geysers like Old Faithful, the towering Yellowstone Falls and the simple, placid beauty of Lake Yellowstone (we weren’t real original with the names, I’ll admit), and on to the mud volcanoes and south into the Grand Tetons, a mountain range so magnificent it got its own park.  My brother and I went on hikes where we knew we were the only humans who’d seen the end of that trail in years (the bear we encountered on one trail guaranteed we’d be the only people to set foot on that trail that particular summer).  Yellowstone remains my place of bliss, a location I can return to again and again in my mind to find peace in moments of chaos and anxiety.

And the current Republican-controlled Congress wants to basically give them away.

Now, I’m fine with states running some stuff.  There is the argument that smaller jurisdictions – states and local governments – are closer to their people than the federal government, and therefore can act more proactively and respond more effectively and flexibly to changing needs.  But the idea here – one that’s pushed by fossil fuel special interests – is that these federal lands have no inherent value in and of themselves and, therefore, the federal government doesn’t need to be holding onto millions of acres of federal land.  They should give or sell that land to the states to do with as they please.

Anyone who thinks Wyoming has the financial resources to manage all the national park land in that state, please raise your hand.  Now put your hands down, you liars.  There’s no way they could maintain their part of Yellowstone National Park at the level its been run and maintained by the federal government.  Wyoming just doesn’t have the cash.  They’d have to sell, I dunno, logging rights and drilling rights and mining rights and the like in the park to be able to afford it.  And that right there is the problem, and the Republican dream of selling off the parks piecemeal: it opens them up to exploitation.

The root of the problem is the belief that land has no value beyond the minerals or resources one can strip from it.  And that runs counter to the very concept of the national parks.  Men like Teddy Roosevelt saw the inherent value in preserving vast swaths of land just for the sake of the land itself.  Not everything has to be measured in monetary value.

rooseveltarchJust outside of Mammoth Hot Springs, at the northern entrance to the park in Gardiner, MT, there’s the Roosevelt Arch.  It’s a stone archway bearing an inscription: “For the Benefit and Enjoyment of the People.”  Teddy himself went on to add, “Nowhere else in any civilized country is there to be found such a tract of veritable wonderland made accessible to all visitors, where at the same time not only the scenery of the wilderness, but the wild creatures of the Park are scrupulously preserved, as they were the only change being that these same wild creatures have been so carefully protected as to show a literally astonishing tameness. The creation and preservation of such a great national playground in the interests of our people as a whole is a credit to the nation; but above all a credit to Montana, Wyoming and Idaho.”

old_faithfulAnd dammit, he was right.  “America’s Best Idea,” as the concept of the National Parks has come to be known, isn’t just a clever advertising slogan.  It’s a testament to the enduring idea of setting aside something natural and beautiful and perfect so that others may someday enjoy those things, too.  I want my niece and nephews to be able to visit the parks one day.  I want them to marvel as Old Faithful shoots steam and boiling hot water a hundred feet in the air.  I want them to giggle about the sulfurous stink of the hot springs.  I want to see them stand there, mouths hanging open, as a herd of bison amble along the road, completely ignoring the cars.  I want them to see wolves and elk and big horn sheep and everything else Yellowstone has to offer, and then I want them to stand on the rim of the Grand Canyon, and hike through the river at Zion, and see the majestic peaks of the Tetons, and maybe – if any still exist – see the Glaciers at Glacier National Park.  And none of that will be possible if the federal government has sold off the Grand Canyon so that a state could sell uranium mining rights, or if the forests of Rocky Mountain National Park in Estes Park, Colorado have been logged to the point that only stumps remain.

Of course, there is another distinct possibility: that the supervolcano under Yellowstone will wake up and erupt and kill us all.  It wouldn’t be the worst thing that could happen in Trump’s America.

The Old Guitar

Let me tell you a story about a guitar.  It’s about more than a guitar, really, because most stories are about more than they seem on the surface.  I’ll probably go ahead and make the subtext really overtly-explicit text at the end, but let’s just jump into the story.

Back in late August 2010, my wife and I went to New York to visit her family.  It’s something we periodically do, taking time to see her grandfather and her aunts and uncles and cousins.  Her Uncle Joe had heard that I played guitar, and was excited to have someone to strum guitars with when we came up to visit.  I learned a couple of old ’60s and ’70s-era classic rock songs that I knew he liked so we’d have something to play.

After an hour or so of entertaining ourselves (and maybe the other people around us, though in my experience guitar playing at a gathering is usually mostly enjoyed by the folks holding the instruments), he tells me, “I got something down in the basement I want to show you.  I think you’ll really appreciate this.  Hang on a sec.”  He disappears into the house and returns a few minutes later with an old guitar case, battered and scratched but still serviceable.  “Open it up,” he said, a grin splitting his face.  I popped the latches on the case to reveal a Lake Placid Blue 1966 Fender Mustang.  Now, ’66 isn’t the most famous year for that instrument – the ’65s are probably the cream of the crop, the last year before Fender was bought out by CBS – but a ’66 is a pretty sweet instrument.  Sadly, it’s sat in the basement for decades, and the neck is so warped it’s unplayable.

It’s still beautiful, though.  All original.  With a little TLC, maybe a new neck at the worst, it’d be playable again.

And he gave it to me.  It was a remarkably kind gesture, and you could see the genuine joy and pleasure on his face.  He enjoyed giving that guitar to me almost as much as I enjoyed receiving it, I think.

I was right, though: the guitar wasn’t playable in that condition.  It needed a new neck, it needed some work on the electronics (it still needs a bit of work on the electronics and the switches, if I’m honest, but I haven’t found a good guitar tech to take care of it yet).  I got a new neck installed, and the guitar plays beautifully.  It was broken, but fixable.

And now we come to the subtext.  Well, maybe not subtext.  It’s more an analogy.  I’m about to get political (again), but it’s about something I care very deeply about: education.

I’m a big believer in public education.  I believe everyone has the right to a free and appropriate education.  That all children deserve equal access to the curriculum, regardless of disability or language barrier.  And so when I see people like Betsy DeVos, Trump’s pick for Secretary of Education, I get worried.  She’d gleefully dismantle our public education system and replace it with vouchers.  While it masquerades under the guise of “school choice,” what it really does is pull resources, students, and teachers from school systems that are already struggling, leaving the students and teachers who remain in the public school struggling more and more.  Folks like DeVos then point to those failing schools and say, “See?  I was right about public education!” even as they’re causing a lot of the problems.

There are other problems with the vouchers/school choice/charter schools paradigm that DeVos and her ilk champion.  It frequently creates a new system of segregation.  The charter schools, on the whole, don’t perform any better than the public schools.  And these private charter schools aren’t held to the same state standards and curriculum that public schools are.  Part of why folks DeVos like them so much is that you don’t have to teach things like evolution, or treat other religions and cultures with anything resembling fairness or open-mindedness.

Betsy DeVos thinks our public education system is broken.  And, as much as it hurts to say, she may be a little bit right about that.  The public system doesn’t serve everyone well.  It doesn’t do a great job of measuring student growth, or helping students do more than prepare to take big, dumb, standardized tests.  I’m all for accountability in school, but the standardized tests don’t really do it.

But is our system broken beyond repair?  Is it an unplayable guitar?  No.  It needs some work – maybe a new neck, maybe a little work on the electronics, a new set of strings – but you don’t throw the whole damn thing out just because part of it is broken.  You fix it!  The system isn’t perfect, but no system is.  It’s a damn-sight better than whatever nonsense Betsy DeVos wants to put in its place, I know that.