Solitaire, Part 1

This is a short story I wrote several years ago as an introduction to Eddie Hazzard and the city of Arcadia.  A new chapter will run every day this week, leading up to the release of The Invisible Crown next Monday!  Come back tomorrow for Part 2! 

* * *

I was playing my 2,134th losing game of solitaire in a vid window, a hard light interface, when she walked into my office.  She was impressive-looking, with her close-cropped hair, dark skin, and tall stature.  I immediately flicked the floating screen away into the corner of the room and attempted to look as professional as possible.  The woman was clearly someone very busy and very confident; I could tell by looking at the smart, no-nonsense business suit she wore and the vid windows floating around her head at eye level like a low-slung halo.

“No, I want you to sell the shares of Vitruvian Dynamics,” she was saying to one of the screens, “and buy 100 shares of Relativistic, Inc.”  She pinched the vid window closed with an exasperated sigh, and waved away the rest to gather into a stack that floated just outside of her peripheral vision.  The long-suffering woman turned her well-manicured attention on me.  “Detective Edward Hazzard, I assume?”  It was less a question and more a resigned statement of unavoidable fact.  She was clearly unhappy that I was the man she’d discovered behind the desk.  And I couldn’t really blame her.  My appearance doesn’t inspire much confidence: I’m scruffy, slovenly, and only kind of sober.  Her attitude stung a bit, though.

“Yes ma’am, though I prefer ‘Eddie,’” I replied, trying to ignore her disdainful tone.

“I’m sure you do,” she sniffed.  “I have a…case for you, detective.  The subject matter is quite distasteful, and I would prefer if it were kept quite confidential.  I don’t want my business all over the tabloids.”

“Of course, ma’am,” I replied smoothly, easing my way out of my battered chair and around the corner of the scarred, ancient desk.  “We are very discreet, you have my word.”

The woman arched a tweezed eyebrow.  “Well then, I guess I should provide you with the lurid details,” she said, snapping open a smart leather briefcase that was older and better-cared for than anything in my shabby life.  She withdrew a small datachip and handed it to me.  “This is a file on my ex-husband, a man named Geoffrey Witherston Pennington III.  We divorced recently over his rather…unfortunate nocturnal habits.”

“Sleeping around on you, was he?” I asked with a wink.  The woman looked aghast.

“No!  He…had a habit of getting temporary genetic modifications and running around town naked.  It was…unseemly.  I could not handle the personal stress and the lost face in the community, so we quietly separated a few months back.”  A gen-mod tourist, a guy who used a chemical cocktail to give himself the traits of some other animal – snake scales, bird feathers, whatever – and ran around the city making a fool of himself.  It wasn’t all that unusual, but the obscenely wealthy did live in a weird bubble.

“So what do you want me to do, then?” I asked, slipping the datachip into a small port on my desk.  A vid window popped up with a picture of the man and physiological information.  He was around 55, in good shape, with a thick head of still-dark hair.  He was handsome, clearly, and didn’t look unkind or all that odd.  Guess it just goes to show, you never can tell.  “Sounds like anything that he does now is somebody else’s problem.”

“I wish it were that simple,” the former Mrs. Pennington replied, snapping her briefcase shut.  “When we separated, he took with him several documents and files that were quite important to me and my business.  I need you to retrieve them quietly and without causing a scene.”  I opened up a second file from the datachip, which turned out to be a list of the documents the woman needed.  Legal documents, going by their titles.

“Lady, not causing a scene is my bread and butter.”  I didn’t mention I couldn’t afford bread or butter, what with my wholesale whiskey bills.  “It’s $500 a day plus expenses, first two days’ pay upfront.”

Ex-Mrs. Pennington flipped a vid window back in front of her from the stack, tapped a couple of buttons on window, and pinched it shut.  “The money has been transferred to your account.  I expect results, Detective Hazzard.  Do not disappoint me.”  She pivoted and headed out the door, her heels clicking loudly across the scuffed linoleum in the quiet room.

Letting Go

It’s less than two weeks away.  On December 19, you can hold my book in your hot little hands…well, the kindle version.  You can order a print copy that day, but you won’t get it until a few days later.  Maybe in time for Christmas?  I honestly do not know.

Working with a publisher is definitely different than working by myself, though.  One of the biggest differences is the lack of control I have over things.  I want to do things my way, put the book out when I’m ready to do so, things like that.  I’ve never been good at relinquishing control of things.  Trusting someone else with the story I’ve been working on for over a decade?  It’s tough.

But those are just my hang ups.  Working with Royal James Publishing should ultimately be pretty rewarding.  They’ve been a big help so far with helping set up the marketing and all that.  The cover turned out great, even if they didn’t go with my original idea (I figure they’ve got actual experience designing covers and things, whereas I do not, so I’m gonna trust they know what they’re doing.  Besides, I really do like the cover a lot).  I have to trust my partners in this.  They want this book to be successful as much as I do.  I mean, for me, it’s a passion project, but not my only source of income.  Not even my primary source of income.  Hell, maybe not even my secondary source of income (we’re talking tertiary, behind my day job and driving for Uber, largely because I’ve made a grand total of $0 off the book so far).  I mostly just want folks to read and enjoy my book.  The publisher wants it to be financially successful.

