bob dylan

Playlist #173 – Back to School Edition!

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Happy Monday, folks! Once more, a new school year has rolled around, and once more I woke up having not won the lottery, so I’m back in the classroom for my twentieth year of teaching. Which is more than a little horrifying. How can I be old enough to have done anything for twenty years? Except make playlists, of course. I’ve been doing that since I was born, essentially.

  1. The Call, “Let the Day Begin”: As I said last year when I featured this song on my start of the year playlist, this song always played on the classic rock station we listened to in my hometown first thing in the morning, usually around the time I was on my way to school. So I kind of associate it with the school day staring.
  2. Matchbox 20, “Stop”: Are these guys the most middle-of-the-road pop rock from the last twenty-some years? I think they might be.
  3. John Bonamasa, “Driving Towards the Daylight”: I had certain preconceived notions about what a John Bonamasa song would sound like and who he was as an artist, and boy was I wrong. It’s pretty good stuff.
  4. Billy Idol, “Bitter Taste”: Speaking of songs from artists I didn’t expect, this latter-day Billy Idol song is actually pretty damn good.
  5. Post Malone, “Have the Heart (feat. Dolly Parton)”: I didn’t have “Post Malone releases an actual country album” on my 2024 bingo card, let alone a duet with Dolly Parton that features the classic country like “I didn’t have the heart to break yours,” but here we are.
  6. Rufus Wainwright, “Going to a Town”: Melancholy and downbeat, but a lovely and beautiful song.
  7. Bruce Springsteen, “Stolen Car”: Speaking of downbeat, this is probably the most subtle song Springsteen has ever recorded, and I’m including Nebraska in that tally. I’m sure it was totally by accident.
  8. Young Dubliners, “Last House on the Street”: A simple love song, but the best love songs are simple.
  9. Van Morrison, “Into the Mystic”: “It’s too late to stop now.”
  10. Bob Dylan, “Born in Time”: Every so often, latter-day Dylan pops up with an absolute gem that he, for reasons I can’t explain, he relegates to the Bootleg Series rather than releasing on an album proper. This is one of ’em.

Playlist #168

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Happy Tuesday, folks! We’re back from the beach, and for once I did not get sunburned! Don’t forget that the new Eddie Hazzard book is now available on the ‘Zon.

  1. Foo Fighters, “Best Of You”: “I’ve got a confession to make”: I didn’t realize this song was over 20 years old. It somehow seems older? And yet somehow also timeless. David Grohl is a pretty good songwriter.
  2. Sonic Youth, “Teen Age Riot”: Never really got into noise rock when I was young and malleable, so it’s kind of strange that I started listening to them this week and didn’t hate it. Still don’t fully understand the genre, but that’s on me, not them.
  3. Bob Dylan, “Love Minus Zero/No Limit”: Dylan rarely writes straightforward love songs, and calling this one is maybe a bit of a stretch. It’s easier to decode than many of his other songs: “She doesn’t have to say she’s faithful/Yet she’s true like ice, like fire,” is a damn good line.
  4. Fleetwood Mac, “Silver Springs”: Man, the 1997 live version of this song is just gloriously mean. Stevie Nicks sings it directly to and at Lindsey Buckingham, a great big lyrical fuck you the likes of which you rarely get even in the best sad songs.
  5. Wilco, “Livid”: Wilco’s new EP is pretty good, if sadly short.
  6. Flying Burrito Brothers, “Dark End of the Street”: These guys were putting the country in country-rock well before that was even a genre.
  7. John Prine, “The Great Compromise”: I’m still discovering amazing songs written by this guy. He left us far too soon.
  8. The Shins, “Phantom Limb”: I kinda like the Shins still. They didn’t change my life, contrary to what the movie Garden State would have you believe, but they’re good.
  9. Violent Femmes, “American Music”: The snide condescension in the vocals on, well, all Violent Femmes songs sustains me in my dark moods.
  10. The Velvet Underground, “Rock & Roll”: Why does this song include a Bb6? What is the point of that damn chord other than to infuriate me when I try to play the song?

Playlists #164, #165, and #166

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As you read this, I’m somewhere between Virginia and Oklahoma, headed back to the land of my birth for my grandfather’s funeral. He passed away this weekend, and it’s kinda left me gutted. I’m glad I got to see him over Father’s Day weekend, and that he was in good spirits at the time. It’ll be nice to remember him that way.

Anyway, I’m combining three playlists into one today, because I’m behind a bit and I put together a big playlist to get me to Oklahoma. Here’s thirty songs.

  1. David Gray, “A Clean Pair of Eyes”: Early David Gray just hits different. It’s folkier, more acoustic, and very introspective. I dig it.
  2. Louis Armstrong, “Mack the Knife”: There is no better moment in music than when Louis throws it to himself for the trumpet solo at the end.
  3. Bing Crosby, “Swinging on a Star”: One of the best songs about the importance of education ever committed to tape.
  4. Ryan Adams, “Desire”: Yeah, the guy has diarrhea of the recording studio, and some of the crap he’s pulled over the years is rather reprehensible, but he does occasionally write and record good tunes.
  5. Mavis Staples, “Eyes on the Prize”: Leave it to Mavis to turn a Civil Rights Standard into a bluesy banger.
  6. Greg Feldon, “Incoming”: On one of my (many) recent trips back from Oklahoma, I spent the better part of a day driving up I-81 listening to this song on repeat until I had it memorized. It’s a good song.
  7. The Rolling Stones, “Honky Tonk Women”: Poor Mick just can’t even have an easy one night stand, can he?
  8. James McMurtry, “Choctaw Bingo”: It’s something of a standard “driving to Oklahoma” song for me at this point. It pops up on lots of playlists, because it’s a good song and it’s kinda long.
  9. Mark Knopfler, “Cannibals”: There are no cannibals anymore, are there, Mark? I think some folsk would beg to differ with a knife and fork, sir.
  10. Rilo Kiley, “More Adventurous”: Such a beautiful, forlorn sort of song. I’ve always loved it.
  11. Big Red Machine, “Renegade (feat. Taylor Swift)”: I’d be okay with Justin Vernon and Taylor Swift doing more duets for the next decade or so if they’re up for it.
  12. Ben Caplan, “Down to the River”: Did you know you needed more klezmer-inflected folk music in your life before you heard this song? Because I didn’t, but I obvious do need more of that in my life.
  13. Hank Williams, “Honky Tonk Blues”: This man knew from hard living, not that you’d know it from his songs necessarily. If he were alive today, he’d put the rest of the country music scene to shame, I’m pretty sure.
  14. The Mountain Goats, “Training Montage”: An amazing song if for nothing else than the line, “I’m doing this for revenge.”
  15. Neil Young, “Downtown”: I do enjoy it when Neil, the godfather of grunge, rocks out with Pearl Jam in tow. It’s a good time.
  16. Van Morrison, “Give Me a Kiss”: Old school Van was always top notch, as this song proves.
  17. The Wallflowers, “Misfits and Lovers (feat. Mick Jones)”: If you’re gonna do an album that sounds heavily indebted to the Clash, it’s probably a damn good idea to get a member of the Clash to guest on it.
  18. Tom Waits, “Chocolate Jesus”: Sacrilicious.
  19. Tom Petty & the Heartbreakers, “Angel Dream”: Can we talk for a minute about the run Tom Petty had between 1987 and 1999? He released Full Moon Fever, Into the Great Wide Open, Wildflowers, the She’s the One Soundtrack, and Echo, all bangers. All classics. Name me band in the past thirty-five years that’s had a string of records that good.
  20. Toad the Wet Sprocket, “Are We Afraid”: A quieter, more reflective moment from their odds & sods collection In Light Syrup.
  21. Pearl Jam, “Better Man”: I think I mentioned a few weeks ago how the Seven Mary Three song “Water’s Edge” is just a 90s rewrite of Richard Marx’s “Hazard,” and this song is just a rewrite of the final verse of Bob Seger’s “The Fire Inside.”
  22. Peter Gabriel, “Washing of the Water”: How does this man create such consistently interesting and provocative music? It’s wild.
  23. Paul McCartney & Elvis Costello, “My Brave Face (Original Demo)”: Two great tastes that taste great together, as it turns out. Elvis brought out the sharper side of McCartney (for a given value of sharper, since McCartney long ago filed off everything to smooth edges).
  24. Drive-By Truckers, “Everybody Needs Love”: An anthem for our time. Everybody does need love.
  25. Descendents, “‘Merican”: Another anthem for our time, this time about the true history of our country and how some folks just don’t want to see everything.
  26. The Dead Weather, “Hustle and Cuss”: It’s nice to see a Jack White project where he kind of takes a backseat to the proceedings, mostly just playing the drums and occasionally singing (like on this track).
  27. David Bowie, “Modern Love”: Dance-pop-era Bowie usually isn’t my favorite, but this song rocks.
  28. Calexico, “Guero Canelo”: Do I understand a word in this song? No. Does it still slap? Yes.
  29. Bob Dylan, “Song For Woody”: Another appropriate “traveling to Oklahoma” song. Woody is a state treasure, or damn well ought to be.
  30. Creedence Clearwater Revival, “Someday Never Comes”: One of the saddest songs that John Fogerty ever wrote, if you want my opinion. It’s dark and bittersweet and sad and longing, and it hits in just that right spot every time.