So, yeah, hard as it is for me to give up control of things, as hard as it is for me to let someone else take responsibility for aspects of my work, I don’t really have a choice at the moment.  And that’s okay.  Learning to let go can be a liberating experience.

Dream a Little Dream

I don’t really remember my dreams that often.  I never really have.  A few have stuck out over the years, though.

Probably my earliest remembered dream was when I was around nine or ten.  I dreamed I was at my grandparents’ house in Okemah, OK, the house they lived in for years when I was growing up.  The house was swarming with gremlins (like from the movie Gremlins), and my grandmother and I were crouched together on the ceiling (yeah, upside down like a ninja.  Or Spider-Man.  Or a Ninja Spider-Man) to avoid them.

I don’t usually remember that many specifics from my dreams.  I did (and occasionally still do) have recurring dreams.  For most people, recurring dreams are like flying, or having to give a presentation in your underpants.  But mine was always running.  Bounding, really.  Taking giant, lopping strides, barely allowing gravity to have a say in things.  I’d run along highways and next to cars, keeping up easily and hardly even trying.  I guess it makes sense when you keep in mind I’m a big ol’ fat guy who does not move quickly (and didn’t even when I wasn’t quite so big or old).

In recent years, the dreams I can remember have taken on a more sinister tone.  The one I recall from a couple of nights ago is pretty typical: I was standing in the bathroom, staring into the mirror, and my two front teeth started to crumble fracture before my eyes.  Little pieces chipped and flaked away.  When I looked at my lower teeth, they were full of holes and missing chunks.  It was pretty distressing, I don’t mind telling you.

I wish my dreams were more pleasant.  It’s not a great way to wake up in the morning, feeling the need to poke around in your mouth to make sure your teeth haven’t rotted out of your head while you slept.

Of course, there are also the dreams like this:

2016-10-10 20.46.57.jpg

 

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Book FAQs

I’ve been getting some questions about The Invisible Crown, and I thought I’d address a bunch of them all at once just to save us all some time.

Q: When does the book come out?

A: December 19, 2016.  Less than a month from now!

Q: How much is the book?

A: The Kindle version is $4.99.  The print version will be more, I would imagine.  If previous titles released by my publisher are any indication, expect it to be around $15.

Q: Speaking of the print version, why can’t I pre-order that?

A: I asked my publisher.  It’s something to do with our vendors.  There won’t be a pre-order for the print version, but the print version will be available for purchase the same day the Kindle version is available to download.

Q: What about an audiobook?

A: Don’t know yet, but I’m working on trying to arrange that for those of you who want me in your ears.

Q: I read your old self-published stories, including the novella Missing Person that this book is based on.  Why should I buy this new book?

A: Aside from the shiny new cover and professional editing?  This is a completely revamped book, with 60% brand-new, never-before-read material!  Sure, the bones of the story are the same, and even some passages were lifted completely from the old story, but it’s a new book.  There’ll be a bunch of changes in book 2 as well, even though that was originally self-published, too.

Q: You just mentioned a second book.  Does that mean this is a series?  When will the rest of the series be available?

A: This is a series!  The second book will be out probably next December.  There will also be a short story set in the Hazzard Universe out sometime in the spring.  At present, there are seven books planned for the series.  The first four have been written, and the fifth book is in-progress.  Books six and seven have rough outlines.  Beyond that?  Well, there’s also almost a dozen short stories that will be released every so often (and eventually collected in print).  And maybe I’ll come up with some more novels, who knows?

Q: I don’t wanna wait!  Why do I have to wait so long for each new book?

A: Mostly because I’m not the only author at my publisher.  They want to give each book plenty of time to grow its audience and get attention before they jump right into the next one.  So, short answer is that I’m not their only author, so I can’t just crank out a book whenever I want.  But this is a good thing, too, because it means there’ll be books to look forward to for years to come.

Q: Will you be doing any signings?

A: I’m a little flabbergasted why anyone would want this but hey, it’s your book.  Trouble is, I don’t do this for a living (not yet, anyway!), so I can’t really just go out on a book signing tour or anything.  I’m trying to arrange something in my neck of the woods in Northern Virginia, probably just after the New Year, but aside from that?  It could be tricky.  I might do a signing in Oklahoma in the summer when I go out to visit my folks, but I’d need someone to set that up for me probably.

If you’ve got any other questions, feel free to leave them in the comments and I’ll try to answer them.  Remember, the book can be pre-ordered right now!

Happy Thanksgiving!

Happy Thanksgiving, everyone!  I’m thankful for getting to do what I love, both in my day job and with Eddie Hazzard and Company.  Don’t forget to pre-order your copy of The Invisible Crown, which’ll be out just in time for Christmas (and you know you need a good read over the Christmas holiday; how else will you stand Uncle Albert’s rant about whatever it is he’s ranting about this year?)!