Playlist #158: More Tales from the Revolution

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Happy Monday, folks. It’s a wet and weary Monday, especially for me. I got sick over the weekend and have not fully recovered. But time and playlists (and AP Test proctoring) stop for no one!

  1. Gil Scott-Heron, “The Revolution Will Not Be Televised”: Gawd damn, how had I never heard this song until this weekend? It is so angry (justifiably so) and righteous (also justifiably so) and that groove is undeniable.
  2. John Lennon, “Working Class Hero”: Over the weekend, the Wife convinced me to activate Sirus XM on our car, as she was tired of “just listening to your curated playlists all the time.” Apparently she wants unpredictability in the music she listens to? That just sounds horrible to me, but that may be my weird little quirk. Anyway, I heard this song this weekend, too, probably on the same radio show as the Gil Scott-Heron track.
  3. Bruce Springsteen, “We Shall Overcome”: The looseness of the Seeger Sessions always struck me as very out of character for Springsteen, but it’s also a big part of why I love these songs so much.
  4. Adeem the Artist, “Books & Records”: The revolution will not be televised, and a lot of folks couldn’t afford to watch it even if they wanted to. While not a revolution per se, it is indicative of the folks down at the bottom of society for whom scraping by just doesn’t cut it.
  5. Bob Dylan, “A Hard Rain’s A-Gonna Fall”: Who writes more bitterly, more eloquently, about the revolution than Bob?
  6. Bob Marley & the Wailers,” Redemption Song”: You get the feeling – just from listening to this song, if nothing else – that Bob Marley understood the human spirit and the drive for freedom far better than many ever will. And maybe that’s a good thing: maybe we don’t want more folks having to think long and hard about how difficult freedom is to obtain, how challenging it is to fight just to exist. But Marley knew.
  7. Buffalo Springfield, “For What It’s Worth”: I’ll take “Songs I didn’t see becoming quite so relevant again” for $500, Alex.
  8. Leadbelly, “Midnight Special”: While I absolutely love the CCR version of this one, Leadbelly gives it a little something John Fogerty never could. There’s some authenticity to Leadbelly’s version – this is a man who literally sang his way out of prison at least once – and a lived-in experience that just isn’t present in the CCR version, no matter how awesome it is.
  9. Moxy Fruvous, “Stuck in the 90s”: While we may look back through nostalgic, rose-tinted glasses at that decade of decadence and – dare I say? – hedonism, not everyone sees the 90s as the golden age we think of it as being.
  10. Tracy Chapman, “If Not Now…”: Then when?

Playlist #157

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Happy Monday, folks! I hope everyone is doing well, and that folks out in Oklahoma weren’t hit too hard by all that weather over the weekend. It looks like the city of Sulphur got beaten up pretty badly, though.

  1. Uncle Tupelo, “Steal the Crumbs”: Went through an Uncle Tupelo kick late last week, especially their final record, Anodyne. Such a good album, and Jeff Tweedy really starts to find his voice as a songwriter. But Jay Farrar is still the frontman of this band, and this song is a good example of why.
  2. Simon & Garfunkel, “Kathy’s Song”: I’m constantly amazed by what these two could do with just their voices and a single acoustic guitar.
  3. Bob Dylan, “Seven Curses”: A simple tale of a horse thief condemned to death and his daughter, whose only path to freeing him is to sleep with the crooked, sleezy judge. Who, of course, does not free her father, but has him hanged instead. She puts one hell of a curse on him for it, too: “That one doctor cannot save him/That two healers cannot heal him/And that three eyes cannot see him/That four ears cannot hear him/That five walls cannot hide him/That six diggers cannot bury him/And that seven deaths shall never kill him.”
  4. Glen Phillips, “Train Wreck”: Glen Phillips sometimes comes across as a master of songs that are depressing as all hell and very, very bittersweet.
  5. The Head and the Heart, “Rivers and Roads”: The harmonies on this one are pretty nice.
  6. Jackson Browne, “Fountains of Sorrow”: Another one of those bittersweet songs about loss of love and innocence that just feels like a nostalgic gut punch.
  7. Moxy Fruvous, “My Poor Generation”: I always wish these guys had gotten just a little bigger, had stayed together just a little bit longer, and maybe released another album or two. It was awful, coming in right at the end of their time together, getting to hear all the cool stuff they’d done and slowly realizing that, hey, that’s it, there will be no more.
  8. REM, “Sweetness Follows”: I could not for the life of me tell you what this song is about, though it always feels like an elegy to me.
  9. The National, “Lucky You”: Probably the first great song written by these guys. It’s perfect, no notes.
  10. John Prine, “The Late John Garfield Blues”: Damn, but this man wrote simple songs about complicated things. Or maybe complicated songs about simple things? A little of both?

Playlist #153 – Annabelle the Horsewoman

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Happy Tuesday, folks! I returned from the great wide west to my humble abode in Virginia safe and sound. And today is eldest niece Annabelle’s birthday! In her honor, all of the songs have to do with horses, ’cause that girl is equestrian.

  1. Bob Dylan, “All The Tired Horses”: The kickoff to the infamous Self Portrait album doesn’t even feature any Dylan vocals. Which probably should’ve been a sign to folks, I think.
  2. Moxy Fruvous, “Horseshoes”: “You keep handin’ out horseshoes/Horseshoes have gotta be tossed.”
  3. America, “Horse With No Name”: Spoiler alert: you don’t have to keep riding a nameless horse. You can give it a name anytime you want. Horses don’t care. They don’t know their names.
  4. Bruce Springsteen, “Silver Palomino”: According to britannica.com., a palomino is a “colour type of horse distinguished by its cream, yellow, or gold coat and white or silver mane and tail.” Which…I mean, I guess you can refer to a horse by its mane color primarily, sorta like we do with hair color, except humans aren’t completely covered in hair that gives us a much better descriptor we could use, Bruce.
  5. Aerosmith, “Back In The Saddle”: If you fall out of the saddle, this song encourages you to get back up and climb back into it once more. Whereas I would say, “Bugger that for a lark, I’m gonna go have a lie down.” Because I apparently became British when I fell.
  6. Counting Crows, “Another Horsedreamer’s Blues”: Why does dreaming of horses give one the blues? I do not know. Maybe it’s because they’re so expensive?
  7. The Rolling Stones, “Wild Horses”: I dunno, I get the feeling wild horses would not want to be employed, let alone to drag anyone anywhere. But maybe that’s just me.
  8. Soul Coughing, “16 Horses”: I have so many questions. Why is she pushing the horses? Why sixteen of them, specifically? You guys have a lot of explaining to do.
  9. The Beatles, “Dig A Pony”: But not as much explaining as John Lennon has. Why do you dig a pony, John? And how? What is…is this a sex thing? Do I really even want an answer to that question?
  10. Tom Waits, “Pony”: Why does he sound so sad while he sings about riding his pony? I thought these things made people happy. I don’t understand.

Playlist #152 – Talk Singin’

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Happy birthday to me! And happy Wednesday, I guess. I’m currently in the heart of Oklahoma, visiting family. Anyway, here’s a playlist of songs that feature talk singing.

1. Bob Dylan, “Talkin’ John Birch Paranoid Blues”: A tongue in cheek look at the very real John Birch Society, an anti-communist group back in the ‘60s that was more than a little paranoid.

2. Beck, “Loser”: “In the time of chimpanzees, I was a monkey.” If that doesn’t speak to your soul, you probably weren’t in your teens in the ‘90s.

3. Butthole Surfers, “Pepper”: I’m not really sure what this song is about. A group of friends who all die horrible deaths? Maybe. Random word association? Far more likely.

4. Cake, “Never There”: The band that made the donkey call cool again.

5. Shawn Mullins, “Lullaby”: “She’d be a whole lot prettier if she’d smile once in a while” just comes off real creepy, Shawn. Maybe…maybe don’t say things like that in a song, yeah?