The Invisible Crown PRE-SALE ANNOUNCEMENT! — royaljamespublishing.com

We are excited to announce the pre-sale for the wonderful sci-fi mystery novel, The Invisible Crown by Charlie Cottrell is officially here! Pre-order your digital copy on Amazon, more retailers coming soon! Click here to pre-order your copy on Amazon today! Release date is December 19, 2016. About The Invisible Crown: The city of Arcadia is a craphole, but it’s my […]

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#NaNoWriMo2016

We’re a little over halfway through November, and I’ve been busy writing in my spare time.  This year, rather than creating a whole novel, I decided to work on a series of short stories in a variety of styles and genres.  Most of them will probably never see the light of day, but it’s fun to flex some different creative writing muscles and try out some styles and techniques I don’t use when writing Hazzard stories.

As of Tuesday morning, I have just over 10,000 words written across a half dozen different stories.  A few are complete, but a couple are still in progress.  I’m not really sure where most of them will go.  It’s kind of fun, creating new characters and situations completely independent of Hazzard and Arcadia.  I’m not sure how much I’ll end up with by the end of the month, but it’s a nice break and a fun way to stretch my skills.

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Help a guy out and review my book?  I think you’ll dig it!

I mean, of course I’d think that.  I wrote it.  But still!  Pretty sure you’ll like it.

We are looking for some wonderful bloggers to review an upcoming novel, The Invisible Crown by Charlie Cottrell. The blog tour dates are December 11-18, 2016 and the release date is December 19, 2016. Send us an email to royaljamespublishing@gmail.com or click here to join our blog tour email list today. Thanks! About The Invisible Crown: The city of Arcadia is a craphole, but it’s […]

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Tom Petty & the Heartbreakers’ Echo Reconsidered

I’m a pretty big Tom Petty fan.  I’ve seen him in concert three times, the first on the Into the Great Wide Open tour (front row center, and I got Petty’s guitar pick at the end of the show!), then again for Wildflowers, and then on a tour where he just played greatest hits a few years ago.  It’s safe to say he’s one of my favorite musicians.

If I have to rank Petty’s albums (both solo and with the Heartbreakers), it’s pretty easy.  Wildflowers is sitting pretty at the top, followed closely (in no particular order, ’cause they’re too close to call) by Full Moon Fever, Damn the Torpedoes!, and Into the Great Wide Open.  Somewhere further down the list, after Hard Promises and Southern Accents but before Mojo and (shudder) The Last DJ, there’s Echo, the 1999 follow-up to Wildflowers (and the soundtrack to She’s the One, which was of a piece with Wildflowers).

When it initially came out, I enjoyed the record, but wasn’t all that impressed with it.  Wildflowers had set a ridiculously high bar for Tom Petty albums, after all.  You weren’t going to top that thing.  I really enjoyed “Room at the Top,” the album opener, and a few other tracks along the way, but it’s very telling that, with most Tom Petty albums, I can sing along to every single song without a problem.  But I can’t do that with Echo.  I know the choruses (Petty’s choruses are always catchy as hell), and I’m vaguely familiar with the songs, but they haven’t become ingrained in my brain the way, say, the songs from Into the Great Wide Open or Full Moon Fever have.  The album always felt too long: it’s 15 songs, over an hour long, and just felt too full.

But when I got into the car a few days ago, and decided I wanted to hear Echo, it was an opportunity to reevaluate the album and see if an older, wiser (?) Charlie could appreciate it in a way that 19-year-old me could not.

For starters, “Room at the Top” is still freakin’ awesome and a great opener.  It’s anthematic, hopeful, heartfelt, and just all-around great.  “Counting on You” is a solid, classic Petty song, and “Free Girl Now” rocks as hard as any of the rockers on Wildflowers.  “Swingin’,” with its extended baseball metaphor, kind of drags, but things pick up real quick with “Accused of Love,” which was one of my favorites from the album back in the day and holds up remarkably well.  The title track is a little too plodding for my tastes, but it’s not a bad song. “Won’t Last Long” is a tune in the same vein as “Won’t Back Down,” a statement of defiance and resilience.  “This One’s For Me” is a fun, strummy song that feels like classic Petty songwriting.  “About to Give Out” has a driving beat and is a lot of fun.  “Rhino Skin” is a weird song, but does feature the phrase “you need elephant balls,” which I’m kind of amazed he worked into a song with a straight face.

Overall, my estimation of Echo is a bit higher than it was when it came out 17 years ago.  Petty’s songwriting is as strong as ever, the band feel expressive and lively, and everyone sounds like they’re having a blast playing these tunes.  All pretty strange, considering it’s a post-divorce album (those’re typically dour affairs, even as they generate plenty of fodder for the songwriter’s muse).  Petty seemed to make some pretty damn good lemonade out of those lemons, if you ask me.