6. Soul Coughing, “Blame”: Sampling and bass & drums and repetitive lyrics, oh my.

7. Arlo Guthrie, “Alice’s Restaurant Massacre”: An 18 minute epic that tells the story of Thanksgiving, littering, getting drafted, and getting out of being drafted by telling the psychiatrist you can get anything you want at Alice’s Restaurant and then just walking out.

8. Ted Leo & the Pharmacists, “Bomb. Repeat. Bomb.”: A raucous, punky song that rips.

9. Van Morrison, “And the Healing has Begun”: The featured spoken-word section really makes the song drag, but it’s still a fun tune.

10. Harry Nilsson, “Everybody’s Talkin’”: There’s no talk-singing in this song, but the title sure fits.

Playlist #143

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Happy Monday on this rather chilly morning! We’re back at work for a relatively short week (though not nearly as short as last week, y’know?), and I’ve got a bunch of jumped-up raves to get you motivated to face that work week.

  1. Green Day, “Panic Song”: If this song doesn’t get you pumped up and jumping out of bed, ready to face the day, then you might wanna check your pulse because you might just be dead.
  2. Sleater-Kinney, “Turn It On”: Hey, these awesome ladies just released a new album last Friday! No, this song isn’t off that album; it’s off the seminal Dig Me Out.
  3. The Record Company, “Turn Me Loose”: This one’s a slow burner, with some excellent build-up.
  4. Old 97s, “Champagne, Illinois”: If you’re going to borrow a melody from someone, why not borrow from Bob Dylan? And why not borrow the melody from “Desolation Row,” if you’re going to borrow from Bob Dylan? And why not make the lyrics a travelogue of the Midwest?
  5. The New Pornographers, “Sing Me Spanish Techno”: Is Spanish techno well-respected in the techno community? Are there lots of people out there searching for that particular sub-genre? I just don’t know.
  6. The Pretenders, “Middle of the Road”: Chrissy Hinde rarely sounds so gnarly as she does in this song. There’s real menace here. I dig it.
  7. REM, “So. Central Rain”: Okay, so REM don’t generally go hard as a rule of thumb, and this song doesn’t, but it’s still very good.
  8. Lucero, “Downtown (Intro)” and “On My Way Downtown”: Okay, so I paired these two because “Downtown (Intro)” is, as it so clearly states, an intro to the full song “On My Way Downtown,” and I just really dig the way they feed into each other.
  9. Bob Dylan, “32-20 Blues”: It’s just Dylan and an acoustic guitar, and it still has more energy and forward momentum than most other songs you’ll hear.
  10. Ryan Adams & the Cardinals, “Friends”: Okay, so we gotta cool it down for the end of the playlist here. This is one of the best songs Ryan Adams ever wrote, on the best album he ever released.

Playlist #141

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Happy Monday, folks! It’s bright and clear here in Northern Virginia today, though tomorrow promises rainstorms. In January. Because we don’t get to have snow days anymore. Anyway, have some music.

  1. Terry Allen & The Panhandle Mystery Band, “All That’s Left Is Fare-Thee-Well”: Contemporary country that doesn’t suck? It’s more likely than you’d think! At least, it is when you’re talking about Terry Allen, who’s been at it since the mid-70s. And can you dig the name of that backing band?
  2. Neil Diamond, “Holly Holy”: Neil Diamond singin’ his heart out on this one, God bless ‘im.
  3. Bob Dylan, “Born In Time”: Sometimes, latter-day Dylan gets on even my nerves. He’s gotten to a point on many of his songs (you could easily make the argument that he was there from the very beginning) of getting too repetitive with the chord structures; it’s the same phrase, repeated over and over and over for six or seven minutes. But sometimes, he throws out a gem like this one, which didn’t even merit a regular release (it’s from The Bootleg Series, Volume 8. Though, come to think of it, there were several bangers on that particular set). So most folks will never hear this one, but thank God we got the three-disc Sinatra karaoke of Triplicate.
  4. Fleetwood Mac, “Seven Wonders”: Peak 1980s Mac. Which means my wife would hate it.
  5. Moby, “New Dawn Fades”: “Moby is so edgy,” said some vegan teen in 1998.
  6. Jenny Lewis, “Carpetbagger (Featuring Elvis Costello)”: Always sing a song with Elvis Costello if you get the chance. It just sounds good.
  7. Old 97s, “Jagged”: Is this from one of their best albums? No. It’s far too poppy for my tastes, generally speaking. Is this still a damn good song that just tears a hole straight through you? Yes.
  8. Josh Ritter, “Monster Ballads”: This is one of the most beautiful songs I’ve heard in the past twenty years. Just guts me every time I listen to it.
  9. Miles Davis, “It Never Entered My Mind”: One of my favorite jazz songs. I don’t talk much about jazz, because (1) It’s hard to talk about jazz in general and (2) most jazz is too up its own ass for my tastes. But this song is gorgeous and mournful and melancholy in all the best ways.
  10. Rhiannon Giddens, “The Angels Laid Him Away”: This woman knows her way around an old folk tune, as this particular ode reveals to great effect.

Playlist #132

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Happy beginning of November, folks! The days are shorter, the nights are longer, and the sun sets at 5:00 now. These tunes ought to keep you going through the darkness, though.

  1. Golden Earring, “Twilight Zone”: I guess I’d never really thought much about the chorus to this song, but holy crap did I apparently not know, like, any of it. “It’s just like steppin’ into the Twilight Zone/This is a madhouse, feels like bein’ cloned/My beacon’s been moved under moon and star/Where am I to go now that I’ve gone too far?” Like, I had never in my life parsed even half of those lyrics. This song is just wild, man.
  2. The Beatles, “Now And Then”: Anyone with even a passing interest in my writings or who I am as a person knows that the Beatles are my all-time favorite band. Sure, it’s a cliché, but when your father is a Boomer, you have to expect things like this. And this is billed as the “final” Beatles song. Well, the last one made featuring original work from all four Beatles, I’m sure. And it’s not bad! Like “Free As A Bird” and “Real Love,” it was made using an old demo Lennon made that the other three built around, but they had to use Peter Jackson’s AI unmixer to isolate Lennon’s vocals on the track. The result is that he comes through real clear, more so than on the two Anthology songs. Is it the best Beatles song? No, far from it. Is it still pretty damn good? Yes.
  3. The Rolling Stones, “Bite My Head Off”: Everything old is new again. The Stones put out a new album (only their second or so of the 21st century?), and it’s not bad. It’s not essential, but they left that behind decades ago and are mostly coasting on cool factor now. And that’s okay. If I were in the Rolling Stones, I’d be coasting by on having written some of the best damn rock’n’roll songs of all time, too, by the time I hit my 80s. Not working on new material. This one features Paul and Ringo from the Beatles, even! Pauls’ bass riff at the end is nasty stuff, and I love it.
  4. P!nk, “Who Knew”: Why does she spell her name with an exclamation point? I have no answer. But I kinda dig this song anyway.
  5. Semisonic, “Only Empathy”: Semisonic always hits a bright, warm spot in my heart, and their new album positively glows with energy and love. I particularly like this song.
  6. Tom Petty, “There Goes Angela (Dream Away)”: I always have a place in my heart for Tom Petty music, especially from the Wildflowers/She’s the One era. This particular demo/home recording is simple and gorgeous.
  7. Josh Ritter, “Getting Ready To Get Down”: If I understand the lyrics to this one correctly (and I’ll be the first to admit that my literary analysis skills have waned over the years), I’m pretty sure this is the story of a young woman who discovers she’s a lesbian, gets sent to Bible college, and comes back even more lesbian. Hey, even some of those “little Bible college[s] in Missouri” will teach you something about the world if you’re not careful!
  8. Cory Branan, “When In Rome, When In Memphis”: I absolutely love the chorus and coda to this song. “When I go, I ghost” is just a great lyric.
  9. The National, “Wake Up Your Saints”: High Violet is still the best the National album and even its outtakes and bonus tracks prove that.
  10. Bob Dylan, “False Prophet”: For a while there, I was concerned that Dylan had lost a step or two. I mean, I get one album of Sinatra covers, but three? And one of them was a freakin’ triple album? That seems excessive. But Rough and Rowdy Ways was a fun album full of the Dylan lyricism and in-jokes I’ve come to expect from the man, and I just have to stand in awe that even as he eases into his 80s he’s still releasing exciting and interesting new stuff. The Stones could probably take a tip or two.